Browse Titles - 11806 results
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2 automnes 3 hivers
directed by Sébastien Betbeder, 1975-; produced by Frédéric Dubreuil, fl. 2000-2016, Envie de Tempête Productions (New York, NY: Film Movement, 2013), 1 hour 31 mins
Arman is 33 and ready to make a change, starting with a run in the park. When he literally bumps into Amélie - slightly cynical but nevertheless lovely - on the jogging path, he's dead-set on making a connection with her. As a bit of contrived fate brings them together, Arman's best friend Benjamin suffers an une...
Sample
directed by Sébastien Betbeder, 1975-; produced by Frédéric Dubreuil, fl. 2000-2016, Envie de Tempête Productions (New York, NY: Film Movement, 2013), 1 hour 31 mins
Description
Arman is 33 and ready to make a change, starting with a run in the park. When he literally bumps into Amélie - slightly cynical but nevertheless lovely - on the jogging path, he's dead-set on making a connection with her. As a bit of contrived fate brings them together, Arman's best friend Benjamin suffers an unexpected stroke, relegating him to the hospital for weeks where he falls for his doting young physical therapist. Over the course of two...
Arman is 33 and ready to make a change, starting with a run in the park. When he literally bumps into Amélie - slightly cynical but nevertheless lovely - on the jogging path, he's dead-set on making a connection with her. As a bit of contrived fate brings them together, Arman's best friend Benjamin suffers an unexpected stroke, relegating him to the hospital for weeks where he falls for his doting young physical therapist. Over the course of two autumns and three winters, Arman, Amélie and Benjamin share the incidental moments, unexpected accidents, unconventional love stories and unforgettable memories that will define who they are.
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Field of Study
Film
Content Type
Performance
Contributor
Frédéric Dubreuil, fl. 2000-2016, Envie de Tempête Productions
Author / Creator
Sébastien Betbeder, 1975-
Date Published / Released
2013
Publisher
Film Movement
Topic / Theme
Romantic relationships, Strokes, Love
Copyright Message
Copyright © 2013 by Film Movement
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2 Friends
directed by Jane Campion, 1954-; produced by Jan Chapman, 1950-, Australian Broadcasting Corporation; performed by Kris Bidenko, fl. 1986, Emma Coles, fl. 1986 and Kris McQuade, 1952- (Harrington Park, NJ: Milestone Films, 1986), 1 hour 19 mins,
Source: www.imdb.com
Source: www.imdb.com
Two Friends, the first feature film by Academy Award® winner Jane Campion (Sweetie, An Angel at My Table and The Piano). When Two Friends was shown at the 1986 Cannes Film Festival along with her three shorts, the film world heralded the brave new feminist voice of the extraordinary New Zealand director. Two Frie...
Sample
directed by Jane Campion, 1954-; produced by Jan Chapman, 1950-, Australian Broadcasting Corporation; performed by Kris Bidenko, fl. 1986, Emma Coles, fl. 1986 and Kris McQuade, 1952- (Harrington Park, NJ: Milestone Films, 1986), 1 hour 19 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
Two Friends, the first feature film by Academy Award® winner Jane Campion (Sweetie, An Angel at My Table and The Piano). When Two Friends was shown at the 1986 Cannes Film Festival along with her three shorts, the film world heralded the brave new feminist voice of the extraordinary New Zealand director. Two Friends was written by renowned Australian novelist Helen Garner and the film's screenplay is articulate, assured and enthralling. The film...
