Browse Titles - 71 results
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Bach: Christmas Oratorio
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Sibylla Rubens, fl. 1990, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart, Bach: Christmas Oratorio (Hänssler Classic, 1999), 68 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Sibylla Rubens, fl. 1990, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart, Bach: Christmas Oratorio (Hänssler Classic, 1999), 68 page(s)
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Sibylla Rubens, fl. 1990
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Sibylla Rubens, fl. 1990
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Georg Philipp Telemann, 1681-1767, Carl Philipp Emanuel Bach, 1714-1788, Johann Adolph Scheibe, 1708-1776, George Frideric Handel, 1685-1759, Reinhard Keiser, 1674-1739
Topic / Theme
Religious rites and ceremonies, Music arrangement, Oratorio, Sacred, Mixed Choir
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Bach: Easter and Ascension Oratorios
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Arleen Augér, 1939-1993, Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart and Württembergisches Kammerorchester Heilbronn, Bach: Easter and Ascension Oratorios (Hänssler Classic, 2000), 25 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Arleen Augér, 1939-1993, Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart and Württembergisches Kammerorchester Heilbronn, Bach: Easter and Ascension Oratorios (Hänssler Classic, 2000), 25 page(s)
Date Written / Recorded
1984
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Württembergisches Kammerorchester Heilbronn, Arleen Augér, 1939-1993
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Württembergisches Kammerorchester Heilbronn, Arleen Augér, 1939-1993
Date Published / Released
2000
Publisher
Hänssler Classic
Person Discussed
Franz Peter Schubert, 1797-1828, Ludwig van Beethoven, 1770-1827
Topic / Theme
Religious rites and ceremonies, Music arrangement, Oratorio, Sacred, Mixed Choir
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Mose salio de Misrain - Moses Left Egypt
produced by Henrietta Yurchenco, 1916-2007; in Ballads, Wedding Songs and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco (Folkways Records, 1983), 3 mins
Sample
produced by Henrietta Yurchenco, 1916-2007; in Ballads, Wedding Songs and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco (Folkways Records, 1983), 3 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Henrietta Yurchenco, 1916-2007
Date Published / Released
1983
Publisher
Folkways Records
Topic / Theme
Prayer and meditation
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Afro-Christian Music and Religion
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 44-61
Sample
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 44-61
Field of Study
American Music
Content Type
General reference book
Author / Creator
Amiri Baraka, 1934-2014
Date Published / Released
1963
Publisher
William Morrow and Company
Topic / Theme
African American, Caucasian American, Christianity, Deities, Religious practices, Religious conversions, Worship, Spiritual possession, Slavery, Performance influences, Lyrics, Music theory, Performance practice, African American Music, Blues, Voice, Percussion, various
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The Drum
written by Julio Finn; in The Bluesman: The Musical Heritage of Black Men and Women in the Americas (London, England: Quartet Books Ltd., 1986), 94-101
Sample
written by Julio Finn; in The Bluesman: The Musical Heritage of Black Men and Women in the Americas (London, England: Quartet Books Ltd., 1986), 94-101
Field of Study
American Music
Content Type
General reference book
Author / Creator
Julio Finn
Date Published / Released
1986
Publisher
Quartet Books Ltd.
Topic / Theme
African, African American, Religious rites and ceremonies, Human body, Performance influences, Expression in performance, African American Music, Drum, Assotor
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Chhayam
produced by Chinary Ung, 1942-; in Cambodia: Traditional Music, Vol. 1: Instrumental and Vocal Pieces (Folkways Records, 1975), 6 mins
Sample
produced by Chinary Ung, 1942-; in Cambodia: Traditional Music, Vol. 1: Instrumental and Vocal Pieces (Folkways Records, 1975), 6 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Chinary Ung, 1942-
Date Published / Released
1975
Publisher
Folkways Records
Topic / Theme
Religious rites and ceremonies
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W'odo - Welcome Song
This collection presents the two main genres of Afro-Dutch Guyanese musicKawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.
Sample
Description
This collection presents the two main genres of Afro-Dutch Guyanese musicKawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.
