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Brahms: Motets
composed by Johannes Brahms, 1833-1897; conducted by Matthew Best; produced by Mark Brown, 1962-; performed by John Scott, 1930-, Christine Barratt and Joya Logan, Corydon Singers (Hyperion), 1 hour 12 mins
It always comes as a relief to turn to the a cappella motets of Brahms. In them the composer was no less profound, or deep, or intellectual, or sentimental than he was in his other works, but here these elements are more austere, more concentrated, more sublimated into the warp and woof of the musical fabric. In t...
Sample
composed by Johannes Brahms, 1833-1897; conducted by Matthew Best; produced by Mark Brown, 1962-; performed by John Scott, 1930-, Christine Barratt and Joya Logan, Corydon Singers (Hyperion), 1 hour 12 mins
Description
It always comes as a relief to turn to the a cappella motets of Brahms. In them the composer was no less profound, or deep, or intellectual, or sentimental than he was in his other works, but here these elements are more austere, more concentrated, more sublimated into the warp and woof of the musical fabric. In the motets, the listener gets the sense that one is hearing the true Brahms, unadorned by the trappings of instrumental color and virtuo...
It always comes as a relief to turn to the a cappella motets of Brahms. In them the composer was no less profound, or deep, or intellectual, or sentimental than he was in his other works, but here these elements are more austere, more concentrated, more sublimated into the warp and woof of the musical fabric. In the motets, the listener gets the sense that one is hearing the true Brahms, unadorned by the trappings of instrumental color and virtuosity.
The true Brahms was a darkly pessimistic composer, a composer who could set the bleakest texts without flinching, who could look into the bottomless abyss of life and death and not turn away. Brahms' setting of Job's curse "Wherefore is the light given to him that is in misery" is unrelenting in its grim melancholy. And that setting is cheerful compared with Brahms' final three motets: "I am but sorrowful," "Ah, poor world, you deceive me," and "When we in direst distress" are among the most sorrowful settings in the German language.
Herreweghe's interpretations of the motets are beautiful. His choirs sing with a rounded tone and blend into a warm sonority without sacrificing clarity of articulation. Harmonia Mundi provides them with a resonant but not overly large acoustical setting. Everything is perhaps too beautiful for Job and death and sorrow and pain, but beautiful nevertheless.
Highly recommended. ~ James Leonard, All Music Guide Show more Show less
The true Brahms was a darkly pessimistic composer, a composer who could set the bleakest texts without flinching, who could look into the bottomless abyss of life and death and not turn away. Brahms' setting of Job's curse "Wherefore is the light given to him that is in misery" is unrelenting in its grim melancholy. And that setting is cheerful compared with Brahms' final three motets: "I am but sorrowful," "Ah, poor world, you deceive me," and "When we in direst distress" are among the most sorrowful settings in the German language.
Herreweghe's interpretations of the motets are beautiful. His choirs sing with a rounded tone and blend into a warm sonority without sacrificing clarity of articulation. Harmonia Mundi provides them with a resonant but not overly large acoustical setting. Everything is perhaps too beautiful for Job and death and sorrow and pain, but beautiful nevertheless.
Highly recommended. ~ James Leonard, All Music Guide Show more Show less
Date Written / Recorded
1989-10-21
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Corydon Singers, John Scott, 1930-, Christine Barratt, Joya Logan
Contributor
Matthew Best, Anthony Howell, Mark Brown, 1962-
Author / Creator
Johannes Brahms, 1833-1897, Corydon Singers, John Scott, 1930-, Christine Barratt, Joya Logan
Publisher
Hyperion
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composed by Sir John Tavener, 1944-2013, The Call (London, England: Chester Music, 1994, originally published 1988), 11 page(s)
Collection
Classical Scores Library, Volume IV
Field of Study
Classical Music
Content Type
Score
Author / Creator
Sir John Tavener, 1944-2013
Date Published / Released
1988, 1994
Publisher
Chester Music
Copyright Message
Copyright © 1994 Music Sales Group
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Grechaninov: Passion Week, Op. 58
composed by Aleksandr Tikhonovich Grechaninov, 1864-1956; conducted by Charles Bruffy, 1958-; produced by Blanton Alspaugh, 1959-; performed by Caroline Markham, Paul Davidson and Bryan Taylor, fl. 1992, Phoenix Bach Choir and Kansas City Chorale (Chandos, 2007), 1 hour 14 mins
Sample
composed by Aleksandr Tikhonovich Grechaninov, 1864-1956; conducted by Charles Bruffy, 1958-; produced by Blanton Alspaugh, 1959-; performed by Caroline Markham, Paul Davidson and Bryan Taylor, fl. 1992, Phoenix Bach Choir and Kansas City Chorale (Chandos, 2007), 1 hour 14 mins
Date Written / Recorded
2004-03
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Phoenix Bach Choir, Kansas City Chorale, Caroline Markham, Paul Davidson, Bryan Taylor, fl. 1992
Contributor
Charles Bruffy, 1958-, John Newton, 1725-1807, Blanton Alspaugh, 1959-
Author / Creator
Aleksandr Tikhonovich Grechaninov, 1864-1956, Phoenix Bach Choir, Kansas City Chorale, Caroline Markham, Paul Davidson, Bryan Taylor, fl. 1992
Date Published / Released
2007
Publisher
Chandos
Tracks
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Live from Europe: Singet dem Herrn
conducted by Peggy Dettwiler; performed by Mansfield University Concert Choir (Mark Custom), 54 mins
Sample
conducted by Peggy Dettwiler; performed by Mansfield University Concert Choir (Mark Custom), 54 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Mansfield University Concert Choir
Contributor
Peggy Dettwiler
Author / Creator
Mansfield University Concert Choir
Publisher
Mark Custom
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I Will Awake the Dawn
composed by Robert Saxton, 1953- (1987), I Will Awake the Dawn (Chester Music, 1987), 18 mins, 106 page(s)
Sample
composed by Robert Saxton, 1953- (1987), I Will Awake the Dawn (Chester Music, 1987), 18 mins, 106 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
1987
Field of Study
Classical Music
Content Type
Score
Author / Creator
Robert Saxton, 1953-
Date Published / Released
1987
Publisher
Chester Music
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