Two Friends, the first feature film by Academy Award® winner Jane Campion (Sweetie, An Angel at My Table and The Piano). When Two Friends was shown at the 1986 Cannes Film Festival along with her three shorts, the film world heralded the brave new feminist voice of the extraordinary New Zealand director. Two Friends was written by renowned Australian novelist Helen Garner and the film's screenplay is articulate, assured and enthralling. The film begins in the present, when teenage girlfriends, Louise and Kelly, once inseparable, have already grown apart. Louise is in high school, gets good grades, and has a typical love-hate relationship with her divorced mother. Kelly, in bleached hair and punk gear, lives with friends at the beach and is experimenting with drugs and casual relationships. Two Friends then moves backwards in time over the past year in the girls' friendship. In five episodes, the film reveals the subtle changes that sent the two on their different paths. With the humor, fierce honesty and passionate sense of humanity that are the hallmarks of Campion's best work, she tells a story of missed opportunities and minor traumas that take on profound new meaning with the passage of time.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Kris Bidenko, fl. 1986, Emma Coles, fl. 1986, Kris McQuade, 1952-
Contributor
Julian Penney, fl. 1986, Jan Chapman, 1950-, Australian Broadcasting Corporation, Martin Armiger, 1949-
Author / Creator
Jane Campion, 1954-, Kris Bidenko, fl. 1986, Emma Coles, fl. 1986, Kris McQuade, 1952-, Helen Garner, 1942-
Date Published / Released
1986
Publisher
Milestone Films
Topic / Theme
School friends, Female friends, Kelly, Janet, Louise
Copyright Message
©1986 Australian Broadcasting Corp
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2 Nocturnes, Op. 27
directed by Christopher Nupen, fl. 1967; composed by Fryderyk Franciszek Chopin, 1810-1849; produced by Allegro Films, London, England; performed by Vladimir Ashkenazy, 1937-, in Vladimir Ashkenazy Recital No. 4 - Chopin: 2 Nocturnes, Op. 27, & Sonata in B minor, Op. 58 (Guildford, England: Allegro Films, London, England, 1993), 13 mins
Vladimir Ashkenazy in a series of legendary recitals, filmed by Christopher Nupen's camera.
A few days before the 75th birthday of one of our century's greatest pianists, we gather the exceptional archives in which, at the beginning of the 1980s, Vladimir Ashkenazy performs the Beethoven last five sonatas as well...
Sample
directed by Christopher Nupen, fl. 1967; composed by Fryderyk Franciszek Chopin, 1810-1849; produced by Allegro Films, London, England; performed by Vladimir Ashkenazy, 1937-, in Vladimir Ashkenazy Recital No. 4 - Chopin: 2 Nocturnes, Op. 27, & Sonata in B minor, Op. 58 (Guildford, England: Allegro Films, London, England, 1993), 13 mins
Description
Vladimir Ashkenazy in a series of legendary recitals, filmed by Christopher Nupen's camera.
A few days before the 75th birthday of one of our century's greatest pianists, we gather the exceptional archives in which, at the beginning of the 1980s, Vladimir Ashkenazy performs the Beethoven last five sonatas as well as milestones from the Chopin repertoire. Beethoven and especially Chopin are two composers which Ashkenazy never stopped performing a...
Vladimir Ashkenazy in a series of legendary recitals, filmed by Christopher Nupen's camera.
A few days before the 75th birthday of one of our century's greatest pianists, we gather the exceptional archives in which, at the beginning of the 1980s, Vladimir Ashkenazy performs the Beethoven last five sonatas as well as milestones from the Chopin repertoire. Beethoven and especially Chopin are two composers which Ashkenazy never stopped performing and recording during his long-time career, from the year 1956 when at the early age of 19 he was awarded the second prize at Chopin Competition, until now. Go back in time and meet again the 40 year-old Vladimir Ashkenazy – the concert pianist who had not yet started a career as a world-renowned conductor.
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Date Written / Recorded
1983
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Vladimir Ashkenazy, 1937-
Contributor
Allegro Films, London, England
Author / Creator
Fryderyk Franciszek Chopin, 1810-1849, Christopher Nupen, fl. 1967, Vladimir Ashkenazy, 1937-
Date Published / Released
1993
Publisher
Allegro Films, London, England
Copyright Message
Copyright © 1983 by Allegro Films
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2 Spanish Dances
directed by Paul Gordon, fl. 1940; composed by Pablo de Sarasate, 1844-1908 (1878); produced by George Moskov, 1893-1970 and Paul Gordon, fl. 1940, Concert Films Corporation and EuroArts Music International; performed by Yehudi Menuhin, 1916-1999 and Adolph Baller, 1909-1994 (Berlin State: EuroArts, 2004), 9 mins
In 1947 “Concert Magic” was filmed in Hollywood making it the first ever concert filmed for movie audiences. In addition, many short films were made to fill the space between the traditional "double features". They were also often used as encores when enthusiastic audiences demanded them and feature works by c...
