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Complete Chamber Music with Piano: Violin & Cello Sonata · Rapsodie · Piano Trio · Pièces
composed by Claude Debussy, 1862-1918; produced by Gian Andrea Lodovici; performed by Massimo Marin, Cristina Ariagno, Luigi Picatto, Christian Bellisario and Pietro Marchetti (Nuova Era), 1 hour 25 mins
Sample
composed by Claude Debussy, 1862-1918; produced by Gian Andrea Lodovici; performed by Massimo Marin, Cristina Ariagno, Luigi Picatto, Christian Bellisario and Pietro Marchetti (Nuova Era), 1 hour 25 mins
Date Written / Recorded
1998-09-14
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Massimo Marin, Cristina Ariagno, Luigi Picatto, Christian Bellisario, Pietro Marchetti
Contributor
Gian Andrea Lodovici
Author / Creator
Claude Debussy, 1862-1918, Massimo Marin, Cristina Ariagno, Luigi Picatto, Christian Bellisario, Pietro Marchetti
Publisher
Nuova Era
Tracks
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French Impressions
composed by Claude Debussy, 1862-1918; produced by Brian B. Culverhouse, fl. 1984; performed by Caryl Thomas, Richard Blake, Yuko Inoue, Christopher Craker, 1959-, Elizabeth Perry, Susie Mészáros and Melissa Phelps, Prometheus Ensemble (ASV), 54 mins
Sample
composed by Claude Debussy, 1862-1918; produced by Brian B. Culverhouse, fl. 1984; performed by Caryl Thomas, Richard Blake, Yuko Inoue, Christopher Craker, 1959-, Elizabeth Perry, Susie Mészáros and Melissa Phelps, Prometheus Ensemble (ASV), 54 mins
Date Written / Recorded
1989-04-11
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Prometheus Ensemble, Caryl Thomas, Richard Blake, Yuko Inoue, Christopher Craker, 1959-, Elizabeth Perry, Susie Mészáros, Melissa Phelps
Contributor
Larry Russell, Brian B. Culverhouse, fl. 1984
Author / Creator
Claude Debussy, 1862-1918, Prometheus Ensemble, Caryl Thomas, Richard Blake, Yuko Inoue, Christopher Craker, 1959-, Elizabeth Perry, Susie Mészáros, Melissa Phelps
Publisher
ASV
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Encore
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a differe...
Sample
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Description
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andr...
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andrew Lloyd Webber Collection. During and after her marriage to Lloyd Webber, Brightman performed on the Original London Cast recording of {+The Phantom of the Opera} and recorded the albums The Songs That Got Away (1989) and Surrender (1995), and that's the material sampled here, that is, the remaining tracks that weren't used on The Andrew Lloyd Webber Collection. There are four songs recorded for those album sessions that were not released -- Lloyd Webber's "Whistle Down the Wind," Burton Lane and Alan Jay Lerner's "One More Walk Around the Garden," Stephen Sondheim's "What More Do I Need," and George and Ira Gershwin's "In the Mandarin's Orchid Garden." The last three, fairly obscure songs by well-known show-music songwriters, are typical of the non-Lloyd Webber choices found on The Songs That Got Away and Surrender. Also typical are the Lloyd Webber oddities, such as Italian-language versions of "With One Look" from {+Sunset Boulevard} and "Memory" from {+Cats}. If the mixed bag of material works, it's because of the unflappable Brightman, who doesn't only gamely undertake the selections, but throws herself into them, making "Piano" (as "Memory" somehow comes out in Italian) sound like an opera selection. "What More Do I Need," a comic celebration of love in dirty old New York, is beyond her, but not much else is. ~ William Ruhlmann, All Music Guide
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Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Contributor
Glenn Gould, 1932-1982
Author / Creator
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Date Published / Released
2001
Publisher
CBC Records
Series
Musica viva
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