Browse Titles - 13 results
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Inventing Jelly Roll
written by William M. Gaines, 1922-1992 and Howard Reich, fl. 2003; in Jelly's Blues: The Life, Music and Redemption of Jelly Roll Morton (Da Capo Press, 2003), 35-58
Sample
written by William M. Gaines, 1922-1992 and Howard Reich, fl. 2003; in Jelly's Blues: The Life, Music and Redemption of Jelly Roll Morton (Da Capo Press, 2003), 35-58
Field of Study
American Music
Content Type
Biography
Author / Creator
William M. Gaines, 1922-1992, Howard Reich, fl. 2003
Date Published / Released
2003
Publisher
Da Capo Press
Person Discussed
W. C. Handy, 1873-1958, Porter King, fl. 1905, Will Rossiter, 1867-1954, James P. Johnson, 1894-1955, Jelly Roll Morton, 1890-1941, Freddie Keppard, 1899-1933
Topic / Theme
African American, Louisiana Creole, Card games, Performing arts life, Money, Personal name changes, Musicians, Romantic relationships, Music composition, Character traits, Performance practice, Music theory, Expression in performance, Performance criticism, Bars and saloons, Musical ensembles, African American Music, Blues, Piano
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His Style
written by Walter Carl Allen, 1920- and Brian A. L. Rust, 1922-; in King Joe Oliver (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 58-71
Sample
written by Walter Carl Allen, 1920- and Brian A. L. Rust, 1922-; in King Joe Oliver (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 58-71
Field of Study
American Music
Content Type
General reference book
Author / Creator
Walter Carl Allen, 1920-, Brian A. L. Rust, 1922-
Date Published / Released
1958
Publisher
Sidgwick & Jackson
Person Discussed
King Oliver, 1881-1938, Thomas Carey, 1891-1948, Louis Armstrong, 1901-1971, Johnny Dodds, 1892-1940, George Mitchell, 1899-1972, Bob Shoffner, 1900-1983, Ed Allen, 1897-1974, Henry "Red" Allen, 1908-1967, Dave Nelson, 1905-1946, Jelly Roll Morton, 1890-1941
Topic / Theme
African American, Creole, Audio recordings, Performance practice, Performance criticism, Expression in performance, Improvisation, Cornett, Trumpet
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Chapter VIII: Musical Comedy
written by Maud Cuney-Hare, 1874-1936; in Negro Musicians and Their Music (New York, NY: G.K. Hall & Co., 1996), 173-194
Sample
written by Maud Cuney-Hare, 1874-1936; in Negro Musicians and Their Music (New York, NY: G.K. Hall & Co., 1996), 173-194
Field of Study
American Music
Content Type
General reference book
Author / Creator
Maud Cuney-Hare, 1874-1936
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Ernest Hogan, 1860-1909, Bert Williams, 1874-1922, George Walker, 1873-1911, J. Turner Layton, 1894-1978, James J. Vaughn, fl. 1902, Florence Mills, 1895-1927, Eubie Blake, 1887-1983, Noble Sissle, 1889-1975, Flournoy E. Miller, 1887-1971, Aubrey L. Lyles, 1884-1932, S. H. Dudley, 1864-1947, John Rosamond Johnson, 1873-1954, Bob Cole, 1868-1911, James Weldon Johnson, 1871-1938, Bill Robinson, 1878...
