Browse Titles - 41 results
Adios Nonino
directed by Beatrix Conrad, fl. 2007-2014; composed by Astor Piazzolla, 1921-1992 (1961); produced by Salve TV; performed by Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska and Erwin Schrott (Berlin, Berlin State: C Major Entertainment, 2013), 6 mins
After winning Placido Domingo’s International Voice Competition, Operalia, in 1998, Erwin Schrott became an operatic superstar, burning up the stages of all the important opera houses of the world like Milan, London, Vienna, Berlin and Paris. In "Rojotango", recorded at the legendary Admiralspalast in Berlin, Er...
Sample
directed by Beatrix Conrad, fl. 2007-2014; composed by Astor Piazzolla, 1921-1992 (1961); produced by Salve TV; performed by Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska and Erwin Schrott (Berlin, Berlin State: C Major Entertainment, 2013), 6 mins
Description
After winning Placido Domingo’s International Voice Competition, Operalia, in 1998, Erwin Schrott became an operatic superstar, burning up the stages of all the important opera houses of the world like Milan, London, Vienna, Berlin and Paris. In "Rojotango", recorded at the legendary Admiralspalast in Berlin, Erwin Schrott presents a musical journey through the wonderful world of Tango and the music of Latin America through the streets of Bueno...
After winning Placido Domingo’s International Voice Competition, Operalia, in 1998, Erwin Schrott became an operatic superstar, burning up the stages of all the important opera houses of the world like Milan, London, Vienna, Berlin and Paris. In "Rojotango", recorded at the legendary Admiralspalast in Berlin, Erwin Schrott presents a musical journey through the wonderful world of Tango and the music of Latin America through the streets of Buenos Aires, where Tangos, Milongas and other popular melodies -are being played and sung. The programme features a varied and exciting selection of passionate tangos by Astor Piazzolla and Pablo Ziegler as well as evocative Argentinean and Brazilian folk songs. After the highly successful release of his "Rojotango" album, awarded with the German ECHO KLASSIK, Erwin Schrott now presents "Rojotango" live on stage.
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Date Written / Recorded
1961
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska, Erwin Schrott
Contributor
Salve TV
Author / Creator
Astor Piazzolla, 1921-1992, Beatrix Conrad, fl. 2007-2014, Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska, Erwin Schrott
Date Published / Released
2013
Publisher
C Major Entertainment
Copyright Message
Copyright © 2013 C Major Entertainment
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Alto Rhapsody, Op. 53
composed by Johannes Brahms, 1833-1897; conducted by Andris Nelsons; designed by Hendrik Thomas, fl. 2014; produced by Michael Haefliger, 1961-, Accentus Music; performed by Sara Mingrado, 1961-, Bavarian Radio Chorus (Chor der Bayerischen Rundfunks), Munich and Lucerne Festival Orchestra, in Lucerne Festival 2013: Andris Nelsons conducts Brahms (Berlin, Berlin State: C Major Entertainment, 2014), 17 mins
Claudio Abbado himself chose Brahms' Alto Rhapsody as the center of the opening concert 2014, and Andris Nelsons and the Lucerne Festival Orchestra probe its psychological depths - while further exploring the psychic landscape of this German Romantic's music as expressed in the Second Serenade and the Second Symph...
Sample
composed by Johannes Brahms, 1833-1897; conducted by Andris Nelsons; designed by Hendrik Thomas, fl. 2014; produced by Michael Haefliger, 1961-, Accentus Music; performed by Sara Mingrado, 1961-, Bavarian Radio Chorus (Chor der Bayerischen Rundfunks), Munich and Lucerne Festival Orchestra, in Lucerne Festival 2013: Andris Nelsons conducts Brahms (Berlin, Berlin State: C Major Entertainment, 2014), 17 mins
Description
Claudio Abbado himself chose Brahms' Alto Rhapsody as the center of the opening concert 2014, and Andris Nelsons and the Lucerne Festival Orchestra probe its psychological depths - while further exploring the psychic landscape of this German Romantic's music as expressed in the Second Serenade and the Second Symphony. PROGRAM: Brahms: Serenade No. 2 in D major op. 16 for Small Orchestra / Alto Rhapsody op. 53 for Alto, Male Chorus and Orchestra /...
Claudio Abbado himself chose Brahms' Alto Rhapsody as the center of the opening concert 2014, and Andris Nelsons and the Lucerne Festival Orchestra probe its psychological depths - while further exploring the psychic landscape of this German Romantic's music as expressed in the Second Serenade and the Second Symphony. PROGRAM: Brahms: Serenade No. 2 in D major op. 16 for Small Orchestra / Alto Rhapsody op. 53 for Alto, Male Chorus and Orchestra / Symphony No. 2 in D major op. 73.
