Browse Titles - 14 results
(ARC Music Productions, 2019), 1 hour 9 mins
Field of Study
World Music
Content Type
Music recording
Date Published / Released
2019
Publisher
ARC Music Productions
Copyright Message
Copyright © 2019 ARC Music Productions Int. Ltd.
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(Buda Musique, 2000), 1 hour 14 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Stéphane Larrat, fl. 1992
Date Published / Released
2000
Publisher
Buda Musique
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Capoeira Angola 2: Brincando na Roda
(Smithsonian Folkways Recordings, 2003), 44 mins
Following Grupo de Capoeira Angola Pelourinho's introduction via their 1996 release Capoeira Angola from Salvador, Brazil, the group returns with an even stronger statement, well worth the wait. Delving deeper into capoeira's mental and physical "poetry in motion," the music on Brincando na Roda brings to life th...
Sample
(Smithsonian Folkways Recordings, 2003), 44 mins
Description
Following Grupo de Capoeira Angola Pelourinho's introduction via their 1996 release Capoeira Angola from Salvador, Brazil, the group returns with an even stronger statement, well worth the wait. Delving deeper into capoeira's mental and physical "poetry in motion," the music on Brincando na Roda brings to life the essence of this graceful art form's self-defense-styled movements. An integral part of capoeira, the music is a complementary 'sound...
Following Grupo de Capoeira Angola Pelourinho's introduction via their 1996 release Capoeira Angola from Salvador, Brazil, the group returns with an even stronger statement, well worth the wait. Delving deeper into capoeira's mental and physical "poetry in motion," the music on Brincando na Roda brings to life the essence of this graceful art form's self-defense-styled movements. An integral part of capoeira, the music is a complementary 'soundtrack' which resulted from a cross-pollination of African origins and Brazilian culture. Capoeira as a whole continues to flourish and spread exponentially throughout the world today. Extensive notes in English and Portuguese. 45 minutes.
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Field of Study
World Music
Content Type
Music recording
Date Published / Released
2003
Publisher
Smithsonian Folkways Recordings
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Capoeira Angola from Salvador, Brazil
produced by Heidi Rauch and Cobra Mansa (Smithsonian Folkways Recordings, 1996), 1 hour 8 mins
Capoeira Angola, formerly a regional Brazilian form of self-defense and dance, has its roots in African traditions and is becoming popular in urban centers around the world, growing into a widely taught art form and philosophy. This call-and-response singing is accompanied by compelling rhythms played on berimbau...
Sample
produced by Heidi Rauch and Cobra Mansa (Smithsonian Folkways Recordings, 1996), 1 hour 8 mins
Description
Capoeira Angola, formerly a regional Brazilian form of self-defense and dance, has its roots in African traditions and is becoming popular in urban centers around the world, growing into a widely taught art form and philosophy. This call-and-response singing is accompanied by compelling rhythms played on berimbau and percussion instruments that express and control the performance of the Capoeira fight/dance. The musicians and singers featured o...
Capoeira Angola, formerly a regional Brazilian form of self-defense and dance, has its roots in African traditions and is becoming popular in urban centers around the world, growing into a widely taught art form and philosophy. This call-and-response singing is accompanied by compelling rhythms played on berimbau and percussion instruments that express and control the performance of the Capoeira fight/dance. The musicians and singers featured on these 39 tracks are among the finest modern performers of Capoeira Angola music.
"A good introduction to this highly passionate and expressive artform." Cultural Survival Quarterly
Capoeira Angola, una forma regional de autodefensa y danza del Brasil cuyas raíces se erigen sobre tradiciones africanas, ha alcanzado una gran popularidad en diversos centros urbanos alrededor del mundo, evolucionando en una forma artística y filosófica ampliamente cultivada. Los ritmos tocados en el berimbau y los instrumentos de percusión expresan y controlan la práctica de la Capoeira, al mismo tiempo que acompañan el diálogo cantado entre el solista y un grupo. Los intérpretes presentados en estos 39 cortes se cuentan entre los más finos exponentes de la Capoiera Angola.
"Una buena introducción a esta forma artística fuertemente apasionada y expresiva." Cultural Survival Quarterly
Para información sobre ordenar haga clic aquí.
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"A good introduction to this highly passionate and expressive artform." Cultural Survival Quarterly
Capoeira Angola, una forma regional de autodefensa y danza del Brasil cuyas raíces se erigen sobre tradiciones africanas, ha alcanzado una gran popularidad en diversos centros urbanos alrededor del mundo, evolucionando en una forma artística y filosófica ampliamente cultivada. Los ritmos tocados en el berimbau y los instrumentos de percusión expresan y controlan la práctica de la Capoeira, al mismo tiempo que acompañan el diálogo cantado entre el solista y un grupo. Los intérpretes presentados en estos 39 cortes se cuentan entre los más finos exponentes de la Capoiera Angola.
