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Everyday Life After Emancipation
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written by Josephine Wright, fl. 1981-2007 and Eileen Jackson Southern, 1920-2002; in Images: Iconography of Music in African American Culture, 1700s-1920s (New York: Garland Science, 2000), 181-279
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written by Josephine Wright, fl. 1981-2007 and Eileen Jackson Southern, 1920-2002; in Images: Iconography of Music in African American Culture, 1700s-1920s (New York: Garland Science, 2000), 181-279
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Jazz and its Discontents: A Francis Davis Reader
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written by Francis Davis, 1946- (Cambridge, MA: Da Capo Press, 2004), 336 page(s)
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written by Francis Davis, 1946- (Cambridge, MA: Da Capo Press, 2004), 336 page(s)
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His Influence
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written by Walter Carl Allen, 1920- and Brian A. L. Rust, 1922-; in King Joe Oliver (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 55-58
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written by Walter Carl Allen, 1920- and Brian A. L. Rust, 1922-; in King Joe Oliver (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 55-58
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Three or Four Shades of Mingus
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written by Gary Giddins, 1948-; in Riding on a Blue Note: Jazz and American Pop (New York, NY: Oxford University Press, 1981), 184-192
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written by Gary Giddins, 1948-; in Riding on a Blue Note: Jazz and American Pop (New York, NY: Oxford University Press, 1981), 184-192
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Chapter II: The Forlorn Hope
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written by J.B.T. Marsh, 1839-1887; in The Story of the Jubilee Singers, With Their Songs (Boston, MA: Houghton, Mifflin and Company, 1881), 16-24
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written by J.B.T. Marsh, 1839-1887; in The Story of the Jubilee Singers, With Their Songs (Boston, MA: Houghton, Mifflin and Company, 1881), 16-24
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