Browse Titles - 13 results
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Encores
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
Sample
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Emma Johnson, 1966-, Skaila Kanga, Julius Drake
Contributor
Martin Haskell, Andrew Keener, 1954-
Author / Creator
Paul Reade, 1943-1997, Emma Johnson, 1966-, Skaila Kanga, Julius Drake
Date Published / Released
1993
Publisher
ASV
Series
ASV digital
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Bruch: Kol Nidrei
composed by Max Christian Friedrich Bruch, 1838-1920; produced by Michael Ponder, fl. 1989; performed by Philip Dukes, Sophie Rahman and Robert Plane (ASV), 1 hour 15 mins
Sample
composed by Max Christian Friedrich Bruch, 1838-1920; produced by Michael Ponder, fl. 1989; performed by Philip Dukes, Sophie Rahman and Robert Plane (ASV), 1 hour 15 mins
Date Written / Recorded
2001-12-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Philip Dukes, Sophie Rahman, Robert Plane
Contributor
Michael Ponder, fl. 1989
Author / Creator
Max Christian Friedrich Bruch, 1838-1920, Philip Dukes, Sophie Rahman, Robert Plane
Publisher
ASV
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Concert in the Park
composed by Jaromír Weinberger, 1896-1967; conducted by Harry Pinchin, 1935-; produced by Anton Kwiatkowski, fl. 1969; performed by Charles Hudelson, Edmonton Wind Ensemble (CBC Records, 2000), 1 hour 7 mins
Sample
composed by Jaromír Weinberger, 1896-1967; conducted by Harry Pinchin, 1935-; produced by Anton Kwiatkowski, fl. 1969; performed by Charles Hudelson, Edmonton Wind Ensemble (CBC Records, 2000), 1 hour 7 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Edmonton Wind Ensemble, Charles Hudelson
Contributor
Harry Pinchin, 1935-, Anton Kwiatkowski, fl. 1969
Author / Creator
Jaromír Weinberger, 1896-1967, Edmonton Wind Ensemble, Charles Hudelson
Date Published / Released
2000
Publisher
CBC Records
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Dmitry Sitkovetsky Conducts Shostakovich & Stravinsky
conducted by Dmitry Sitkovetsky, 1954-; performed by New European Strings (Hänssler Classic), 1 hour 1 mins
Transcriptions are nothing to be ashamed of, but because there are no indications on the CD's cover that three of the four works here are new arrangements for string orchestra, Hänssler seems oddly reluctant to advertise the fact. The unsuspecting purchaser may be puzzled by the existence of a String Symphony No....
Sample
conducted by Dmitry Sitkovetsky, 1954-; performed by New European Strings (Hänssler Classic), 1 hour 1 mins
Description
Transcriptions are nothing to be ashamed of, but because there are no indications on the CD's cover that three of the four works here are new arrangements for string orchestra, Hänssler seems oddly reluctant to advertise the fact. The unsuspecting purchaser may be puzzled by the existence of a String Symphony No. 3 by Shostakovich, but this is really just a version for string orchestra of the String Quartet No. 3, Op. 73, as arranged by Dmitry S...
Transcriptions are nothing to be ashamed of, but because there are no indications on the CD's cover that three of the four works here are new arrangements for string orchestra, Hänssler seems oddly reluctant to advertise the fact. The unsuspecting purchaser may be puzzled by the existence of a String Symphony No. 3 by Shostakovich, but this is really just a version for string orchestra of the String Quartet No. 3, Op. 73, as arranged by Dmitry Sitkovetsky, who has also reworked the youthful octet piece Prelude and Scherzo, Op. 11, and rearranged the Stravinsky/Dushkin violin and piano transcription of the Russian Song from Mavra. Only Stravinsky's Concerto in D appears as written. What this means to purists is anybody's guess, but Sitkovetsky is within his rights to enlarge the repertoire for his ensemble, the superb New European Strings, and adapting works for smaller string groupings seems a practical solution that does little harm to the composer's original intentions. Sitkovetsky's rendering of the String Quartet No. 3 is not garishly overblown or heavy-handed, and the feeling of Shostakovich's music is preserved in the arrangement's light textures and clarity. Some may miss the grit and penetrating quality of a quartet, but for that, there are several fine recordings available, and Sitkovetsky's alternate version, as enjoyable as it is, does not replace the original. The reproduction is excellent. ~ Blair Sanderson, All Music Guide
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Date Written / Recorded
1996-11-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
New European Strings
Contributor
Dmitry Sitkovetsky, 1954-, Heinz Wildhagen, fl. 1955
Author / Creator
New European Strings
Publisher
Hänssler Classic
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Erica Goodman And Friends