Sample
directed by Paul Gordon, fl. 1940; composed by Pablo de Sarasate, 1844-1908 (1878); produced by George Moskov, 1893-1970 and Paul Gordon, fl. 1940, Concert Films Corporation and EuroArts Music International; performed by Yehudi Menuhin, 1916-1999 and Adolph Baller, 1909-1994 (Berlin State: EuroArts, 2004), 9 mins
Description
In 1947 “Concert Magic” was filmed in Hollywood making it the first ever concert filmed for movie audiences. In addition, many short films were made to fill the space between the traditional "double features". They were also often used as encores when enthusiastic audiences demanded them and feature works by composers whom no one knew Menuhin performed. Among these encores is an especially valuable rarity, the violin concerto of Felix Mendels...
In 1947 “Concert Magic” was filmed in Hollywood making it the first ever concert filmed for movie audiences. In addition, many short films were made to fill the space between the traditional "double features". They were also often used as encores when enthusiastic audiences demanded them and feature works by composers whom no one knew Menuhin performed. Among these encores is an especially valuable rarity, the violin concerto of Felix Mendelssohn. The length (ca. 25 mins) prevented it from inclusion in the film. This footage shows Menuhin’s very first recorded performance of the violin concerto under Antal Dorati. Even music specialists are unaware of the existence of this previously unreleased material! Also available: A Violinist in Hollywood (35'58): Menuhin speaks about the origin of the film and reminisces about events which transpired at the time of the film as well as his life and career. On the Encores (10'45): Menuhin comments on his playing technique - is reactions and commentsabout the pieces are very personal.
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Date Written / Recorded
1878, 1947
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Yehudi Menuhin, 1916-1999, Adolph Baller, 1909-1994
Contributor
George Moskov, 1893-1970, Paul Gordon, fl. 1940, Concert Films Corporation, EuroArts Music International
Author / Creator
Pablo de Sarasate, 1844-1908, Paul Gordon, fl. 1940, Yehudi Menuhin, 1916-1999, Adolph Baller, 1909-1994
Date Published / Released
2004
Publisher
EuroArts
Copyright Message
Copyright © 2004 EuroArts Music International
Segments
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3 Days To Forever
directed by Riri Riza, 1970-; produced by Mira Lesmana, 1964-; performed by Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982- and Tutie Kirana, 1952- (Indonesia: Miles Films), 1 hour 39 mins
Preferring not to fly, Indonesian cousins Ambar and Suf make a car trip from Jakarta to a family wedding one day away. Ambar's older sister is finally getting married at age 27, and her mother has given nephew Suf the important task of transporting the wedding dinnerware. But what should have taken one day by ca...
Sample
directed by Riri Riza, 1970-; produced by Mira Lesmana, 1964-; performed by Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982- and Tutie Kirana, 1952- (Indonesia: Miles Films), 1 hour 39 mins
Description
Preferring not to fly, Indonesian cousins Ambar and Suf make a car trip from Jakarta to a family wedding one day away. Ambar's older sister is finally getting married at age 27, and her mother has given nephew Suf the important task of transporting the wedding dinnerware. But what should have taken one day by car takes three as the two young people take detours to explore the exotic countryside while smoking joints and popping pills. Their adv...
Preferring not to fly, Indonesian cousins Ambar and Suf make a car trip from Jakarta to a family wedding one day away. Ambar's older sister is finally getting married at age 27, and her mother has given nephew Suf the important task of transporting the wedding dinnerware. But what should have taken one day by car takes three as the two young people take detours to explore the exotic countryside while smoking joints and popping pills. Their adventures open honest but painful dialogue between the two throughout the rest of their trip. Through sparring and silence the two are growing closer - perhaps closer than cousins should. Adult
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982-, Tutie Kirana, 1952-
Contributor
Mira Lesmana, 1964-
Author / Creator
Riri Riza, 1970-, Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982-, Tutie Kirana, 1952-
Date Published / Released
2007
Publisher
Miles Films
Topic / Theme
Sexuality
Copyright Message
Copyright © 2007 Used by permission of Miles Films.
