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Covering the Fall of Baghdad
Front Line
An account of the Vietnam war as seen through the camera of Australian journalist Neil Davis.His footage of the conflict was seen nightly by millions. Vietnam was a television war, a war said to have been lost in the lounge rooms of middle America. and not on the battlefield.
A multi-award winner (including an Aca...
An account of the Vietnam war as seen through the camera of Australian journalist Neil Davis.His footage of the conflict was seen nightly by millions. Vietnam was a television war, a war said to have been lost in the lounge rooms of middle America. and not on the battlefield.
A multi-award winner (including an Academy Award nomination for Best Documentary) the film examines the ethical issues facing a man in the frontline who is not an active com...
An account of the Vietnam war as seen through the camera of Australian journalist Neil Davis.His footage of the conflict was seen nightly by millions. Vietnam was a television war, a war said to have been lost in the lounge rooms of middle America. and not on the battlefield.
A multi-award winner (including an Academy Award nomination for Best Documentary) the film examines the ethical issues facing a man in the frontline who is not an active combatant (more than eighty newsmen were killed covering the war). Neil Davis discusses his experiences in the film and this, combined with extensive footage taken by him and others, makes for a compelling account of an Australian war correspondent. This shattering documentary on the Vietnam War has stirred audiences all over the world. Its focus is Neil Davis, a courageous, humane news-cameraman who spent eleven years in the combat zone. His close-up footage combined with his recollections are a testimony to the horrors of war. As an Australian, Davis viewed the conflict from a different perspective than an American. He spent much time with the Vietnamese troops, forming a deep attachment to the brave soldiers he lived among. Thus, Front Line shows a story, little known in this country, of Asians suffering at the hands of other Asians.
Davis was even permitted to cross enemy lines and film the other side of war, going with the Viet Cong. And he was the only Western journalist to film the fall of Saigon. It was Neil’s historic footage of the first North Vietnamese communist tank crashing through the Presidential palace in Saigon that told the world the war was finally over. The film points up the myriad ironies of the war: President Nixon announcing the war is finished, while Davis is being bombarded in a rice paddy; young American soldiers revealing their confusion when asked why they are fighting in Asia; Cambodian boy-soldiers going fishing whenever there is a lull in the deadly fighting.
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Public Enemy Number One
For most of his working life, controversial Australian journalist Wilfred Burchett chose to report from the “other side”. His unorthodox views and activities caused him to be labelled a traitor by many. Burchett was the first Western journalist to report on the devastating after effects of the atomic bomb drop...
For most of his working life, controversial Australian journalist Wilfred Burchett chose to report from the “other side”. His unorthodox views and activities caused him to be labelled a traitor by many. Burchett was the first Western journalist to report on the devastating after effects of the atomic bomb dropped on Hiroshima. He believed that the West was wrong to intervene in Korea. During the Vietnam war he lived among the Viet Cong, and w...
For most of his working life, controversial Australian journalist Wilfred Burchett chose to report from the “other side”. His unorthodox views and activities caused him to be labelled a traitor by many. Burchett was the first Western journalist to report on the devastating after effects of the atomic bomb dropped on Hiroshima. He believed that the West was wrong to intervene in Korea. During the Vietnam war he lived among the Viet Cong, and was a friend and admirer of Ho Chi Minh.
“I write this as a warning to the world.” So began the story filed at Hiroshima in August 1945 by Wilfred Burchett, the first Western journalist to witness the devastation of nuclear war. While 250 journalists were reporting on the Japanese surrender, Burchett alone realized the real story was in that doomed city, officially off limits to outsiders. World War ll was the last war that Australian Wilfred Burchett was to report from his countrymen’s side. It was his firm conviction that the West was wrong in Korea, and wrong later in Vietnam, and the stories he filed outraged the West. His long-standing friendship with Ho Chi Minh, the leader of North Vietnam, enabled him to live among the Vietcong. Public Enemy Number One includes footage from the Vietnamese archives rarely seen in the West.
Was Burchett a traitor as his detractors claim? There are no easy answers. Burchett insists he was exercising his journalistic responsibility in reporting the truth. The West, he felt, was getting only a distorted view of the conflict. His critics, however, felt he was abetting the enemy and even brainwashing allied prisoners. The Australian Government denied him a passport for 17 years, forcing him to live in exile. In tracing Burckett’s life and the wars he covered, Public Enemy Number One raises many issues of vital importance. Can a democracy tolerate opinions it considers subversive to its national interest? How far can freedom of the press be extended in wartime?
A gripping part of the film occurs when filmmaker Bradbury was ambushed with Burchett by Cambodian guerillas on a mountain road. In the tradition of photojournalism, Bradbury’s camera kept rolling, recording the bloody scene. Burchett escaped injury but can not escape the irony that confronted him in Cambodia. The Pol Pot regime which he had championed had turned Cambodia into a killing ground worse than Hiroshima. Had his loyalties been misplaced after all?
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