Browse Titles - 27 results
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Anthology of Brazilian Indian Music: Karajá, Javahé, Kraho, Tukuna, Juruna, Suyá, Trumai Shukarramãe
produced by Vilma Chiara and Harald Schultz (Folkways Records, 1962), 39 mins
"About eight hundred Karaja Indians still live on the shores of the Bananal Island, Araguaia River, in Central Brazil. They have been in peaceful contact with our civilization for more than a century but maintain a high level of their old traditions. During the dry season, from May to October, they erect summer-...
Sample
Anthology of Brazilian Indian Music: Karajá, Javahé, Kraho, Tukuna, Juruna, Suyá, Trumai Shukarramãe
produced by Vilma Chiara and Harald Schultz (Folkways Records, 1962), 39 mins
Description
"About eight hundred Karaja Indians still live on the shores of the Bananal Island, Araguaia River, in Central Brazil. They have been in peaceful contact with our civilization for more than a century but maintain a high level of their old traditions. During the dry season, from May to October, they erect summer-villages of light straw houses on the immense beaches of white, soft and hot sand, performing every afternoon and night their sacred fe...
"About eight hundred Karaja Indians still live on the shores of the Bananal Island, Araguaia River, in Central Brazil. They have been in peaceful contact with our civilization for more than a century but maintain a high level of their old traditions. During the dry season, from May to October, they erect summer-villages of light straw houses on the immense beaches of white, soft and hot sand, performing every afternoon and night their sacred fertility rites, with colorful masks of feather heads and straw skirts..."
Harald Schultz and Vilma Chiara
"Alrededor de ochocientos indios Karaja viven aún en las orillas de la isla Bananal en medio del río Araguaia, en el centro del Brasil. Ellos han mantenido un contacto pacífico con la civilización occidental desde hace aproximadamente cien años, pero a pesar de todo mantienen gran parte de sus antiguas tradiciones. Durante la temporada de sequía, de mayo a octubre, ellos erigen aldeas de verano compuestas por ligeras casas de paja sobre las inmensas playas de arena blanca y suave, llevando a cabo por las tardes sus sagrados ritos de fertilidad con sus máscaras emplumadas coloridas y sus faldones de paja..."
Harald Schultz y Vilma Chiara
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Harald Schultz and Vilma Chiara
"Alrededor de ochocientos indios Karaja viven aún en las orillas de la isla Bananal en medio del río Araguaia, en el centro del Brasil. Ellos han mantenido un contacto pacífico con la civilización occidental desde hace aproximadamente cien años, pero a pesar de todo mantienen gran parte de sus antiguas tradiciones. Durante la temporada de sequía, de mayo a octubre, ellos erigen aldeas de verano compuestas por ligeras casas de paja sobre las inmensas playas de arena blanca y suave, llevando a cabo por las tardes sus sagrados ritos de fertilidad con sus máscaras emplumadas coloridas y sus faldones de paja..."
Harald Schultz y Vilma Chiara
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Field of Study
World Music
Content Type
Music recording
Contributor
Vilma Chiara, Harald Schultz
Date Published / Released
1962
Publisher
Folkways Records
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Anthology of Central and South American Indian Music
produced by Alan Lazar (Folkways Records, 1975), 1 hour 33 mins
"At one time the area or Central and South America was the home of diverse Indian cultures and civilizations ranging from the nomadic hunters of Tierra del Fuego and Patagonia, to the river and forest peoples of the Amazon, to the military empires of the Andes and Central Mexico, to the theocratic states of southe...
Sample
produced by Alan Lazar (Folkways Records, 1975), 1 hour 33 mins
Description
"At one time the area or Central and South America was the home of diverse Indian cultures and civilizations ranging from the nomadic hunters of Tierra del Fuego and Patagonia, to the river and forest peoples of the Amazon, to the military empires of the Andes and Central Mexico, to the theocratic states of southern Mexico and Guatemala. Many of the peoples that once inhabited these lands today are extinct or on the verge of extinction. Others...
"At one time the area or Central and South America was the home of diverse Indian cultures and civilizations ranging from the nomadic hunters of Tierra del Fuego and Patagonia, to the river and forest peoples of the Amazon, to the military empires of the Andes and Central Mexico, to the theocratic states of southern Mexico and Guatemala. Many of the peoples that once inhabited these lands today are extinct or on the verge of extinction. Others have been assimilated into the dominant European culture and have given up the traditional ways. Perhaps the largest number though have remained, almost if in historical limbo, conquered but not assimilated..."