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3 Logical Exits
directed by Mahdi Fleifel, 1979-; produced by Amal Alaeddine, fl. 2004 and Patrick Campbell, fl. 2009; performed by Reda Al-Saleh, fl. 2016, Marie Kortam, fl. 2020 and Mahdi Fleifel, 1979- (Berlin, Berlin State: Salaud Morisset, 2020), 15 mins
A sociological meditation on the different exits that young Palestinians choose, in order to cope with life in the refugee camps.
Sample
directed by Mahdi Fleifel, 1979-; produced by Amal Alaeddine, fl. 2004 and Patrick Campbell, fl. 2009; performed by Reda Al-Saleh, fl. 2016, Marie Kortam, fl. 2020 and Mahdi Fleifel, 1979- (Berlin, Berlin State: Salaud Morisset, 2020), 15 mins
Description
A sociological meditation on the different exits that young Palestinians choose, in order to cope with life in the refugee camps.
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Reda Al-Saleh, fl. 2016, Marie Kortam, fl. 2020, Mahdi Fleifel, 1979-
Contributor
Talal Khoury, fl. 2002, Mahdi Fleifel, 1979-, Amal Alaeddine, fl. 2004, Patrick Campbell, fl. 2009
Author / Creator
Mahdi Fleifel, 1979-, Reda Al-Saleh, fl. 2016, Marie Kortam, fl. 2020
Date Published / Released
2020-01-22
Publisher
Salaud Morisset
Topic / Theme
Refugee camps, Reda Al-Saleh, Marie Kortam, Mahd Fleifel, Palestinians
Copyright Message
Copyright © 2020 Salaud Morisset
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3 Mo Divas
directed by Marion J. Caffey, fl. 2001-2008 and William Cosel, fl. 1971-2012; produced by John Paulson, fl. 2006-2018 and Philip Hack, fl. 2006-2017 (New York, NY: Broadway Licensing, 2008), 1 hour 3 mins
3 Mo' Divas: The three women are all classically trained vocalists. The discovery of their phenomenal vocal versatility is nothing short of astonishing. The concert delivers some stupefying, genre jumping feats that continue to amaze audiences: Including opera, Broadway, Movies, Jazz, Blues, Soul, R&B, Rock & Roll...
Sample
directed by Marion J. Caffey, fl. 2001-2008 and William Cosel, fl. 1971-2012; produced by John Paulson, fl. 2006-2018 and Philip Hack, fl. 2006-2017 (New York, NY: Broadway Licensing, 2008), 1 hour 3 mins
Description
3 Mo' Divas: The three women are all classically trained vocalists. The discovery of their phenomenal vocal versatility is nothing short of astonishing. The concert delivers some stupefying, genre jumping feats that continue to amaze audiences: Including opera, Broadway, Movies, Jazz, Blues, Soul, R&B, Rock & Roll, Spirituals & Gospel.
Field of Study
Theatre
Content Type
Documentary
Contributor
Jamet Pittman, fl. 2008, Laurice Lanier, fl. 2008, Nova Payton, fl. 2008-2023, John Paulson, fl. 2006-2018, Philip Hack, fl. 2006-2017
Author / Creator
Marion J. Caffey, fl. 2001-2008, William Cosel, fl. 1971-2012
Date Published / Released
2008
Publisher
Broadway Licensing
Topic / Theme
Singing, Musical theater, Performing arts life
Copyright Message
Copyright © 2008 Broadway Licensing
Segments
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3 Romances for clarinet and piano - Op. 94
directed by Oliver Becker, fl. 2002; composed by Robert Schumann, 1810-1856; produced by Reiner Moritz Associates, London, England and France 3; performed by Hélène Grimaud, 1969-, in A Chamber Music Concert (London, England: Digital Classics Distribution, 2001), 12 mins
Recorded live from the Cité de la Musique in Paris, pianist Hélène Grimaud plays chamber music by Schumann – the Quintet for Piano and Strings in E flat major Op. 44, Fantasiestücke Op. 73 and the 3 Romances Op. 94 – with soloists from the Orchestre de Paris: Roland Daugarell and Nathalie Lamoureux (violin...
