Browse Titles - 13 results
The Demonstration Collection of E.M. von Hornbostel and the Berlin Phonogramm-Archiv
Modern Song - Xemx jew qamar - Sun or Moon
Gregorian Chant: Musically Speaking No.1
Mildred Kayden opens the album with an in-depth interview with Dom Ludovic Baron about the history and developments of chants, followed by several examples of "Plain Chant". Dom Ludovic Baron says "we can sing; our chant will have all the power of its expression and the grace that passes through it… it will trav...
Mildred Kayden opens the album with an in-depth interview with Dom Ludovic Baron about the history and developments of chants, followed by several examples of "Plain Chant". Dom Ludovic Baron says "we can sing; our chant will have all the power of its expression and the grace that passes through it… it will travel into the innermost corners of our churches to reach souls." Liner notes include a transcription of the interview and an introduction...
Mildred Kayden opens the album with an in-depth interview with Dom Ludovic Baron about the history and developments of chants, followed by several examples of "Plain Chant". Dom Ludovic Baron says "we can sing; our chant will have all the power of its expression and the grace that passes through it… it will travel into the innermost corners of our churches to reach souls." Liner notes include a transcription of the interview and an introduction to Gregorian Chants by Kayden.
Show more Show lessJohn Crow Say..: Jamaican Music of Faith, Work and Play
Rounds or cannons or quadrilles, European church harmony or familiar hymn melodiesthese are testaments to the British contribution to Jamaican culture. African call-and-response patterns, a particular and signifying humor, and Anansi (trickster) stories speak to the African input. But listening will tell you t...
Rounds or cannons or quadrilles, European church harmony or familiar hymn melodiesthese are testaments to the British contribution to Jamaican culture. African call-and-response patterns, a particular and signifying humor, and Anansi (trickster) stories speak to the African input. But listening will tell you that the cultural voice is truly unique to Jamaica.
Mary Lou Williams
So versatile that she was able to sustain a professional career for more than thirty years, jazz pianist, composer and arranger Mary Lou Williams ran the gamut from Dixieland to swing, bop and avant-garde. This album is among her 1960s avant-garde works, with intimate piano combos and vocal jazz choruses; it inclu...
So versatile that she was able to sustain a professional career for more than thirty years, jazz pianist, composer and arranger Mary Lou Williams ran the gamut from Dixieland to swing, bop and avant-garde. This album is among her 1960s avant-garde works, with intimate piano combos and vocal jazz choruses; it includes her well-known cantata, The Black Christ of the Andes (also available remastered and reissued on SFW40816 as a CD, complete with...
So versatile that she was able to sustain a professional career for more than thirty years, jazz pianist, composer and arranger Mary Lou Williams ran the gamut from Dixieland to swing, bop and avant-garde. This album is among her 1960s avant-garde works, with intimate piano combos and vocal jazz choruses; it includes her well-known cantata, The Black Christ of the Andes (also available remastered and reissued on SFW40816 as a CD, complete with extensive liner notes and historic photos).
Show more Show lessSong of the Angels
Biblical chanting, prayers, holy and profane songs, tunes for the Sabbath, feasts and Holy Daysthese largely vocal "authentic songs" were collected by Dr. Amnon Shiloah from highly accomplished, non-professional musicians. "Morasha" means "heritage."
Biblical chanting, prayers, holy and profane songs, tunes for the Sabbath, feasts and Holy Daysthese largely vocal "authentic songs" were collected by Dr. Amnon Shiloah from highly accomplished, non-professional musicians. "Morasha" means "heritage."
Music of the Tarascan Indians of Mexico: Music of Michoaca and Mestizo Country
Henrietta Yurchenco
"Cuando los españoles llegaron a Tzintzuntzan, la antigua capital del pueblo Tarascan, fueron entretenidos, según nos cuentas los valiosísimos cronistas españoles del siglo XVI, por una prolongada celebración en la cual escucharon danzas y canciones ‘suficientemente tristes como para haber subido del mismo infierno.’ ¡No era para menos! No eran tiempos para alegrías, porque una funesta ruina acababa de golpear en la capital azteca a solo unas millas de distancia. Los ‘invitados’ de piel clara habían venido en una misión de paz. Cuatrocientos años han pasado desde aquellos fatídicos días. Una vez más, en 1965, los tarascan fueron invadidos por extranjeros: esta vez, sin embargo, eran amigables y venían en búsqueda de su música..."
Henrietta Yurchenco
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