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Date Written / Recorded
2014
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Bavarian Radio Chorus (Chor der Bayerischen Rundfunks), Munich, Lucerne Festival Orchestra, Sara Mingrado, 1961-
Contributor
Andris Nelsons, Dirk Sykora, fl. 2000-2014, Johann Wolfgang von Goethe, 1749-1832, Hendrik Thomas, fl. 2014, Michael Haefliger, 1961-, Accentus Music, Koen Verstreken, fl. 2012-2014
Author / Creator
Johannes Brahms, 1833-1897, Bavarian Radio Chorus (Chor der Bayerischen Rundfunks), Munich, Lucerne Festival Orchestra, Sara Mingrado, 1961-
Date Published / Released
2014
Publisher
C Major Entertainment
Copyright Message
Copyright © 2014 by C Major Entertainment
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Anonymous: Lamento renaissance
directed by Marie-Helene Rebois, fl. 1982-2009; composed by Anonymous; produced by Daniel Charrier; performed by Robert Expert, fl. 2007, Alex de Valera, 1949- and Javier Estrella, fl. 1980, in Robert Expert, Chants d'Espagne (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2005), 4 mins
This is a concert of Spanish music, performed by Javier Estrella, Alex De Valera, and Robert Expert, and directed by Marie-Helene Rebois.
Sample
directed by Marie-Helene Rebois, fl. 1982-2009; composed by Anonymous; produced by Daniel Charrier; performed by Robert Expert, fl. 2007, Alex de Valera, 1949- and Javier Estrella, fl. 1980, in Robert Expert, Chants d'Espagne (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2005), 4 mins
Description
This is a concert of Spanish music, performed by Javier Estrella, Alex De Valera, and Robert Expert, and directed by Marie-Helene Rebois.
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Robert Expert, fl. 2007, Alex de Valera, 1949-, Javier Estrella, fl. 1980
Contributor
Daniel Charrier
Author / Creator
Anonymous, Marie-Helene Rebois, fl. 1982-2009, Robert Expert, fl. 2007, Alex de Valera, 1949-, Javier Estrella, fl. 1980
Date Published / Released
2005
Publisher
CLC Productions
Copyright Message
Copyright © 2005 by CLC Productions
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BBC Proms, 2015, Credo
directed by Bridget Caldwell, fl. 2007; composed by Arvo Pärt, 1935- (1968); conducted by Marin Alsop; presented by Katie Derham, 1970-; produced by Helen Mansfield, fl. 1997; performed by BBC Symphony Orchestra, BBC Symphony Chorus and BBC Singers, in BBC Proms, 2015 (London, England: BBC Worldwide, 2015), 17 mins
Marin Alsop, who triumphed at 2013's Last Night, returns to conduct the BBC Symphony Orchestra and Chorus. Marin is joined by an all-star line-up including tenor Jonas Kaufmann, soprano Danielle de Niese and pianist Benjamin Grosvenor. The programme includes Last Night favourites alongside the world premiere of BB...
Sample
directed by Bridget Caldwell, fl. 2007; composed by Arvo Pärt, 1935- (1968); conducted by Marin Alsop; presented by Katie Derham, 1970-; produced by Helen Mansfield, fl. 1997; performed by BBC Symphony Orchestra, BBC Symphony Chorus and BBC Singers, in BBC Proms, 2015 (London, England: BBC Worldwide, 2015), 17 mins
Description
Marin Alsop, who triumphed at 2013's Last Night, returns to conduct the BBC Symphony Orchestra and Chorus. Marin is joined by an all-star line-up including tenor Jonas Kaufmann, soprano Danielle de Niese and pianist Benjamin Grosvenor. The programme includes Last Night favourites alongside the world premiere of BBC commission Arise, Athena! by Eleanor Alberga, R.Strauss' Till Eulenspiegels lustige Streiche, Giacomo Puccini’s Nessun Dorma and ma...
Marin Alsop, who triumphed at 2013's Last Night, returns to conduct the BBC Symphony Orchestra and Chorus. Marin is joined by an all-star line-up including tenor Jonas Kaufmann, soprano Danielle de Niese and pianist Benjamin Grosvenor. The programme includes Last Night favourites alongside the world premiere of BBC commission Arise, Athena! by Eleanor Alberga, R.Strauss' Till Eulenspiegels lustige Streiche, Giacomo Puccini’s Nessun Dorma and many more.
