Browse Titles - 85 results

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1: 1619-1865: The Music of Enslavement and Struggle
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written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 54 page(s)
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written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 54 page(s)
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Bach: Cantatas, BWV 4-6
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Edith Wiens, Bach: Cantatas, BWV 4-6 (Hänssler Classic, 1998), 26 page(s)
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Edith Wiens, Bach: Cantatas, BWV 4-6 (Hänssler Classic, 1998), 26 page(s)
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Bach: Cantatas, BWV 23-26
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Arleen Augér, 1939-1993, Bach-Ensemble and Gächinger Kantorei Stuttgart, Bach: Cantatas, BWV 23-26 (Hänssler Classic, 1999), 31 page(s)
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Arleen Augér, 1939-1993, Bach-Ensemble and Gächinger Kantorei Stuttgart, Bach: Cantatas, BWV 23-26 (Hänssler Classic, 1999), 31 page(s)
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Bach: Cantatas, BWV 77-79
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Helen Donath, 1940-, Bach: Cantatas, BWV 77-79 (Hänssler Classic, 1999), 27 page(s)
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Helen Donath, 1940-, Bach: Cantatas, BWV 77-79 (Hänssler Classic, 1999), 27 page(s)
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Bach: Cantatas, BWV 106-108
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Eva Csapo, Bach: Cantatas, BWV 106-108 (Hänssler Classic, 1999), 25 page(s)
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composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Eva Csapo, Bach: Cantatas, BWV 106-108 (Hänssler Classic, 1999), 25 page(s)
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Afro-Christian Music and Religion
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 44-61
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 44-61
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I: Concerning Backgrounds
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written by Howard Thurman, 1899-1981; in Deep River: Reflections on the Religious Insight of Certain of the Negro Spirituals (New York, NY: Harper and Brothers, 1955), 6-26
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written by Howard Thurman, 1899-1981; in Deep River: Reflections on the Religious Insight of Certain of the Negro Spirituals (New York, NY: Harper and Brothers, 1955), 6-26
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PART III: LONDON: Elgar's War Requiem
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written by Rachel Cowgill; edited by Byron Adams, 1955-; in Edward Elgar And His World (Princeton, NJ: Princeton University Press, 2007), 340-386
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written by Rachel Cowgill; edited by Byron Adams, 1955-; in Edward Elgar And His World (Princeton, NJ: Princeton University Press, 2007), 340-386
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The Scholarly Study of African Music: A Historical Review
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written by J. H. Kwabena Nketia; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 61 page(s)
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written by J. H. Kwabena Nketia; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 61 page(s)
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Notation and Oral Tradition
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written by Kay Kaufman Shelemay; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 19 page(s)
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written by Kay Kaufman Shelemay; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 19 page(s)
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