Field of Study
World Music
Content Type
Music recording
Contributor
Clifford Entes
Date Published / Released
1978
Publisher
Folkways Records
Topic / Theme
Religious processions
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Dabuyabarugu: Inside the Temple - Sacred Music of the Garifuna of Belize
produced by Carol Jenkins and Travis Jenkins (Folkways Records, 1982), 52 mins
The Garifuna are descendants of escaped slaves who intermarried with native Carib and Arawak Indians. This album is a collection of music recorded during a dugu, a two week ceremonial feast that attempts to placate the gods. Requiring a year of preparation, and an ample supply of rum, the music heard on this al...
Sample
produced by Carol Jenkins and Travis Jenkins (Folkways Records, 1982), 52 mins
Description
The Garifuna are descendants of escaped slaves who intermarried with native Carib and Arawak Indians. This album is a collection of music recorded during a dugu, a two week ceremonial feast that attempts to placate the gods. Requiring a year of preparation, and an ample supply of rum, the music heard on this album is meant to send one into a transient state.
Field of Study
World Music
Content Type
Music recording
Contributor
Carol Jenkins, Travis Jenkins
Date Published / Released
1982
Publisher
Folkways Records
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Brazilian Candomble
composed by John Hill and Camara Kambon, 1973-; produced by Orlando Bagwell, 1951-, Rhoda Grauer, 1944- and Susan Bellows, fl. 1989; performed by Raoul Trujillo, João Jorge Santos Rodrigues, Shelia Walker, Bernice Johnson Reagon, 1942-, Analia Santos Leite Da Paz and Leopoldo Da Rocha, 1932-; in Dancing: New Worlds, New Forms, Dancing (ArtHaus Musik, 1993), 13 mins
This program examines the heritage that enslaved Africans brought to North and South America via dance. From the Samba in Rio to the Lindy-hop in Harlem, cultural collisions have shaped the popular dances of today.
Sample
composed by John Hill and Camara Kambon, 1973-; produced by Orlando Bagwell, 1951-, Rhoda Grauer, 1944- and Susan Bellows, fl. 1989; performed by Raoul Trujillo, João Jorge Santos Rodrigues, Shelia Walker, Bernice Johnson Reagon, 1942-, Analia Santos Leite Da Paz and Leopoldo Da Rocha, 1932-; in Dancing: New Worlds, New Forms, Dancing (ArtHaus Musik, 1993), 13 mins
Description
This program examines the heritage that enslaved Africans brought to North and South America via dance. From the Samba in Rio to the Lindy-hop in Harlem, cultural collisions have shaped the popular dances of today.
Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Raoul Trujillo, João Jorge Santos Rodrigues, Shelia Walker, Bernice Johnson Reagon, 1942-, Analia Santos Leite Da Paz, Leopoldo Da Rocha, 1932-
Contributor
Felipe Borrero, fl. 1970, Orlando Bagwell, 1951-, Rhoda Grauer, 1944-, Susan Bellows, fl. 1989, John Hill, Camara Kambon, 1973-
Author / Creator
John Hill, Camara Kambon, 1973-, Raoul Trujillo, João Jorge Santos Rodrigues, Shelia Walker, Bernice Johnson Reagon, 1942-, Analia Santos Leite Da Paz, Leopoldo Da Rocha, 1932-
Date Published / Released
1993
Publisher
ArtHaus Musik
Series
Dancing
Topic / Theme
Slavery, Performance practice, Costumes, Catholicism, Deities, Religious practices, Musical meter and rhythm, Dance, Narrator
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Act Six: The Sacred Concerts
written by Duke Ellington, 1899-1974; in Duke Ellington: Music is My Mistress (Garden City, NY: Doubleday & Company, 1973), 280-304
Sample
written by Duke Ellington, 1899-1974; in Duke Ellington: Music is My Mistress (Garden City, NY: Doubleday & Company, 1973), 280-304
Field of Study
American Music
Content Type
Biography
Author / Creator
Duke Ellington, 1899-1974
Date Published / Released
1973
Publisher
Doubleday & Company
Person Discussed
Duke Ellington, 1899-1974
Topic / Theme
African American, God, Places of worship, Worship, Songs, Musicians, Church services, Expression in performance, Concerts, Artistic collaboration, Lyrics, Sacred
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