Ernest Hogan, 1860-1909, Bert Williams, 1874-1922, George Walker, 1873-1911, J. Turner Layton, 1894-1978, James J. Vaughn, fl. 1902, Florence Mills, 1895-1927, Eubie Blake, 1887-1983, Noble Sissle, 1889-1975, Flournoy E. Miller, 1887-1971, Aubrey L. Lyles, 1884-1932, S. H. Dudley, 1864-1947, John Rosamond Johnson, 1873-1954, Bob Cole, 1868-1911, James Weldon Johnson, 1871-1938, Bill Robinson, 1878-1949, Daniel L. Haynes, 1889-1954, Ulysses Chambers, fl. 1921, Will Marion Cook, 1869-1944
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Topic / Theme
African American, Musical performances, Actors, Singers, Composers, Theater buildings, Music composition, Performance criticism, African American Music
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Out of Sight: The Rise of African American Popular Music, 1889-1895Chapter 5. 1893: Black Music in the White City: African Americans and the 1893 World's Columbian Exposition
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 20 page(s)
Sample
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 20 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Lynn Abbott, fl. 2002, Doug Seroff, fl. 2002
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
Theodore Thomas, fl. 1893, Ida B. Wells, 1862-1931, Frederick J. Loudin, 1836-1904, Frederick Douglass, 1818-1895, Sissieretta Jones, 1868-1933, Henry McNeal Turner, 1834-1915, Henry Edward Krehbiel, 1854-1923, Will Marion Cook, 1869-1944
Topic / Theme
African American, Dahomey, Fairs and festivals, Lynching, Segregation, Discrimination, Dance and dancing, Musicians, Entertainment industry, Race relations, Music theory, Musical meter and rhythm, Recording contracts, Performance criticism, Concerts, Performance influences, African American Music, World's Columbian Exposition, Chicago, May-Oct, 1893, Drum
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Out of Sight: The Rise of African American Popular Music, 1889-1895Chapter 7. 1895: "A Little 'Ragging'": the Emergence of Ragtime in the Land of John Brown
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 13 page(s)
Sample
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 13 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Lynn Abbott, fl. 2002, Doug Seroff, fl. 2002
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
R. Byron "Ruby" Shelton, fl. 1892, William Baynard, Blanche Kelso Bruce, 1841-1898, Charles A. Lee
Topic / Theme
Social dances, Songs, Performance venues, Movement in performance, Performance practice, Printing, Lyrics, Music industry, Concerts, Performance criticism, Music criticism, Audio recordings, African American Music, Piano, Banjo
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Out of Sight: The Rise of African American Popular Music, 1889-1895Chapter 7. 1895: Preserving the Spiritual Legacy: The Last Days of Frederick J. Loudin
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 7 page(s)
Sample
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 7 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Lynn Abbott, fl. 2002, Doug Seroff, fl. 2002
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
Frederick J. Loudin, 1836-1904, Samuel Coleridge-Taylor, 1875-1912
Topic / Theme
African American, Performance venues, Mental illnesses, Colleges and universities, Performing ensembles, Death, Singers, Songs, Music industry, Minstrel shows, Performance practice, Performance criticism, Expression in performance, Concerts, African American Music, Voice
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Part I: Coon Songs, Big Shows, and Black Stage Stars of the Ragtime Era
written by Doug Seroff, fl. 2002 and Lynn Abbott, fl. 2002; edited by David Evans, 1874-1948; in Ragged but Right: Black Traveling Shows, Coon Songs, And the Dark Pathway to Blues And Jazz (Jackson, MI: University Press of Mississippi, 2007), 18-87
Sample
written by Doug Seroff, fl. 2002 and Lynn Abbott, fl. 2002; edited by David Evans, 1874-1948; in Ragged but Right: Black Traveling Shows, Coon Songs, And the Dark Pathway to Blues And Jazz (Jackson, MI: University Press of Mississippi, 2007), 18-87
Field of Study
American Music
Content Type
General reference book
Contributor
David Evans, 1874-1948
Author / Creator
Doug Seroff, fl. 2002, Lynn Abbott, fl. 2002
Date Published / Released
2007
Publisher
University Press of Mississippi
Person Discussed
Clarice Vance, 1871-1961, May Irwin, 1862-1938, Artie Hall, Bessie Gilliam, Carrie Hall, Howard Washington Odum, 1884-1954, Shepard N. Edmonds, 1876-1957, Sidney L. Perrin, Irving Jones, fl. 1890, Mattie Phillips, Ernest Hogan, 1860-1909, J. Ed Green, Tom Logan, Muriel Ringgold, Bert Williams, 1874-1922, George Walker, 1873-1911, Aida Overton Walker, Bob Cole, 1868-1911, Bill Johnson, 1874-1972, J...