Alan Lazar
"Hubo un tiempo en el que el área de Centro y Sur América fue el hogar de varias culturas indígenas: comprendía a los cazadores-recolectores de Tierra del Fuego y la Patagonia, a los pueblos que habitaban los ríos y selvas del Amazonas, a los imperios militares de los Andes y el centro de México y a los estados teocráticos de Guatemala y el sur de México. Muchas de las culturas que una vez habitaron estas tierras están hoy extintas o en el camino de extinguirse. Otras han sido asimiladas dentro de la cultura europea dominante y abandonado sus prácticas tradicionales. Pero quizás la mayoría ha permanecido en una especie de limbo histórico, conquistados pero no asimilados..."
Alan Lazar
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Alan Lazar
"Hubo un tiempo en el que el área de Centro y Sur América fue el hogar de varias culturas indígenas: comprendía a los cazadores-recolectores de Tierra del Fuego y la Patagonia, a los pueblos que habitaban los ríos y selvas del Amazonas, a los imperios militares de los Andes y el centro de México y a los estados teocráticos de Guatemala y el sur de México. Muchas de las culturas que una vez habitaron estas tierras están hoy extintas o en el camino de extinguirse. Otras han sido asimiladas dentro de la cultura europea dominante y abandonado sus prácticas tradicionales. Pero quizás la mayoría ha permanecido en una especie de limbo histórico, conquistados pero no asimilados..."
Alan Lazar
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Field of Study
World Music
Content Type
Music recording
Contributor
Alan Lazar
Date Published / Released
1975
Publisher
Folkways Records
Tracks
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The Big Drum Dance of Carriacou
produced by Andrew Chernocke Pearse (Folkways Records, 1956), 41 mins
The Big Drum Dance is one of the most significant musical rituals on the island of Carriacou in the Grenadines. Really a long series of dances, the Big Drum Dance is prepared for special festivals such as marriage ceremonies, tombstone raisings, fishing boat launchings and in the case of ill-health or ill-fortun...
Sample
produced by Andrew Chernocke Pearse (Folkways Records, 1956), 41 mins
Description
The Big Drum Dance is one of the most significant musical rituals on the island of Carriacou in the Grenadines. Really a long series of dances, the Big Drum Dance is prepared for special festivals such as marriage ceremonies, tombstone raisings, fishing boat launchings and in the case of ill-health or ill-fortune. In each occasion, the main focus is twofold: remembering lineage and respecting ancestors. The music consists of singing and chant...
The Big Drum Dance is one of the most significant musical rituals on the island of Carriacou in the Grenadines. Really a long series of dances, the Big Drum Dance is prepared for special festivals such as marriage ceremonies, tombstone raisings, fishing boat launchings and in the case of ill-health or ill-fortune. In each occasion, the main focus is twofold: remembering lineage and respecting ancestors. The music consists of singing and chanting typically joined by three drums, shakers and maracas.
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Field of Study
World Music
Content Type
Music recording
Contributor
Andrew Chernocke Pearse
Date Published / Released
1956
Publisher
Folkways Records
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Bongo, Backra & Coolie: Jamaican Roots, Vol. 1
produced by Kenneth M. Bilby, 1953- (Folkways Records, 1975), 40 mins
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convin...
Sample
produced by Kenneth M. Bilby, 1953- (Folkways Records, 1975), 40 mins
Description
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convince, another magico-religious cult that likely originated among the Maroons of the Blue Mountains, differs from kumina on two basic acco...
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convince, another magico-religious cult that likely originated among the Maroons of the Blue Mountains, differs from kumina on two basic accounts: ghosts called “duppies” rather than gods do the possessing and convince music never uses drums. Yet, kumina and convince share similar lineage from African cultural practices. Also sampled here are examples of “Hindustani” music intended for dancing. These selections use the tabla drum, the “Indian fiddle” (a bowed three-stringed instrument) and a nasal vocal tone. Volume Two (FW04232) continues with Zion Revival, quadrille bands and fife and drum music.
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Field of Study
World Music
Content Type
Music recording
Contributor
Kenneth M. Bilby, 1953-
Date Published / Released
1975
Publisher
Folkways Records
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Brotando del Silencio - Breaking Out of the Silence
(Paredon Records, 1973), 39 mins
"The history and oppression experienced by the woman of La Raza -'the Latin woman' - in the United States are not well-known, even in these years when so much is heard about women’s liberation. By ‘La Raza’ we mean the dominant population of the American continent, the people who are racial mixture of nativ...
Sample
(Paredon Records, 1973), 39 mins
Description
"The history and oppression experienced by the woman of La Raza -'the Latin woman' - in the United States are not well-known, even in these years when so much is heard about women’s liberation. By ‘La Raza’ we mean the dominant population of the American continent, the people who are racial mixture of native Indian, European and African. For us, the women of La Raza includes Chicanas, Puerto Ricans, women from Central and South America....
