Browse Titles - 3 results
22. From Legba to Papa Labas: New World Metaphysical Self/Re-Fashioning in Ishmael Reed's Mumbo Jumbo
written by Pierre-Damien Mvuyekure, 1961-; edited by Ali A. Mazrui, 1933-2014, Carole Boyce Davies, fl. 1990 and Isidore Okpewho, 1941-2016; in The African Diaspora: African Origins and New World IdentitiesThe African Diaspora: African Origins and New World Identities (First paperback edition) (Bloomington, IN: Indiana University Press, 2001, originally published 1999), 350-366
The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition.Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramo...
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written by Pierre-Damien Mvuyekure, 1961-; edited by Ali A. Mazrui, 1933-2014, Carole Boyce Davies, fl. 1990 and Isidore Okpewho, 1941-2016; in The African Diaspora: African Origins and New World IdentitiesThe African Diaspora: African Origins and New World Identities (First paperback edition) (Bloomington, IN: Indiana University Press, 2001, originally published 1999), 350-366
Description
The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition.Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramos Bennett, LeGrace Benson, Ira Kincade Blake, Jack S. Blocker, Jr., Sharon Aneta Bryant, Michael J. C. Echeruo, Peter P. Ekeh, Patience...
The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition.Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramos Bennett, LeGrace Benson, Ira Kincade Blake, Jack S. Blocker, Jr., Sharon Aneta Bryant, Michael J. C. Echeruo, Peter P. Ekeh, Patience Elabor-Idemudia, David Evans, Robert Elliot Fox, Andrea Frohne, Joseph E. Inikori, Joyce Ann Joyce, Joseph McLaren, Charles Martin, Ali A. Mazrui, Pierre-Damien Mvuyekure, Nkiru Nzegwu, Isidore Okpewho, Oyekan Owomoyela, Laura J. Pires-Hester, Richard Price, Sally Price, Jean Rahier, Sandra L. Richards, Elliott P. Skinner, Alvin B. Tillery, Jr., Keith Q. Warner, Maureen Warner-Lewis, and Kimberly Welch.
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Field of Study
Black Studies
Content Type
Chapter
Contributor
Ali A. Mazrui, 1933-2014, Carole Boyce Davies, fl. 1990, Isidore Okpewho, 1941-2016
Author / Creator
Pierre-Damien Mvuyekure, 1961-
Date Published / Released
1999, 2001
Publisher
Indiana University Press
Person Discussed
Ishmael Reed, 1938-
Topic / Theme
Vodoo, Literature, African Americans
Copyright Message
Copyright © 1999 Indiana University Press
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4 If You Aren’t Careful, You don’t Know Where You Will End Up!
written by Daniel Reed, 1963-; in Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants, African Expressive Cultures (Bloomington, IN: Indiana University Press, 2016, originally published 2016), 91-128
Daniel B. Reed integrates individual stories with the study of performance to understand the forces of diaspora and mobility in the lives of musicians, dancers, and mask performers originally from Côte d'Ivoire who now live in the United States. Through the lives of four Ivorian performers, Reed finds that dance...
Sample
written by Daniel Reed, 1963-; in Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants, African Expressive Cultures (Bloomington, IN: Indiana University Press, 2016, originally published 2016), 91-128
Description
Daniel B. Reed integrates individual stories with the study of performance to understand the forces of diaspora and mobility in the lives of musicians, dancers, and mask performers originally from Côte d'Ivoire who now live in the United States. Through the lives of four Ivorian performers, Reed finds that dance and music, being transportable media, serve as effective ways to understand individual migrants in the world today. As members of an im...
Daniel B. Reed integrates individual stories with the study of performance to understand the forces of diaspora and mobility in the lives of musicians, dancers, and mask performers originally from Côte d'Ivoire who now live in the United States. Through the lives of four Ivorian performers, Reed finds that dance and music, being transportable media, serve as effective ways to understand individual migrants in the world today. As members of an immigrant community who are geographically dispersed, these performers are unmoored from their place of origin and yet deeply engaged in presenting their symbolic roots to North American audiences. By looking at performance, Reed shows how translocation has led to transformations on stage, but he is also sensitive to how performance acts as a way to reinforce and maintain community. Abidjan USA provides a multifaceted view of community that is at once local, national, and international, and where identity is central, but transportable, fluid, and adaptable.
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Field of Study
Black Studies
Content Type
Chapter
Author / Creator
Daniel Reed, 1963-
Date Published / Released
2016
Publisher
Indiana University Press
Series
African Expressive Cultures
Person Discussed
Sado Diomande, fl. 1994
Topic / Theme
Vodoo, Ivorians, 21st Century in World History (2001– )
Copyright Message
Copyright © 2016 Daniel B. Reed
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Africa's Ogun: Old World and New (Second Expanded Edition)
edited by Sandra T. Barnes, 1935- (Bloomington, IN: Indiana University Press, 1997, originally published 1989), 413 page(s)
The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition:... an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the chan...
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edited by Sandra T. Barnes, 1935- (Bloomington, IN: Indiana University Press, 1997, originally published 1989), 413 page(s)
Description
The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition:... an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." —African Studies Review... leav[es] the reader with a sense of the vitality, dynamism, and comple...
The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition:... an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." —African Studies Review... leav[es] the reader with a sense of the vitality, dynamism, and complexity of Ogun and the cultural contexts in which he thrives.... magnificent contribution to the literature on Ogun, Yoruba culture, African religions, and the African diaspora." —International Journal of Historical Studies
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Field of Study
Black Studies
Content Type
Book
Contributor
Sandra T. Barnes, 1935-
Date Published / Released
1989, 1997
Publisher
Indiana University Press
Topic / Theme
Religious beliefs, Yoruba
Copyright Message
Copyright © 1989, Indiana University Press
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