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Date Written / Recorded
1968, 2015-09
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
BBC Symphony Orchestra, BBC Symphony Chorus, BBC Singers
Contributor
Marin Alsop, Helen Mansfield, fl. 1997
Author / Creator
Arvo Pärt, 1935-, Bridget Caldwell, fl. 2007, BBC Symphony Orchestra, BBC Symphony Chorus, BBC Singers, Katie Derham, 1970-
Date Published / Released
2015
Publisher
BBC Worldwide
Series
BBC Proms
Copyright Message
Copyright © 2015 BBC Worldwide
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Berlioz: Roméo et Juliette
directed by Olivier Simonnet; composed by Hector Berlioz, 1803-1869 (1839); conducted by Valery Gergiev, 1953-; produced by Laurent Lesperon, fl. 2001, Mezzo and Les Films Jack Febus; performed by Evgeny Nikitin, Kenneth Tarver and Olga Borodina, 1963-, London Symphony Orchestra (LSO), Guildhall School of Music and Drama Singers and London Symphony Chorus (London, England: London Symphony Orchestra, 2013), 1 hour 37 mins
Valery Gergiev and London Symphony Orchestra are joined by soloists Olga Borodina, Kenneth Tarver and Evgeny Nikitin for Berlioz Roméo et Juliette, recorded live at the Barbican Hall in November 2013.A large-scale ‘symphonie dramatique’, Roméo et Juliette was the fruit of the composer’s dual fascination wi...
Sample
directed by Olivier Simonnet; composed by Hector Berlioz, 1803-1869 (1839); conducted by Valery Gergiev, 1953-; produced by Laurent Lesperon, fl. 2001, Mezzo and Les Films Jack Febus; performed by Evgeny Nikitin, Kenneth Tarver and Olga Borodina, 1963-, London Symphony Orchestra (LSO), Guildhall School of Music and Drama Singers and London Symphony Chorus (London, England: London Symphony Orchestra, 2013), 1 hour 37 mins
Description
Valery Gergiev and London Symphony Orchestra are joined by soloists Olga Borodina, Kenneth Tarver and Evgeny Nikitin for Berlioz Roméo et Juliette, recorded live at the Barbican Hall in November 2013.A large-scale ‘symphonie dramatique’, Roméo et Juliette was the fruit of the composer’s dual fascination with Shakespeare and with the actress Harriet Smithson, whom he was later to marry. Using the story of the star-crossed lovers as a start...
Valery Gergiev and London Symphony Orchestra are joined by soloists Olga Borodina, Kenneth Tarver and Evgeny Nikitin for Berlioz Roméo et Juliette, recorded live at the Barbican Hall in November 2013.A large-scale ‘symphonie dramatique’, Roméo et Juliette was the fruit of the composer’s dual fascination with Shakespeare and with the actress Harriet Smithson, whom he was later to marry. Using the story of the star-crossed lovers as a starting point, Shakespeare’s passion and drama is deftly portrayed through his music, as well as through the abundance of lyrical poetry, written by French poet Émile Deschamps.
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Date Written / Recorded
1839, 2013-11
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
London Symphony Orchestra (LSO), Guildhall School of Music and Drama Singers, London Symphony Chorus, Evgeny Nikitin, Kenneth Tarver, Olga Borodina, 1963-
Contributor
Valery Gergiev, 1953-, Émile Deschamps, 1791-1871, Laurent Lesperon, fl. 2001, Mezzo, Les Films Jack Febus
Author / Creator
Hector Berlioz, 1803-1869, Olivier Simonnet, London Symphony Orchestra (LSO), Guildhall School of Music and Drama Singers, London Symphony Chorus, Evgeny Nikitin, Kenneth Tarver, Olga Borodina, 1963-
Date Published / Released
2013
Publisher
London Symphony Orchestra
Copyright Message
Copyright © 2013 London Symphony Orchestra
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Byrd: Tribue Domine
directed by Didier Oustrie, fl. 1996-2009; composed by William Byrd, 1540-1623; conducted by Peter Phillips, 1953-; produced by Anne-Laure Charrier; performed by Tallis Scholars, in The Tallis Scholars (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2010), 12 mins
This is a performance by the Tallis Scholars, conducted by Peter Phillips.
Sample
directed by Didier Oustrie, fl. 1996-2009; composed by William Byrd, 1540-1623; conducted by Peter Phillips, 1953-; produced by Anne-Laure Charrier; performed by Tallis Scholars, in The Tallis Scholars (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2010), 12 mins
Description
This is a performance by the Tallis Scholars, conducted by Peter Phillips.