Sample
directed by Oliver Becker, fl. 2002; composed by Robert Schumann, 1810-1856; produced by Reiner Moritz Associates, London, England and France 3; performed by Hélène Grimaud, 1969-, in A Chamber Music Concert (London, England: Digital Classics Distribution, 2001), 12 mins
Description
Recorded live from the Cité de la Musique in Paris, pianist Hélène Grimaud plays chamber music by Schumann – the Quintet for Piano and Strings in E flat major Op. 44, Fantasiestücke Op. 73 and the 3 Romances Op. 94 – with soloists from the Orchestre de Paris: Roland Daugarell and Nathalie Lamoureux (violin), Jean Dupouy (viola) and Emmanuel Gaugué (cello) and Pascal Moraguès, (clarinet). Hélène Grimaud gives brief introductions to the...
Recorded live from the Cité de la Musique in Paris, pianist Hélène Grimaud plays chamber music by Schumann – the Quintet for Piano and Strings in E flat major Op. 44, Fantasiestücke Op. 73 and the 3 Romances Op. 94 – with soloists from the Orchestre de Paris: Roland Daugarell and Nathalie Lamoureux (violin), Jean Dupouy (viola) and Emmanuel Gaugué (cello) and Pascal Moraguès, (clarinet). Hélène Grimaud gives brief introductions to the performances.
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Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Hélène Grimaud, 1969-
Contributor
Reiner Moritz Associates, London, England, France 3
Author / Creator
Robert Schumann, 1810-1856, Oliver Becker, fl. 2002, Hélène Grimaud, 1969-
Date Published / Released
2001
Publisher
Digital Classics Distribution
Topic / Theme
Concerts, Clarinet, Piano
Copyright Message
Copyright © 2014. Used by permission of Digital Classics Distribution, Ltd. All rights reserved.
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3 Romances Op. 28
directed by François Goetghebeur, 1974-; composed by Robert Schumann, 1810-1856; produced by Daniel Charrier; performed by Eric Le Sage, in Eric Le Sage joue Schumann (CLC Productions, 2010), 13 mins
This is a performance of Eric Le Sage joue Schumann, performed by Eric Le Sage and directed by Francois Goetghebeur.
Sample
directed by François Goetghebeur, 1974-; composed by Robert Schumann, 1810-1856; produced by Daniel Charrier; performed by Eric Le Sage, in Eric Le Sage joue Schumann (CLC Productions, 2010), 13 mins
Description
This is a performance of Eric Le Sage joue Schumann, performed by Eric Le Sage and directed by Francois Goetghebeur.
Date Written / Recorded
2010-04-28
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Eric Le Sage
Contributor
Daniel Charrier
Author / Creator
Robert Schumann, 1810-1856, François Goetghebeur, 1974-, Eric Le Sage
Date Published / Released
2010
Publisher
CLC Productions
Copyright Message
Copyright © 2010 by CLC Productions
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The 3 Tenors - The Birth of a Legend
directed by Brian Large, 1939-; conducted by Zubin Mehta, 1936-; produced by Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006 and Herbert Chappell, 1934-, Sounding Images; performed by Orchestra del Teatro dell'Opera di Roma and Orchestra del Maggio Musicale Fiorentino, in The 3 Tenors: Birth of a Legend (Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on...
Sample
directed by Brian Large, 1939-; conducted by Zubin Mehta, 1936-; produced by Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006 and Herbert Chappell, 1934-, Sounding Images; performed by Orchestra del Teatro dell'Opera di Roma and Orchestra del Maggio Musicale Fiorentino, in The 3 Tenors: Birth of a Legend (Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Description
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under...
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under their spell in over thirty performances. They helped to bring about an unexpected flourishing of classical music. The concert in the Caracalla Baths of Rome was the Birth of a Legend. The programme interweaves performance and background information, including previously unseen material.
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Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Orchestra del Teatro dell'Opera di Roma, Orchestra del Maggio Musicale Fiorentino
Contributor
Zubin Mehta, 1936-, Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006, Herbert Chappell, 1934-, Sounding Images
Author / Creator
Brian Large, 1939-, Orchestra del Teatro dell'Opera di Roma, Orchestra del Maggio Musicale Fiorentino
Date Published / Released
2015
Publisher
C Major Entertainment
Copyright Message
Copyright © 2015 by C Major Entertainment
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