"The history and oppression experienced by the woman of La Raza -'the Latin woman' - in the United States are not well-known, even in these years when so much is heard about women’s liberation. By ‘La Raza’ we mean the dominant population of the American continent, the people who are racial mixture of native Indian, European and African. For us, the women of La Raza includes Chicanas, Puerto Ricans, women from Central and South America. Our national or cultural backgrounds may vary but we have more in common than difference..."
Belita Martínez
"La historia y la opresión experimentada por la mujer de La Raza, la mujer latina, no son muy conocidas en los Estados Unidos, aún en estos años en los que tanto se oye hablar de liberación femenina. Por ‘La Raza’ nosotros entendemos la población predominante del continente americano, la gente que es una mezcla racial entre indígenas, europeos y africanos. Para nosotros, las mujeres de La Raza incluyen chicanas, puertorriqueñas, mujeres de Centroamérica y América del Sur. Nuestros antecedentes nacionales y culturales pueden variar mucho pero tenemos más cosas en común que diferencias..."
Belita Martínez
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Belita Martínez
"La historia y la opresión experimentada por la mujer de La Raza, la mujer latina, no son muy conocidas en los Estados Unidos, aún en estos años en los que tanto se oye hablar de liberación femenina. Por ‘La Raza’ nosotros entendemos la población predominante del continente americano, la gente que es una mezcla racial entre indígenas, europeos y africanos. Para nosotros, las mujeres de La Raza incluyen chicanas, puertorriqueñas, mujeres de Centroamérica y América del Sur. Nuestros antecedentes nacionales y culturales pueden variar mucho pero tenemos más cosas en común que diferencias..."
Belita Martínez
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Field of Study
World Music
Content Type
Music recording
Date Published / Released
1973
Publisher
Paredon Records
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Cancion Protesta: Protest Songs of Latin America
produced by Barbara Dane, 1927- (Paredon Records, 1970), 57 mins
Voices of Argentina, Chile, Cuba, Peru, and Uruguay from the historic meeting of singers from every continent held July 1967. Recorded in Cuba at the Varadero seashore, on the Isle of Youth, and at Radio Havana.
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el históric...
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el históric...
Sample
produced by Barbara Dane, 1927- (Paredon Records, 1970), 57 mins
Description
Voices of Argentina, Chile, Cuba, Peru, and Uruguay from the historic meeting of singers from every continent held July 1967. Recorded in Cuba at the Varadero seashore, on the Isle of Youth, and at Radio Havana.
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el histórico encuentro de cantantes de todos los continentes que tuvo lugar el mes de julio de 1967. Grabado en Cuba a orillas del mar en Varader... Voices of Argentina, Chile, Cuba, Peru, and Uruguay from the historic meeting of singers from every continent held July 1967. Recorded in Cuba at the Varadero seashore, on the Isle of Youth, and at Radio Havana.
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el histórico encuentro de cantantes de todos los continentes que tuvo lugar el mes de julio de 1967. Grabado en Cuba a orillas del mar en Varadero, en la Isla de la Juventud, y en Radio Habana.
Editado por Barbara Dane
Para información sobre ordenar haga clic aquí.
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el histórico encuentro de cantantes de todos los continentes que tuvo lugar el mes de julio de 1967. Grabado en Cuba a orillas del mar en Varadero, en la Isla de la Juventud, y en Radio Habana.
Editado por Barbara Dane
Para información sobre ordenar haga clic aquí.
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Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el histórico encuentro de cantantes de todos los continentes que tuvo lugar el mes de julio de 1967. Grabado en Cuba a orillas del mar en Varader... Voices of Argentina, Chile, Cuba, Peru, and Uruguay from the historic meeting of singers from every continent held July 1967. Recorded in Cuba at the Varadero seashore, on the Isle of Youth, and at Radio Havana.
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el histórico encuentro de cantantes de todos los continentes que tuvo lugar el mes de julio de 1967. Grabado en Cuba a orillas del mar en Varadero, en la Isla de la Juventud, y en Radio Habana.
Editado por Barbara Dane
Para información sobre ordenar haga clic aquí.
Edited by Barbara Dane
Voces de Argentina, Chile, Cuba, Perú y Uruguay recogidas en el histórico encuentro de cantantes de todos los continentes que tuvo lugar el mes de julio de 1967. Grabado en Cuba a orillas del mar en Varadero, en la Isla de la Juventud, y en Radio Habana.