composed by Milton Barnes, 1931-; produced by Rick Phillips; performed by Erica Goodman, Suzanne Shulman and Stanley McCartney, Amadeus Quartet (CBC Records, 1992), 2 hours 20 mins
Sample
composed by Milton Barnes, 1931-; produced by Rick Phillips; performed by Erica Goodman, Suzanne Shulman and Stanley McCartney, Amadeus Quartet (CBC Records, 1992), 2 hours 20 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Amadeus Quartet, Erica Goodman, Suzanne Shulman, Stanley McCartney
Contributor
Doug Doctor, Rick Phillips
Author / Creator
Milton Barnes, 1931-, Amadeus Quartet, Erica Goodman, Suzanne Shulman, Stanley McCartney
Date Published / Released
1992
Publisher
CBC Records
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Gabriel Valverde: Luminar
composed by Gabriel Valverde, 1957-; conducted by Arvo Volmer; produced by Gabriel Valverde, 1957-; performed by Haydée Schvartz, Sofia Asunción Claro and Marie Kobayashi, Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova and Ensemble 2e2m (Mode Records), 1 hour 8 mins
Sample
composed by Gabriel Valverde, 1957-; conducted by Arvo Volmer; produced by Gabriel Valverde, 1957-; performed by Haydée Schvartz, Sofia Asunción Claro and Marie Kobayashi, Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova and Ensemble 2e2m (Mode Records), 1 hour 8 mins
Date Written / Recorded
1994-10-02
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova, Ensemble 2e2m, Haydée Schvartz, Sofia Asunción Claro, Marie Kobayashi
Contributor
Arvo Volmer, Ove Bergvall, Gabriel Valverde, 1957-
Author / Creator
Gabriel Valverde, 1957-, Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova, Ensemble 2e2m, Haydée Schvartz, Sofia Asunción Claro, Marie Kobayashi
Publisher
Mode Records
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Gerard Pape: Selected Works
composed by Gerard Pape, 1955-; conducted by Sydney Hodkinson; produced by Gerard Pape, 1955-; performed by Janet Pape, Susan Hansen, Kevin Stewert, Katherine Copeland, Sherry Colquist, Tim Rose, Denise Fest, Helen Haller, James Bergerler, Michael Dielski, David Schmalenberger, Thomas Buckner, Gerard Pape, 1955-, William Hugh Albright, 1944-1998 and Mark Thrasher, fl. 1998-2000, The Arditti Quartet, Ann Arbour Chamber Orchestra and Prism Orchestra of New York (Mode Records), 1 hour 48 mins
Sample
composed by Gerard Pape, 1955-; conducted by Sydney Hodkinson; produced by Gerard Pape, 1955-; performed by Janet Pape, Susan Hansen, Kevin Stewert, Katherine Copeland, Sherry Colquist, Tim Rose, Denise Fest, Helen Haller, James Bergerler, Michael Dielski, David Schmalenberger, Thomas Buckner, Gerard Pape, 1955-, William Hugh Albright, 1944-1998 and Mark Thrasher, fl. 1998-2000, The Arditti Quartet, Ann Arbour Chamber Orchestra and Prism Orchestra of New York (Mode Records), 1 hour 48 mins
Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Arditti Quartet, Ann Arbour Chamber Orchestra, Prism Orchestra of New York, Janet Pape, Susan Hansen, Kevin Stewert, Katherine Copeland, Sherry Colquist, Tim Rose, Denise Fest, Helen Haller, James Bergerler, Michael Dielski, David Schmalenberger, Thomas Buckner, Gerard Pape, 1955-, William Hugh Albright, 1944-1998, Mark Thrasher, fl. 1998-2000
Contributor
Sydney Hodkinson, Chris Willis, Gerard Pape, 1955-
Author / Creator
Gerard Pape, 1955-, The Arditti Quartet, Ann Arbour Chamber Orchestra, Prism Orchestra of New York, Janet Pape, Susan Hansen, Kevin Stewert, Katherine Copeland, Sherry Colquist, Tim Rose, Denise Fest, Helen Haller, James Bergerler, Michael Dielski, David Schmalenberger, Thomas Buckner, William Hugh Albright, 1944-1998, Mark Thrasher, fl. 1998-2000
Publisher
Mode Records
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Golden Age of the Saxophone
produced by Srul Irving Glick, 1934-2002; performed by Paul Brodie and Myriam Shecter (CBC Records), 1 hour 10 mins
Sample
produced by Srul Irving Glick, 1934-2002; performed by Paul Brodie and Myriam Shecter (CBC Records), 1 hour 10 mins
Date Written / Recorded
1982-02-23
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Paul Brodie, Myriam Shecter
Contributor
David Burnham, Srul Irving Glick, 1934-2002
Author / Creator
Paul Brodie, Myriam Shecter
Publisher
CBC Records
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Morton Feldman: Composing by Numbers - The Graphic Scores, 1950-67
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Taco Kooistra, Philip Corner, Frank Denyer, 1943- and Marieke Keser, The Barton Workshop (Mode Records), 1 hour 14 mins
Like fellow composers John Cage, Christian Wolff, and Earle Brown, Morton Feldman experimented for a time with graphic notation, and toyed with the various possibilities of this looser, less prescriptive method. While free of serialist clichés and conventions, the musical results on Composing by Numbers are subje...
