Browse Titles - 60 results
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Also Sprach Zarathustra/Burleske
composed by Richard Strauss, 1864-1949; conducted by John Fiore, fl. 1988-2006; performed by Gerhard Oppitz, 1953-, Düsseldorfer Symphoniker, Also Sprach Zarathustra/Burleske (Hänssler Classic, 2001), 11 page(s)
Sample
composed by Richard Strauss, 1864-1949; conducted by John Fiore, fl. 1988-2006; performed by Gerhard Oppitz, 1953-, Düsseldorfer Symphoniker, Also Sprach Zarathustra/Burleske (Hänssler Classic, 2001), 11 page(s)
Date Written / Recorded
2002
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Düsseldorfer Symphoniker, Gerhard Oppitz, 1953-
Contributor
John Fiore, fl. 1988-2006
Author / Creator
Richard Strauss, 1864-1949, Düsseldorfer Symphoniker, Gerhard Oppitz, 1953-
Date Published / Released
2001
Publisher
Hänssler Classic
Person Discussed
Friedrich Wilhelm Nietzsche, 1844-1900, Georg Wilhelm Friedrich Hegel, 1770-1831, Richard Wagner, 1813-1883, Martin Luther, 1483-1546
Topic / Theme
Religious faiths, Music theory, Concerto, Symphony orchestra
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Bach: Reconstructed Violin Concertos BWV 1052R, 1056R, 1064R, 1045
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Isabelle Faust, Bach-Collegium Stuttgart, Bach: Reconstructed Violin Concertos BWV 1052R, 1056R, 1064R, 1045 (Hänssler Classic, 2000), 15 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Isabelle Faust, Bach-Collegium Stuttgart, Bach: Reconstructed Violin Concertos BWV 1052R, 1056R, 1064R, 1045 (Hänssler Classic, 2000), 15 page(s)
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Bach-Collegium Stuttgart, Isabelle Faust
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Bach-Collegium Stuttgart, Isabelle Faust
Date Published / Released
2000
Publisher
Hänssler Classic
Person Discussed
Johannes Brahms, 1833-1897, Friedrich Wilhelm Rust, 1739-1796, Carl Philipp Emanuel Bach, 1714-1788
Topic / Theme
Music theory, Music arrangement, Concerto, Violin
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Bach: Restored Oboe Concerti
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Ingo Goritzki, 1939-, Bach-Collegium Stuttgart, Bach: Restored Oboe Concerti (Hänssler Classic, 1999), 17 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Ingo Goritzki, 1939-, Bach-Collegium Stuttgart, Bach: Restored Oboe Concerti (Hänssler Classic, 1999), 17 page(s)
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Bach-Collegium Stuttgart, Ingo Goritzki, 1939-
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Bach-Collegium Stuttgart, Ingo Goritzki, 1939-
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Bruce Haynes, fl. 2007, Joshua Rifkind, Ingo Goritzki, 1939-
Topic / Theme
Music theory, Concerto, Oboe
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Bach: Violin Concertos, BWV 1041-1043
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Christoph Poppen, Bach-Collegium Stuttgart, Bach: Violin Concertos, BWV 1041-1043 (Hänssler Classic, 1999), 16 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Christoph Poppen, Bach-Collegium Stuttgart, Bach: Violin Concertos, BWV 1041-1043 (Hänssler Classic, 1999), 16 page(s)
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Bach-Collegium Stuttgart, Christoph Poppen
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Bach-Collegium Stuttgart, Christoph Poppen
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Georg Philipp Telemann, 1681-1767, Benedetto Giacomo Marcello, 1686-1739, Johann Ernst, 1696-1715
Topic / Theme
Music theory, Music arrangement, Concerto, Violin
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Boris Kuschnir: Wolfgang Amadeus Mozart - Violin Concerto No. 4, K218
directed by Mischa Scorer, 1939-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1775); produced by Joanna Pearson; performed by Albrecht Menzel, 1992-, Maia Cabeza, 1992- and Boris Kuschnir, 1948-, in Boris Kuschnir Violin Masterclass at the Verbier Festival Academy Violin Concerto No 4, K280 (Bristol, England: Masterclass Media Foundation, 2013), 1 hour 59 mins
Boris Kuschnir was born in Kiev in 1948 and studied the violin at the Moscow Tchaikovsky Conservatoire with Boris Belenky and chamber music with Valentin Berlinsky of the Borodin Quartet. His many encounters with Dmitri Shostakovich and David Oistrakh (with whom he also studied), had a lasting influence on his art...
