Browse Titles - 44 results

[32] Madonna mia pietà, Op. 1
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edited by Donna G. Cardamone, 1938-2009; composed by Orlande de Lassus (Orlando di Lasso), 1532-1594 and Emanuel Adrianssen, 1554-1604 (1555), [32] Madonna mia pietà (Middleton, WI: A-R Editions, Inc., 1991), 5 page(s)
edited by Donna G. Cardamone, 1938-2009; composed by Orlande de Lassus (Orlando di Lasso), 1532-1594 and Emanuel Adrianssen, 1554-1604 (1555), [32] Madonna mia pietà (Middleton, WI: A-R Editions, Inc., 1991), 5 page(s)
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Any Resemblance is Purely Coincidental
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produced by Charles Dodge, 1942- and Foster Reed; performed by Enrico Caruso, 1873-1921, Alan Feinberg, Joan La Barbara, 1947- and Baird Dodge (New Albion Records, 1992), 44 mins
produced by Charles Dodge, 1942- and Foster Reed; performed by Enrico Caruso, 1873-1921, Alan Feinberg, Joan La Barbara, 1947- and Baird Dodge (New Albion Records, 1992), 44 mins
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The Art of the Curved Bow, Vol. 1
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composed by Johann Sebastian Bach, 1685-1750; produced by Michael Bach Bachtischa; performed by Michael Bach, 1958- and Mechthild Seitz, 1957- (Mode Records), 5 hours 14 mins
composed by Johann Sebastian Bach, 1685-1750; produced by Michael Bach Bachtischa; performed by Michael Bach, 1958- and Mechthild Seitz, 1957- (Mode Records), 5 hours 14 mins
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Assumpta est Maria
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performed by Vox Nostra (Vox Nostra, 2010), 1 hour 5 mins
"Assumpta Est Maria" is a collection of ceremonial vocal music connected to the high feast day of the Assumption of Mary. With Latin plainchant and polyphonic compositions, the sequence is based on the structure of a late medieval mass.

The music of the proper (lat. proprium), always occasion-specific, contains...

performed by Vox Nostra (Vox Nostra, 2010), 1 hour 5 mins
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Encores
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composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
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Bernadette Speach: Reflections
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composed by Bernadette Speach, 1948-; conducted by Bernadette Speach, 1948-; performed by Lois Martin, Anthony de Mare, Jeffrey Schanzer, 1954-, Bernadette Speach, 1948-, Thulani Davis, 1949-, Alva Rogers, fl. 1988-2010, Mark Dresser, Rozanna, fl. 2000 and David Heiss, fl. 1979, The Arditti Quartet (Mode Records), 1 hour 13 mins
composed by Bernadette Speach, 1948-; conducted by Bernadette Speach, 1948-; performed by Lois Martin, Anthony de Mare, Jeffrey Schanzer, 1954-, Bernadette Speach, 1948-, Thulani Davis, 1949-, Alva Rogers, fl. 1988-2010, Mark Dresser, Rozanna, fl. 2000 and David Heiss, fl. 1979, The Arditti Quartet (Mode Records), 1 hour 13 mins
Tracks
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The Black Composer Speaks
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written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
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Cage: The Choral Works I
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composed by John Cage, 1912-1992; conducted by Támas Vetö; performed by Gert Mortensen, 1958-, Ars Nova Copenhagen (Mode Records), 1 hour 8 mins
composed by John Cage, 1912-1992; conducted by Támas Vetö; performed by Gert Mortensen, 1958-, Ars Nova Copenhagen (Mode Records), 1 hour 8 mins
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Carnevale Veneziano: The Comic Faces of Giovanni Croce
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produced by Gary Cole, fl. 1988; performed by David Miller (Chandos, 2001), 1 hour 16 mins
produced by Gary Cole, fl. 1988; performed by David Miller (Chandos, 2001), 1 hour 16 mins
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