Editado por Barbara Dane
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Barbara Dane, 1927-
Date Published / Released
1970
Publisher
Paredon Records
×
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Chile: Songs for the Resistance
(Paredon Records, 1975), 46 mins
"In every epoch, certain struggles against oppression have come down through history and sum up for us in a single heroic shout the great reservoir of courage and humanity which is the common birthright of all people. France of 1789, Russia of 1917, China of 1949, Cuba of 1959; these are both milestones and symbo...
Sample
(Paredon Records, 1975), 46 mins
Description
"In every epoch, certain struggles against oppression have come down through history and sum up for us in a single heroic shout the great reservoir of courage and humanity which is the common birthright of all people. France of 1789, Russia of 1917, China of 1949, Cuba of 1959; these are both milestones and symbols, the tradition of revolution which demonstrates that historically all reactionaries have been, in essence, paper tigers. That a peo...
"In every epoch, certain struggles against oppression have come down through history and sum up for us in a single heroic shout the great reservoir of courage and humanity which is the common birthright of all people. France of 1789, Russia of 1917, China of 1949, Cuba of 1959; these are both milestones and symbols, the tradition of revolution which demonstrates that historically all reactionaries have been, in essence, paper tigers. That a people united can never be defeated. But not every symbol is a victorious one. The world has borne to witness to the bloody coup of September 1973 which swallowed and destroyed the Popular Unity government of Salvador Allende..."
"En cada época, ciertas luchas en contra de la opresión han sido preservadas a través de la historia, fundiéndose en un único grito heróico que anuncia la inmensa reserva de coraje y humanidad que posee el ser humano como derecho de nacimiento. Francia en 1789, Rusia en 1917, China en 1949, Cuba en 1959; todas aquellas luchas son puntos culminantes y símbolos de una tradición revolucionaria que demuestra que historicamente todos los reaccionarios han sido, en esencia, tigres de papel, y que el pueblo unido jamás será vencido. Pero no todo símbolo es victorioso. El mundo ha dado testimonio del sangriento golpe de 1973 que suprimió y destruyó el gobierno de Unidad Popular de Salvador Allende..."
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"En cada época, ciertas luchas en contra de la opresión han sido preservadas a través de la historia, fundiéndose en un único grito heróico que anuncia la inmensa reserva de coraje y humanidad que posee el ser humano como derecho de nacimiento. Francia en 1789, Rusia en 1917, China en 1949, Cuba en 1959; todas aquellas luchas son puntos culminantes y símbolos de una tradición revolucionaria que demuestra que historicamente todos los reaccionarios han sido, en esencia, tigres de papel, y que el pueblo unido jamás será vencido. Pero no todo símbolo es victorioso. El mundo ha dado testimonio del sangriento golpe de 1973 que suprimió y destruyó el gobierno de Unidad Popular de Salvador Allende..."
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Field of Study
World Music
Content Type
Music recording
Date Published / Released
1975
Publisher
Paredon Records
×
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Creole Music of Surinam
produced by Clifford Entes (Folkways Records, 1978), 47 mins
This collection presents the two main genres of Afro-Dutch Guyanese musicKawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.
Sample
produced by Clifford Entes (Folkways Records, 1978), 47 mins
Description
This collection presents the two main genres of Afro-Dutch Guyanese musicKawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.
Field of Study
World Music
Content Type
Music recording
Contributor
Clifford Entes
Date Published / Released
1978
Publisher
Folkways Records
×
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Cuba Va!: Songs of the New Generation of Revolutionary Cuba
produced by Leo Brouwer, 1939- (Paredon Records, 1971), 34 mins
Written, arranged, performed and produced in Cuba by the Experimental Sound Collective of ICAIC (Cuban Institute of Cinematographic Arts and Industries). Sung in Spanish, with illustrated booklet, including complete texts and English translations.
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Luc...
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Luc...
Sample
produced by Leo Brouwer, 1939- (Paredon Records, 1971), 34 mins
Description
Written, arranged, performed and produced in Cuba by the Experimental Sound Collective of ICAIC (Cuban Institute of Cinematographic Arts and Industries). Sung in Spanish, with illustrated booklet, including complete texts and English translations.
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Lucas de la Guardia, Pablo Menéndez, Pablo Milanés, Noel Nicola, Leoginaldo Pimentel, Eduardo Ramos, Silvio Rodríguez, Emiliano Salvado... Written, arranged, performed and produced in Cuba by the Experimental Sound Collective of ICAIC (Cuban Institute of Cinematographic Arts and Industries). Sung in Spanish, with illustrated booklet, including complete texts and English translations.
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Lucas de la Guardia, Pablo Menéndez, Pablo Milanés, Noel Nicola, Leoginaldo Pimentel, Eduardo Ramos, Silvio Rodríguez, Emiliano Salvador, Sergio Vitier.
