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50 Years: Where Do You Come From? Where Do You Go?
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produced by John Cohen, 1932-, Mike Seeger, 1933-2009 and Tracy Schwarz, 1938-; performed by The New Lost City Ramblers (Smithsonian Folkways Recordings, 2009)

Collectively known as the New Lost City Ramblers, Mike Seeger, John Cohen, and Tom Paley were pioneers in the revival of Southern mountain music during the folk music revival of the late 1950s and early 1960s. They brought the sounds of genuine old-time string band music and early bluegrass to eager city and colle...

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produced by John Cohen, 1932-, Mike Seeger, 1933-2009 and Tracy Schwarz, 1938-; performed by The New Lost City Ramblers (Smithsonian Folkways Recordings, 2009)
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400 Years of Folk Music
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produced by Steven Smolian (Folkways Records, 1964), 30 mins
In the early 1960s, multi-instrumentalists Steve Addiss, Bill Crofut, and Tim Prentice traveled to China, Southeast Asia, and Africa as part of the State Department's Cultural Exchange Program. This recording features tunes and songs associated with their journey—some from their own repertoire, and some learned...
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produced by Steven Smolian (Folkways Records, 1964), 30 mins
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900 Miles and other R.R. Songs
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produced by Moses Asch, 1905-1986 (Folkways Records, 1953), 43 mins
Railroaders and cowboys share a need for music to bolster their spirits during long days and to celebrate night’s freedom. Cisco Houston sings ballads from the range and from the lonesome track, where "the drivers are still rolling, and the gamblers and work gangs, boomers and bums, are highballing it out of no...
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produced by Moses Asch, 1905-1986 (Folkways Records, 1953), 43 mins
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12-String Guitar as Played by Lead Belly
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(Folkways Records, 1962), 1 hour 20 mins

Pete Seeger teaches the 12-string guitar as played by the virtuoso Lead Belly through a detailed breakdown of both the instrument itself (how to tune it, steel vs. silk strings etc.) and step-by-step explanations of Lead Belly’s songs. Here, Pete Seeger pays homage to his friend and mentor Lead Belly by teachin...

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(Folkways Records, 1962), 1 hour 20 mins
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Abiyoyo and Other Story Songs for Children
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(Smithsonian Folkways Recordings, 1991), 42 mins
A wonderful collection of story songs, including the famous saga of the kindly giant Abiyoyo. Parents and kids can follow along with the complete text in the enclosed booklet. "An essential collection." —Record Roundup
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(Smithsonian Folkways Recordings, 1991), 42 mins
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African American Legacy Series: A Life of Song
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(Smithsonian Folkways Recordings, 2011), 37 mins, 21 page(s)

In A Life of Song, Ella Jenkins, “The First Lady of Children’s Music,” offers stories and songs that speak to her youthful years as an African American child in a multi-cultural world. Her career of more than a half century earned her the first Lifetime Achievement Grammy award for a children’s music art...

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(Smithsonian Folkways Recordings, 2011), 37 mins, 21 page(s)
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A.L. Camp Plays the Banjo
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(Folkways Records, 1965), 50 mins
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(Folkways Records, 1965), 50 mins
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All In One Evening
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produced by Kevin Roth, 1957- (Folkways Records, 1978), 39 mins
Ola Belle and Bud Reed's Pennsylvania home was a haven for young musicians, a place where picking, singing, and good company soothed the sting of hard times. The Reeds, joined by Kevin Roth, recorded this album of traditional and original songs one evening in 1977.
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produced by Kevin Roth, 1957- (Folkways Records, 1978), 39 mins
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Allons a Lafayette & More
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produced by Chris Strachwitz, 1931- and Michael Doucet, 1951-; performed by Michael Doucet, 1951-, David Doucet, Errol Verret, fl. 1976 and Billy Ware, Beausoleil (Arhoolie Records, 1989), 1 hour 3 mins, 17 page(s)
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produced by Chris Strachwitz, 1931- and Michael Doucet, 1951-; performed by Michael Doucet, 1951-, David Doucet, Errol Verret, fl. 1976 and Billy Ware, Beausoleil (Arhoolie Records, 1989), 1 hour 3 mins, 17 page(s)
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American Ballads
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(Folkways Records, 1957), 50 mins
This collection reminds us that the ballad's purpose, first and foremost, is to tell a story. These songs narrate tales of ordinary people—hoboes and lovers and sailors—and their extraordinary deeds. From "John Henry" to "Lady Margaret," Pete Seeger's expressive style is ideally communicative.
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(Folkways Records, 1957), 50 mins
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