Sample
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Taco Kooistra, Philip Corner, Frank Denyer, 1943- and Marieke Keser, The Barton Workshop (Mode Records), 1 hour 14 mins
Description
Like fellow composers John Cage, Christian Wolff, and Earle Brown, Morton Feldman experimented for a time with graphic notation, and toyed with the various possibilities of this looser, less prescriptive method. While free of serialist clichés and conventions, the musical results on Composing by Numbers are subject to the limitations of the players' collective imagination, and tend toward a rarefied pointillism -- a cliché in its own right -- t...
Like fellow composers John Cage, Christian Wolff, and Earle Brown, Morton Feldman experimented for a time with graphic notation, and toyed with the various possibilities of this looser, less prescriptive method. While free of serialist clichés and conventions, the musical results on Composing by Numbers are subject to the limitations of the players' collective imagination, and tend toward a rarefied pointillism -- a cliché in its own right -- that only a devoted fan can follow with persistence. If the brief pieces from the 1950s are heard individually, they seem frustratingly airy, abrupt, and aphoristic; but if heard in sequence, then the changes of instrumentation and different timbral effects at least provide some aural relief. Perhaps most satisfying for its spectral textures, continuity, and length is Intersection I (1951), which the Barton Workshop realizes with much fuller harmonies and richer sonorities. Out of "Last Pieces," The Straits of Magellan (both 1961), and In Search of an Orchestration (1967) are more active than the earlier Projections, and adventurous listeners may appreciate these later compositions for their greater complexity and tension. The ensemble, alternately conducted by James Fulkerson and Jos Zwaanenburg, specializes in the more arcane and experimental music of the late avant-garde, and its explorations of Feldman's graphic scores are a welcome addition to the catalog, even if they are not as absorbing or compelling as many of his later efforts. ~ Blair Sanderson, All Music Guide
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Date Written / Recorded
2001
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Barton Workshop, Taco Kooistra, Philip Corner, Frank Denyer, 1943-, Marieke Keser
Contributor
James Fulkerson, Robert Bosch, 1861-1942
Author / Creator
Morton Feldman, 1926-1987, The Barton Workshop, Taco Kooistra, Philip Corner, Frank Denyer, 1943-, Marieke Keser
Publisher
Mode Records
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Rubin: Hallelujah Games
composed by Amy Rubin, fl. 1990; produced by Laura Kaminsky, 1956-; performed by Amy Rubin, fl. 1990, William Trigg, Christine Schadeberg, Kathleen Nester, Jo-Ann Sternberg, Atsuko Sato and Todd Nichols (Mode Records), 1 hour 22 mins
Sample
composed by Amy Rubin, fl. 1990; produced by Laura Kaminsky, 1956-; performed by Amy Rubin, fl. 1990, William Trigg, Christine Schadeberg, Kathleen Nester, Jo-Ann Sternberg, Atsuko Sato and Todd Nichols (Mode Records), 1 hour 22 mins
Date Written / Recorded
1998-08-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Amy Rubin, fl. 1990, William Trigg, Christine Schadeberg, Kathleen Nester, Jo-Ann Sternberg, Atsuko Sato, Todd Nichols
Contributor
David Avidor, Laura Kaminsky, 1956-
Author / Creator
Amy Rubin, fl. 1990, William Trigg, Christine Schadeberg, Kathleen Nester, Jo-Ann Sternberg, Atsuko Sato, Todd Nichols
Publisher
Mode Records
Tracks
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