Compuesto, arreglado, interpretado y producido por el Grupo de Experimentación Sonora del ICAIC (Instituto Cubano de Artes e Industrias Cinematográficas) . Cantado en español, con un cuadernillo ilustrado que incluye los textos completos con su traducción al inglés.
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Lucas de la Guardia, Pablo Menéndez, Pablo Milanés, Noel Incola, Leoginaldo Pimentel, Eduardo Ramos, Silvio Rodríguez, Emiliano Salvador, Sergio Vitier.
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Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Lucas de la Guardia, Pablo Menéndez, Pablo Milanés, Noel Nicola, Leoginaldo Pimentel, Eduardo Ramos, Silvio Rodríguez, Emiliano Salvado... Written, arranged, performed and produced in Cuba by the Experimental Sound Collective of ICAIC (Cuban Institute of Cinematographic Arts and Industries). Sung in Spanish, with illustrated booklet, including complete texts and English translations.
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Lucas de la Guardia, Pablo Menéndez, Pablo Milanés, Noel Nicola, Leoginaldo Pimentel, Eduardo Ramos, Silvio Rodríguez, Emiliano Salvador, Sergio Vitier.
Compuesto, arreglado, interpretado y producido por el Grupo de Experimentación Sonora del ICAIC (Instituto Cubano de Artes e Industrias Cinematográficas) . Cantado en español, con un cuadernillo ilustrado que incluye los textos completos con su traducción al inglés.
Leonardo Acosta, Genaro (Caturla) García, Pedro Guapachá, Lucas de la Guardia, Pablo Menéndez, Pablo Milanés, Noel Incola, Leoginaldo Pimentel, Eduardo Ramos, Silvio Rodríguez, Emiliano Salvador, Sergio Vitier.
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Field of Study
World Music
Content Type
Music recording
Contributor
Leo Brouwer, 1939-
Date Published / Released
1971
Publisher
Paredon Records
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Dominican Republic: La Hora Esta Llegando! (The Time is Coming)
(Paredon Records, 1974), 41 mins
"Expresión Joven (Voice of Youth) has traveled all across the Dominican Republic during the last year and half under the sponsorship of provincial and national student groups, cultural clubs and workers’ organizations to carry their message. In June of 1973, the group joined the solidarity campaign to free all...
Sample
(Paredon Records, 1974), 41 mins
Description
"Expresión Joven (Voice of Youth) has traveled all across the Dominican Republic during the last year and half under the sponsorship of provincial and national student groups, cultural clubs and workers’ organizations to carry their message. In June of 1973, the group joined the solidarity campaign to free all political prisoners, a movement with tremendous support from all sections of the population. Last December, they recorded the song €..
"Expresión Joven (Voice of Youth) has traveled all across the Dominican Republic during the last year and half under the sponsorship of provincial and national student groups, cultural clubs and workers’ organizations to carry their message. In June of 1973, the group joined the solidarity campaign to free all political prisoners, a movement with tremendous support from all sections of the population. Last December, they recorded the song ‘Open the Jail House Doors Mr. President,’ which quickly became the anthem of the movement..."
"Expresión Joven, cuatro voces y un solo ideal, ha recorrido en su año y medio de vida, todo el país llevando su mensaje a todos los rincones de la patria. Sus presentaciones son promovidas a través de organizaciones de base popular tales como clubes culturales, asociaciones de estudiantes provinciales y nacionales, y sindicatos obreros. A partir de junio de 1973 se unió a la campaña de solidaridad con los presos políticos, campaña a nivel nacional e internacional que contó con apoyo de todos los sectores de la población. Expresión Joven hizo de este reclamo su bandera. En diciembre de ese mismo año grabó ‘Abra las rejas señor gobierno,’ canción que se convirtió en el himno de esa jornada..."
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"Expresión Joven, cuatro voces y un solo ideal, ha recorrido en su año y medio de vida, todo el país llevando su mensaje a todos los rincones de la patria. Sus presentaciones son promovidas a través de organizaciones de base popular tales como clubes culturales, asociaciones de estudiantes provinciales y nacionales, y sindicatos obreros. A partir de junio de 1973 se unió a la campaña de solidaridad con los presos políticos, campaña a nivel nacional e internacional que contó con apoyo de todos los sectores de la población. Expresión Joven hizo de este reclamo su bandera. En diciembre de ese mismo año grabó ‘Abra las rejas señor gobierno,’ canción que se convirtió en el himno de esa jornada..."
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Date Published / Released
1974
Publisher
Paredon Records
×