Clarice Vance, 1871-1961, May Irwin, 1862-1938, Artie Hall, Bessie Gilliam, Carrie Hall, Howard Washington Odum, 1884-1954, Shepard N. Edmonds, 1876-1957, Sidney L. Perrin, Irving Jones, fl. 1890, Mattie Phillips, Ernest Hogan, 1860-1909, J. Ed Green, Tom Logan, Muriel Ringgold, Bert Williams, 1874-1922, George Walker, 1873-1911, Aida Overton Walker, Bob Cole, 1868-1911, Bill Johnson, 1874-1972, John Rosamond Johnson, 1873-1954
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Topic / Theme
African American, Stereotypes, Racism, Popular culture, Minstrel shows, Magazine articles, Music critics, Music criticism, Songs, Musicians, Music origins, Composers, Race relations, Comedy, Civil rights, Riots, Vaudeville, Aircraft, Death, Wages and salaries, Performing ensembles, Superstitions, Plots or storylines, Expression in performance, Lyrics, Theater buildings, Audio recordings, Concerts,...
African American, Stereotypes, Racism, Popular culture, Minstrel shows, Magazine articles, Music critics, Music criticism, Songs, Musicians, Music origins, Composers, Race relations, Comedy, Civil rights, Riots, Vaudeville, Aircraft, Death, Wages and salaries, Performing ensembles, Superstitions, Plots or storylines, Expression in performance, Lyrics, Theater buildings, Audio recordings, Concerts, Performance practice, Artistic collaboration, Performance criticism, African American Music
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Donald Lambert Strides into View
written by Gary Giddins, 1948-; in Riding on a Blue Note: Jazz and American Pop (New York, NY: Oxford University Press, 1981), 108-116
Sample
written by Gary Giddins, 1948-; in Riding on a Blue Note: Jazz and American Pop (New York, NY: Oxford University Press, 1981), 108-116
Field of Study
American Music
Content Type
General reference book
Author / Creator
Gary Giddins, 1948-
Date Published / Released
1981
Publisher
Oxford University Press
Person Discussed
James P. Johnson, 1894-1955, Donald Lambert, 1904-1962, Eubie Blake, 1887-1983, Jelly Roll Morton, 1890-1941, Art Tatum, 1909-1956
Topic / Theme
African American, Caucasian American, Songs, Musicians, Performance criticism, Performance practice, Performance influences, Musical technique, Audio recordings, African American Music, Jazz, Piano
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4: "Lift Ev'ry Voice": African American Music and the Nation
written by Jeffrey Melnick; in A Right to Sing the Blues: African Americans, Jews, and American Popular Song (Cambridge, MA: Harvard University Press, 1999), 152-175
Sample
written by Jeffrey Melnick; in A Right to Sing the Blues: African Americans, Jews, and American Popular Song (Cambridge, MA: Harvard University Press, 1999), 152-175
Field of Study
American Music
Content Type
General reference book
Author / Creator
Jeffrey Melnick
Date Published / Released
1999
Publisher
Harvard University Press
Person Discussed
James Weldon Johnson, 1871-1938, Alain LeRoy Locke, 1896-1954
Topic / Theme
African American, Jewish-American, Ethnic relations, Music origins, Patriotism, Books, Literary criticism, Popular culture, Cultural identity, Racism, Cultural assimilation, Social classes, Performance practice, Performance criticism, Performance influences, African American Music, Blues
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Lowery's Progressive Musical Enterprise
written by Clifford Edward Watkins; in Showman: The Life and Music and Perry George Lowery (Jackson, MI: University Press of Mississippi, 2003), 65-106
Sample
written by Clifford Edward Watkins; in Showman: The Life and Music and Perry George Lowery (Jackson, MI: University Press of Mississippi, 2003), 65-106
Field of Study
American Music
Author / Creator
Clifford Edward Watkins
Date Published / Released
2003
Publisher
University Press of Mississippi
Person Discussed
Perry George Lowery, 1870-1942, Scott Joplin, 1868-1917
Topic / Theme
Travel, Circuses, Concerts, Performance criticism, Artistic collaboration, African American Music
Copyright Message
Copyright © 2003 by the University Press of Mississippi
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