Sample
directed by Mischa Scorer, 1939-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1775); produced by Joanna Pearson; performed by Albrecht Menzel, 1992-, Maia Cabeza, 1992- and Boris Kuschnir, 1948-, in Boris Kuschnir Violin Masterclass at the Verbier Festival Academy Violin Concerto No 4, K280 (Bristol, England: Masterclass Media Foundation, 2013), 1 hour 59 mins
Description
Boris Kuschnir was born in Kiev in 1948 and studied the violin at the Moscow Tchaikovsky Conservatoire with Boris Belenky and chamber music with Valentin Berlinsky of the Borodin Quartet. His many encounters with Dmitri Shostakovich and David Oistrakh (with whom he also studied), had a lasting influence on his artistic development. Both as soloist and chamber musician he has made numerous recordings, notably the complete Mozart piano trios for EM...
Boris Kuschnir was born in Kiev in 1948 and studied the violin at the Moscow Tchaikovsky Conservatoire with Boris Belenky and chamber music with Valentin Berlinsky of the Borodin Quartet. His many encounters with Dmitri Shostakovich and David Oistrakh (with whom he also studied), had a lasting influence on his artistic development. Both as soloist and chamber musician he has made numerous recordings, notably the complete Mozart piano trios for EMI.
Boris Kuschnir also has a world-wide reputation as great violin teacher. Being Professor at both the Konservatorium Wien University and at the University of Music in Graz, his reputation as a teacher has won international recognition.
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Date Written / Recorded
1775
Field of Study
Classical Music
Content Type
Masterclass
Performer / Ensemble
Albrecht Menzel, 1992-, Maia Cabeza, 1992-, Boris Kuschnir, 1948-
Contributor
Jonathan Stokes, fl. 1984, Joanna Pearson
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Mischa Scorer, 1939-, Albrecht Menzel, 1992-, Maia Cabeza, 1992-, Boris Kuschnir, 1948-
Date Published / Released
2013
Publisher
Masterclass Media Foundation
Person Discussed
Wolfgang Amadeus Mozart, 1756-1791
Topic / Theme
Violins, Technical instruction (Music), Performance coaching, Violin
Copyright Message
Copyright © 2013. Used by permission of the Masterclass Media Foundation. All rights reserved.
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Boston Symphony Hall 1954
composed by Joseph Haydn, 1732-1809 and Wolfgang Amadeus Mozart, 1756-1791 (Cook Records, 2012), 2 hours 56 mins
The Orchestral Society of Boston under the direction of Willis Page performs Haydn's Symphony #100 ("Military") and Mozart's Symphony #40 in G-Minor in full. The recording also includes orchestral highlights from Brahms, Tchaikovsky, Bach, Debussy, Villa-Lobos, Stravinsky and Barber.
Sample
composed by Joseph Haydn, 1732-1809 and Wolfgang Amadeus Mozart, 1756-1791 (Cook Records, 2012), 2 hours 56 mins
Description
The Orchestral Society of Boston under the direction of Willis Page performs Haydn's Symphony #100 ("Military") and Mozart's Symphony #40 in G-Minor in full. The recording also includes orchestral highlights from Brahms, Tchaikovsky, Bach, Debussy, Villa-Lobos, Stravinsky and Barber.
Field of Study
World Music
Content Type
Music recording
Author / Creator
Joseph Haydn, 1732-1809, Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
2012
Publisher
Cook Records
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PART II: RECEPTION AND ANALYSIS: Five Early Works by Brahms (1862)
written by Adolph Schubring, fl. 1862 and Walter Frisch; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 209-230
Sample
written by Adolph Schubring, fl. 1862 and Walter Frisch; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 209-230
Field of Study
Classical Music
Content Type
General reference book
Contributor
Walter Frisch, Kevin C. Karnes
Author / Creator
Adolph Schubring, fl. 1862, Walter Frisch
Date Published / Released
2009
Publisher
Princeton University Press
Person Discussed
Johannes Brahms, 1833-1897
Topic / Theme
Music criticism, Music theory, Performance practice, Performance influences, Piano
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Cantata, Concerto & Sonata
composed by Johann Sebastian Bach, 1685-1750; conducted by Hans Bergmann; performed by Ensemble Musica Poetica Freiburg, Cantata, Concerto & Sonata (Hänssler Classic, 2001), 27 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Hans Bergmann; performed by Ensemble Musica Poetica Freiburg, Cantata, Concerto & Sonata (Hänssler Classic, 2001), 27 page(s)
Date Written / Recorded
2001
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Ensemble Musica Poetica Freiburg
Contributor
Hans Bergmann
Author / Creator
Johann Sebastian Bach, 1685-1750, Ensemble Musica Poetica Freiburg
Date Published / Released
2001
Publisher
Hänssler Classic
Person Discussed
Hans Bergmann
Topic / Theme
Concerts, Audio recordings, Cantata, Concerto, Sonata, Violin
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Concerto for Orchestra, Sz. 116: Documentary
directed by Günter Atteln, fl. 2004-2015; composed by Béla Bartók, 1881-1945 (1943); conducted by Pierre Boulez, 1925-2016; produced by Paul Smaczny, fl. 1995-2015 and Günter Atteln, fl. 2004-2015; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker), in Discovering Masterpieces of Classical Music: Béla Bartók Concerto for Orchestra (EuroArts, 2007), 28 mins
This documentary features a performance of Concerto for Orchestra, performed by Berlin Philharmonic Orchestra, and conducted by Pierre Boulez.
