Browse Titles - 104 results
Amerindian Music of Chile: Aymara, Qaqashqar, Mapuche
En Chile existen tres grupos indígenas que son descendientes directos de los habitantes prehispánicos de América: los aymara, los qawashqar (también llamados alakaluf) y los mapuches (también llamados araucanos). Los aymara habitan las cumbre andinas y el altiplano localizados en Tarapaca y Antofagasta, las dos provincias chilenas que están ubicadas más al norte; los qawashqar son unos de los más antiguos habitantes de la región más austral del planeta, la Tierra de Fuego; los mapuche viven principalmente en la región llamada " la frontera" o la "Araucania" en el centro de Chile, localizada en las provincias de Malleco y Cantín.
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Ballads, Wedding Songs and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco
The Big Drum and Other Ritual and Social Music of Carriacou
Donald R. Hill overviews the musical scene of the island of Carriacou in the Grenadines, tracing the series of cultural roots branching out to West Africa, Europe, the Mediterranean, the greater Caribbean and, even, North America. Representing the West African lineage, the Big Drum Dance is one of the most sign...
Donald R. Hill overviews the musical scene of the island of Carriacou in the Grenadines, tracing the series of cultural roots branching out to West Africa, Europe, the Mediterranean, the greater Caribbean and, even, North America. Representing the West African lineage, the Big Drum Dance is one of the most significant musical rituals on the island, which is prepared for special festivals such as marriage ceremonies, tombstone raisings, fishing...
Donald R. Hill overviews the musical scene of the island of Carriacou in the Grenadines, tracing the series of cultural roots branching out to West Africa, Europe, the Mediterranean, the greater Caribbean and, even, North America. Representing the West African lineage, the Big Drum Dance is one of the most significant musical rituals on the island, which is prepared for special festivals such as marriage ceremonies, tombstone raisings, fishing boat launchings and in the case of ill-health or ill-fortune. Meanwhile, carnival calypsos carry their distinctively Caribbean flavor, Christmas serenades include favorite European hymns like “Joy to the World,” and the use of the ballad and quadrille genres reveal specifically British and French presences, respectively.
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Black Music of Two Worlds
John Storm Roberts
"El objeto de est... "The subject of this album is the meeting of three musical traditions—African, Arab, and European—to create a fourth tradition of great richness and international impact, that of the Black New World. It is hardly surprising that Afro-American music is so rich. It draws form three major European sources—English, French, and Iberian (Spanish and Portuguese)—as well as several western African traditions..."
John Storm Roberts
"El objeto de este álbum es analizar el encuentro de tres tradiciones musicales, la africana, la árabe y la europea, para crear una cuarta tradición de gran riqueza e impacto internacional, la cultura negra del Nuevo Mundo. En realidad, no es sorprendente que la música afro-americana sea tan rica como lo es, ya que proviene de tres importantes fuentes europeas, Inglaterra, Francia y la península Ibérica, así como de varias tradiciones del oeste africano..."
John Storm Roberts
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Cambodia: Traditional Music, Vol. 1: Instrumental and Vocal Pieces
Cantos de Las Posadas and Other Christmas Songs (recorded by Elena Paz and Carlos Garcia Travesi)
Elena Paz and Carlos García Travesi
"De todas las celebraciones religiosas que tienen lugar en España y otros países latinoamericanos, Las Posadas es quizás el más significativo y ciertamente uno de los más coloridos. El término hace referencia al refugio que buscaron José y María en los alrededores de Belén. En villas y poblados a lo largo de México y de otros países hispano parlantes todavía se puede ser testigo de cómo se revive esta peregrinación durante nueve noches que culminan en la Nochebuena..."
Elena Paz y Carlos García Travesi
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Carnaval in Cuba
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying exper...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African and American Indian heritage. Liner notes include information on the History of Carnaval, as well as song and instrument details. Some notation and lyrics.
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Children's Jamaican Songs and Games
Louise Bennett leads irresistible ring games that have been the favorites of Jamaican children across generations. Many songs retain a specifically African or British flavor.
Louise Bennett leads irresistible ring games that have been the favorites of Jamaican children across generations. Many songs retain a specifically African or British flavor.
