Browse Titles - 15 results
Pie Jesu
composed by Conor O'Reilly, 1967-; conducted by Colin Mawby, 1936-; produced by Christopher Craker, 1959-; performed by Sylvia O'Brien, Rosemary Collier, Róisín Toal, Sandra Gudgeon and Mary O'Sullivan, National Chamber Choir of Ireland, in 20th century Irish series (Black Box), 1 hour 1 mins
Sample
composed by Conor O'Reilly, 1967-; conducted by Colin Mawby, 1936-; produced by Christopher Craker, 1959-; performed by Sylvia O'Brien, Rosemary Collier, Róisín Toal, Sandra Gudgeon and Mary O'Sullivan, National Chamber Choir of Ireland, in 20th century Irish series (Black Box), 1 hour 1 mins
Date Written / Recorded
1999-10-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
National Chamber Choir of Ireland, Sylvia O'Brien, Rosemary Collier, Róisín Toal, Sandra Gudgeon, Mary O'Sullivan
Contributor
Colin Mawby, 1936-, Christopher Craker, 1959-
Author / Creator
Conor O'Reilly, 1967-, National Chamber Choir of Ireland, Sylvia O'Brien, Rosemary Collier, Róisín Toal, Sandra Gudgeon, Mary O'Sullivan
Publisher
Black Box
Series
20th century Irish series
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Berio: The Great Works for Voice
composed by Luciano Berio, 1925-2003; conducted by Tania León, 1943-; produced by Brian Brandt, fl. 2011; performed by Christine Schadeberg, Sheldon Berkowitz, Theodore Mook, Barbara Allen, Susan Jolles, fl. 1997-1997, Michael Pugliese, 1956-1997 and William Trigg, Musicians' Accord (Mode Records), 1 hour 6 mins
Mode's reissue of Christine Schadeberg's 1995 recital of vocal music by Luciano Berio is a welcome addition to the catalog. While her performances don't make the listener forget the individuality and panache of Cathy Berberian, for whom most of these pieces were written, Schadeberg more than holds her own in her t...
Sample
composed by Luciano Berio, 1925-2003; conducted by Tania León, 1943-; produced by Brian Brandt, fl. 2011; performed by Christine Schadeberg, Sheldon Berkowitz, Theodore Mook, Barbara Allen, Susan Jolles, fl. 1997-1997, Michael Pugliese, 1956-1997 and William Trigg, Musicians' Accord (Mode Records), 1 hour 6 mins
Description
Mode's reissue of Christine Schadeberg's 1995 recital of vocal music by Luciano Berio is a welcome addition to the catalog. While her performances don't make the listener forget the individuality and panache of Cathy Berberian, for whom most of these pieces were written, Schadeberg more than holds her own in her technical and expressive mastery of the music. Her voice is not large, but is remarkably flexible and secure, and her tone is pure. Thes...
Mode's reissue of Christine Schadeberg's 1995 recital of vocal music by Luciano Berio is a welcome addition to the catalog. While her performances don't make the listener forget the individuality and panache of Cathy Berberian, for whom most of these pieces were written, Schadeberg more than holds her own in her technical and expressive mastery of the music. Her voice is not large, but is remarkably flexible and secure, and her tone is pure. These performances are models of precision and clarity. Only in the mercurial Folk Songs does the listener wish for a more aggressive differentiation of the moods, and more abandon in the final "Azerbaijan" love song. The members of the ensemble Musicians' Accord are fully engaged partners, and their energy and virtuosity are crucial to the vitality of these performances.