Sample
directed by Günter Atteln, fl. 2004-2015; composed by Béla Bartók, 1881-1945 (1943); conducted by Pierre Boulez, 1925-2016; produced by Paul Smaczny, fl. 1995-2015 and Günter Atteln, fl. 2004-2015; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker), in Discovering Masterpieces of Classical Music: Béla Bartók Concerto for Orchestra (EuroArts, 2007), 28 mins
Description
This documentary features a performance of Concerto for Orchestra, performed by Berlin Philharmonic Orchestra, and conducted by Pierre Boulez.
Date Written / Recorded
1943
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Contributor
Pierre Boulez, 1925-2016, Paul Smaczny, fl. 1995-2015, Günter Atteln, fl. 2004-2015
Author / Creator
Béla Bartók, 1881-1945, Günter Atteln, fl. 2004-2015, Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Date Published / Released
2007
Publisher
EuroArts
Person Discussed
Béla Bartók, 1881-1945
Topic / Theme
Composers, Music composition, Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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Dmitry Shostakovich: A Man of Many Faces
directed by Reiner Moritz, 1938-; composed by Dmitri Shostakovich, 1906-1975; conducted by Valery Gergiev, 1953-; produced by RM Creative and Telmondis; performed by Daniil Trifonov, Orchestra of the Mariinsky Theatre (Kirov), St Petersburg (France: Telmondis, 2015), 56 mins
Shostakovich is arguably one of the great composers of the 20th Century. In commemoration of the 40th anniversary of his death in 1975 we take the opportunity to revisit his life and works. Never before has a filmmaker had the chance to draw on the complete symphonies of the composer, his six concertos, his opera...
Sample
directed by Reiner Moritz, 1938-; composed by Dmitri Shostakovich, 1906-1975; conducted by Valery Gergiev, 1953-; produced by RM Creative and Telmondis; performed by Daniil Trifonov, Orchestra of the Mariinsky Theatre (Kirov), St Petersburg (France: Telmondis, 2015), 56 mins
Description
Shostakovich is arguably one of the great composers of the 20th Century. In commemoration of the 40th anniversary of his death in 1975 we take the opportunity to revisit his life and works. Never before has a filmmaker had the chance to draw on the complete symphonies of the composer, his six concertos, his opera Lady Macbeth and chamber music to demonstrate how Shostakovich managed to uphold creative freedom in spite of the demands of Social Rea...
Shostakovich is arguably one of the great composers of the 20th Century. In commemoration of the 40th anniversary of his death in 1975 we take the opportunity to revisit his life and works. Never before has a filmmaker had the chance to draw on the complete symphonies of the composer, his six concertos, his opera Lady Macbeth and chamber music to demonstrate how Shostakovich managed to uphold creative freedom in spite of the demands of Social Realism. We hear about major setbacks in 1936 and 1948 through rare interviews with the composer himself and his colleague Rudolf Barshai. An evaluation of key works by Valery Gergiev rounds off this picture of a genius, highly decorated and frequently misunderstood.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Orchestra of the Mariinsky Theatre (Kirov), St Petersburg, Daniil Trifonov
Contributor
Valery Gergiev, 1953-, Oliver Görtz, fl. 2015, RM Creative, Telmondis
Author / Creator
Dmitri Shostakovich, 1906-1975, Reiner Moritz, 1938-, Orchestra of the Mariinsky Theatre (Kirov), St Petersburg, Daniil Trifonov
Date Published / Released
2015
Publisher
Telmondis
Person Discussed
Dmitri Shostakovich, 1906-1975
Topic / Theme
Professional life, Composers, Biographies, Symphony, Opera, Concerto, Symphony orchestra, String quartet
Copyright Message
Copyright © 2015 Telmondis
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