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Chapter Seven: A Corn Licker Still in Georgia
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written by John Minton; in 78 Blues: Folksongs and Phonographs in the American South (Jackson, MS: University Press of Mississippi, 2008), 160-221
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written by John Minton; in 78 Blues: Folksongs and Phonographs in the American South (Jackson, MS: University Press of Mississippi, 2008), 160-221
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3: 1901-1920: The New Secular Voice
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written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 34 page(s)
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written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 34 page(s)
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Part II: 12) The Last of the Big Bands
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written by Ross Russell, 1909-2000; in Bird Lives!: The High Life and Hard Times of Charlie (Yardbird) Parker (New York: Da Capo Press, 1996), 155-171
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written by Ross Russell, 1909-2000; in Bird Lives!: The High Life and Hard Times of Charlie (Yardbird) Parker (New York: Da Capo Press, 1996), 155-171
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The Birth of Porgy and Bess
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written by David E. Weaver; in Black Diva of the Thirties: The Life of Ruby Elzy (Jackson, MS: University Press of Mississippi, 2004), 92-118
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written by David E. Weaver; in Black Diva of the Thirties: The Life of Ruby Elzy (Jackson, MS: University Press of Mississippi, 2004), 92-118
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Black Music
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written by Amiri Baraka, 1934-2014 (New York, NY: William Morrow and Company, 1968), 225 page(s)
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written by Amiri Baraka, 1934-2014 (New York, NY: William Morrow and Company, 1968), 225 page(s)
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Brother Ray: Ray Charles’ Own Story
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written by Ray Charles, 1930-2004 and David Ritz (New York, NY: Da Capo Press, 2003), 368 page(s)
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written by Ray Charles, 1930-2004 and David Ritz (New York, NY: Da Capo Press, 2003), 368 page(s)
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Dan Emmett and the Rise of Early Negro Minstrelsy
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written by Hans Nathan (Norman, OK: University of Oklahoma Press, 1962), 498 page(s)
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Dancing in the Street: Motown and the Cultural Politics of Detroit
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written by Suzanne E. Smith (Cambridge, MA: Harvard University Press, 1999), 336 page(s)
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written by Suzanne E. Smith (Cambridge, MA: Harvard University Press, 1999), 336 page(s)
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The Devil's Son-In-Law: The Story of Peetie Wheatstraw & His Songs
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written by Paul Garon, 1942- (Chicago, IL: Charles H. Kerr Publishing Company, 2003), 138 page(s)
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written by Paul Garon, 1942- (Chicago, IL: Charles H. Kerr Publishing Company, 2003), 138 page(s)
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PART 1: Background and General Introduction to the Operas: Chapter 4: The Compositional Process
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written by Beverly Soll; in I Dream a World: The Operas of William Grant Still (Fayetteville, AR: University of Arkansas Press, 2005), 47-52
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written by Beverly Soll; in I Dream a World: The Operas of William Grant Still (Fayetteville, AR: University of Arkansas Press, 2005), 47-52
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