"Una buena introducción a esta forma artística fuertemente apasionada y expresiva." Cultural Survival Quarterly
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Heidi Rauch, Cobra Mansa
Date Published / Released
1996
Publisher
Smithsonian Folkways Recordings
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Capoeira Senzala de Santos: Brésil, Capoeira, Samba de Roda, Maculelê
performed by Gilberto Quini Beija-Flor and Roberto Teles de Oliveira, Capoeira Senzala de Santos (Buda Musique, 1995), 1 hour 9 mins, 11 page(s)
Sample
performed by Gilberto Quini Beija-Flor and Roberto Teles de Oliveira, Capoeira Senzala de Santos (Buda Musique, 1995), 1 hour 9 mins, 11 page(s)
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Capoeira Senzala de Santos, Gilberto Quini Beija-Flor, Roberto Teles de Oliveira
Author / Creator
Capoeira Senzala de Santos, Gilberto Quini Beija-Flor, Roberto Teles de Oliveira
Date Published / Released
1995
Publisher
Buda Musique
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Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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Capoeiridade
performed by Claus Jaeke; in Conspiração Baiana: New Dimensions in Axémusic (Tropical Music, 1995), 4 mins
Sample
performed by Claus Jaeke; in Conspiração Baiana: New Dimensions in Axémusic (Tropical Music, 1995), 4 mins
Date Written / Recorded
1994-11
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Claus Jaeke
Author / Creator
Claus Jaeke
Date Published / Released
1995
Publisher
Tropical Music
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Creole Cousins
directed by Laurent Benhamou, fl. 2011 and Valentin Langlois, fl. 2011 (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Going back to the roots of Maloya, UNESCO World Heritage Reunionese traditional Music, Lindigo Group re-discover their common cultural bonds with Samba de Roda, Samba de Chula, Capoeira and Moringue from Brazil and the origins of their modern Afrobeat. Upon their first tour, from Santo Amaro to Recif and Salvador...
Sample
directed by Laurent Benhamou, fl. 2011 and Valentin Langlois, fl. 2011 (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Description
Going back to the roots of Maloya, UNESCO World Heritage Reunionese traditional Music, Lindigo Group re-discover their common cultural bonds with Samba de Roda, Samba de Chula, Capoeira and Moringue from Brazil and the origins of their modern Afrobeat. Upon their first tour, from Santo Amaro to Recif and Salvador da Bahia, the film reveals through live music the closeness between the Reunionese and the Brazilian black heritage, despite geographic...
Going back to the roots of Maloya, UNESCO World Heritage Reunionese traditional Music, Lindigo Group re-discover their common cultural bonds with Samba de Roda, Samba de Chula, Capoeira and Moringue from Brazil and the origins of their modern Afrobeat. Upon their first tour, from Santo Amaro to Recif and Salvador da Bahia, the film reveals through live music the closeness between the Reunionese and the Brazilian black heritage, despite geographical distance. Lindigo Group is touring at the Fuji Rock Festival, the largest outdoor music event in Japan on 27-28-29/07/2012.
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Field of Study
World Music
Content Type
Documentary
Author / Creator
Laurent Benhamou, fl. 2011, Valentin Langlois, fl. 2011
Date Published / Released
2011
Publisher
Windrose (Film distributor)
Topic / Theme
Samba, Méringue, Capoeira, Afrobeat
Copyright Message
Copyright © 2011. Used by permission of Windrose Distribution.
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François Kokelaere: Berimbau
performed by François Kokelaere, Maitre Sombra and John Boswell (Buda Musique, 1997), 1 hour 5 mins
Sample
performed by François Kokelaere, Maitre Sombra and John Boswell (Buda Musique, 1997), 1 hour 5 mins
Date Written / Recorded
1993-06
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
François Kokelaere, Maitre Sombra, John Boswell
Contributor
Stéphane Larrat, fl. 1992
Author / Creator
François Kokelaere, Maitre Sombra, John Boswell
Date Published / Released
1997-10-21
Publisher
Buda Musique
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Garland Encyclopedia of World Music Volume 2 - South America, Mexico, Central America, and the CaribbeanPart 1 Introduction to the Music Cultures of the RegionApproaches to Musical Scholarship
written by Dale A. Olsen, 1941-; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 21 page(s)
Sample
written by Dale A. Olsen, 1941-; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 21 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Dale A. Olsen, 1941-, Daniel E. Sheehy
Author / Creator
Dale A. Olsen, 1941-
Date Published / Released
1998-10-01, 1998
Publisher
Routledge (Publisher)
Person Discussed
Julio Estrada, 1943-, Harold Courlander, 1908-1996, Dale A. Olsen, 1941-, Cear Bolaños, 1931-, Jiménez Borja, Peter Crossley-Holland, 1916-2001, Felipe Guamán Poma de Ayala, 1550-1616, Inca Garcilaso de la Vega, 1539-1616, Ellen Hickman, David P. McAllester, Robert M. Stevenson, 1913-, Jorge Acevedo Vargas, 1943-
Topic / Theme
African Brazilian, African Cuban, Portuguese, African Caribbean, Peruvian, Inca, Indian, African, American, Aztec, Carib, Huichol, Maya, Nahua, Warao, Brazilian, West African, European, Mexican, Dominican, American Indian, Arawak, Chorotega, Kuna, Mixtec, Moche, Nasca, Nicarao, Spanish, Taino, Tairona, Christianity, Vodoo, Religious orders, World, Bottle, Sticks, Drum, Violin, Fife, Flute, bamboo,...
African Brazilian, African Cuban, Portuguese, African Caribbean, Peruvian, Inca, Indian, African, American, Aztec, Carib, Huichol, Maya, Nahua, Warao, Brazilian, West African, European, Mexican, Dominican, American Indian, Arawak, Chorotega, Kuna, Mixtec, Moche, Nasca, Nicarao, Spanish, Taino, Tairona, Christianity, Vodoo, Religious orders, World, Bottle, Sticks, Drum, Violin, Fife, Flute, bamboo, Flute, Flute, duct, Mbira, Ocarina, Panpipe, Shell, Pipe, Rattle, Scraper, Bugle, Trumpet, Pipe and tabor, Gourd, struck, Trumpet, wood
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