Date Written / Recorded
2010-05-28
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Tallis Scholars
Contributor
Peter Phillips, 1953-, Thierry Mus, Anne-Laure Charrier
Author / Creator
William Byrd, 1540-1623, Didier Oustrie, fl. 1996-2009, Tallis Scholars
Date Published / Released
2010
Publisher
CLC Productions
Copyright Message
Copyright © 2010 by CLC Productions
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Chansons francaises, Op. 65, for Voice and Piano
directed by Brian Large, 1939-; composed by Pyotr Il'yich Tchaikovsky, 1840-1893; conducted by Yuri Temirkanov; produced by Peter Gelb, 1953-; performed by Jessye Norman, 1945-, Leningrad Philharmonic Orchestra, in Tchaikovsky Gala from Leningrad (Berlin State: C Major Entertainment, 1990), 9 mins
Gala in commemoration of the 150th birthday of Peter Tchaikovsky. On the programme: Eugen Onegin: Polonaise / Serenade melancolique, Op. 26 / Valse scherzo, Op. 34 / Chansons francaises, Op. 65, for Voice and Piano / Serenade, No. 1 / Rondel, No. 6 / Variations on a Rococo Theme, Op. 33 / Jeanne d’Arc (La Pucell...
Sample
directed by Brian Large, 1939-; composed by Pyotr Il'yich Tchaikovsky, 1840-1893; conducted by Yuri Temirkanov; produced by Peter Gelb, 1953-; performed by Jessye Norman, 1945-, Leningrad Philharmonic Orchestra, in Tchaikovsky Gala from Leningrad (Berlin State: C Major Entertainment, 1990), 9 mins
Description
Gala in commemoration of the 150th birthday of Peter Tchaikovsky. On the programme: Eugen Onegin: Polonaise / Serenade melancolique, Op. 26 / Valse scherzo, Op. 34 / Chansons francaises, Op. 65, for Voice and Piano / Serenade, No. 1 / Rondel, No. 6 / Variations on a Rococo Theme, Op. 33 / Jeanne d’Arc (La Pucelle d’Orleans) / Adieu, forets / 1812 Overture, Op 49.
Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Leningrad Philharmonic Orchestra, Jessye Norman, 1945-
Contributor
Yuri Temirkanov, Peter Gelb, 1953-
Author / Creator
Pyotr Il'yich Tchaikovsky, 1840-1893, Brian Large, 1939-, Leningrad Philharmonic Orchestra, Jessye Norman, 1945-
Date Published / Released
1990
Publisher
C Major Entertainment
Topic / Theme
Classical Music
Copyright Message
Copyright 2012. Used by permission of C Major Entertainment. All rights reserved.
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The Creation
directed by Alex Bayer, fl. 2005; composed by Joseph Haydn, 1732-1809 and Ernest Read, 1879-1965 (1798); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 4 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Sample
directed by Alex Bayer, fl. 2005; composed by Joseph Haydn, 1732-1809 and Ernest Read, 1879-1965 (1798); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 4 mins
Description
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Date Written / Recorded
1798
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Contributor
Donato Renzetti, 1950-, Mary Anne Rothberg, fl. 2012, Jonathan Mann, fl. 2012
Author / Creator
Joseph Haydn, 1732-1809, Ernest Read, 1879-1965, Alex Bayer, fl. 2005, Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Date Published / Released
2021
Publisher
Public Broadcasting Service
Copyright Message
Copyright © 2021 Provenance Productions
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The Creation
directed by Alex Bayer, fl. 2005; composed by Joseph Haydn, 1732-1809 and Ernest Read, 1879-1965 (1798); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 10 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Sample
directed by Alex Bayer, fl. 2005; composed by Joseph Haydn, 1732-1809 and Ernest Read, 1879-1965 (1798); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 10 mins
Description
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Date Written / Recorded
1798
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Contributor
Donato Renzetti, 1950-, Mary Anne Rothberg, fl. 2012, Jonathan Mann, fl. 2012
Author / Creator
Joseph Haydn, 1732-1809, Ernest Read, 1879-1965, Alex Bayer, fl. 2005, Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Date Published / Released
2021
Publisher
Public Broadcasting Service
Copyright Message
Copyright © 2021 Provenance Productions
×
The Creation
directed by Alex Bayer, fl. 2005; composed by Joseph Haydn, 1732-1809 and Ernest Read, 1879-1965 (1798); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 6 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Sample
directed by Alex Bayer, fl. 2005; composed by Joseph Haydn, 1732-1809 and Ernest Read, 1879-1965 (1798); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 6 mins
Description
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Date Written / Recorded
1798
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Contributor
Donato Renzetti, 1950-, Mary Anne Rothberg, fl. 2012, Jonathan Mann, fl. 2012
Author / Creator
Joseph Haydn, 1732-1809, Ernest Read, 1879-1965, Alex Bayer, fl. 2005, Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Date Published / Released
2021
Publisher
Public Broadcasting Service
Copyright Message
Copyright © 2021 Provenance Productions
×