It's wonderful to have so many of Berio's major vocal works brought together on a single recording. The CD includes the first recording of Berio's Quattro Canzoni Popolari, written in 1946 and 1947 before the composer's immersion in serialism. (The set includes two songs that the composer would revisit in the 1964 Folk Songs; a comparison of his treatments is fascinating.) Berio has number of unrecorded early vocal works, and if they approach the quality of these songs, a recording is overdue. The recorded sound is clear and crisp, but tends to favor the instruments, and particularly in the more thickly scored sections of the Folk Songs, the balance would have benefited from having the voice more prominently miked. ~ Stephen Eddins, All Music Guide Show more Show less
It's wonderful to have so many of Berio's major vocal works brought together on a single recording. The CD includes the first recording of Berio's Quattro Canzoni Popolari, written in 1946 and 1947 before the composer's immersion in serialism. (The set includes two songs that the composer would revisit in the 1964 Folk Songs; a comparison of his treatments is fascinating.) Berio has number of unrecorded early vocal works, and if they approach the quality of these songs, a recording is overdue. The recorded sound is clear and crisp, but tends to favor the instruments, and particularly in the more thickly scored sections of the Folk Songs, the balance would have benefited from having the voice more prominently miked. ~ Stephen Eddins, All Music Guide Show more Show less
Date Written / Recorded
1995-01-06
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Musicians' Accord, Christine Schadeberg, Sheldon Berkowitz, Theodore Mook, Barbara Allen, Susan Jolles, fl. 1997-1997, Michael Pugliese, 1956-1997, William Trigg
Contributor
Tania León, 1943-, David Avidor, Brian Brandt, fl. 2011
Author / Creator
Luciano Berio, 1925-2003, Musicians' Accord, Christine Schadeberg, Sheldon Berkowitz, Theodore Mook, Barbara Allen, Susan Jolles, fl. 1997-1997, Michael Pugliese, 1956-1997, William Trigg
Publisher
Mode Records
Tracks
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Bliss: A Knot of Riddles, Angels of the Mind and other songs
composed by Sir Arthur Bliss, 1891-1975; conducted by Martyn Brabbins; produced by Andrew Keener, 1954-; performed by Henry Herford, Toby Spence, Geraldine McGreevy, Leo Phillips, John Lenehan, 1958-, Kathron Sturrock and Michael Collins, The Nash Ensemble (Hyperion), 2 hours 3 mins
Sample
composed by Sir Arthur Bliss, 1891-1975; conducted by Martyn Brabbins; produced by Andrew Keener, 1954-; performed by Henry Herford, Toby Spence, Geraldine McGreevy, Leo Phillips, John Lenehan, 1958-, Kathron Sturrock and Michael Collins, The Nash Ensemble (Hyperion), 2 hours 3 mins
Date Written / Recorded
1998-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Nash Ensemble, Henry Herford, Toby Spence, Geraldine McGreevy, Leo Phillips, John Lenehan, 1958-, Kathron Sturrock, Michael Collins
Contributor
Martyn Brabbins, Julian Millard, Andrew Keener, 1954-
Author / Creator
Sir Arthur Bliss, 1891-1975, The Nash Ensemble, Henry Herford, Toby Spence, Geraldine McGreevy, Leo Phillips, John Lenehan, 1958-, Kathron Sturrock, Michael Collins
Publisher
Hyperion
Tracks
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Bliss: Rout and Rhapsody
composed by Sir Arthur Bliss, 1891-1975; conducted by Lionel Friend; produced by Andrew Keener, 1954-; performed by Elizabeth Gale, 1948-, Anthony Rolfe Johnson, 1940-2010, Gareth Hulse, Marcia Crayford, David Ogden, Roger Chase and Christopher van Kampen, The Nash Ensemble (Hyperion), 1 hour 2 mins
Sample
composed by Sir Arthur Bliss, 1891-1975; conducted by Lionel Friend; produced by Andrew Keener, 1954-; performed by Elizabeth Gale, 1948-, Anthony Rolfe Johnson, 1940-2010, Gareth Hulse, Marcia Crayford, David Ogden, Roger Chase and Christopher van Kampen, The Nash Ensemble (Hyperion), 1 hour 2 mins
Date Written / Recorded
1984-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Nash Ensemble, Elizabeth Gale, 1948-, Anthony Rolfe Johnson, 1940-2010, Gareth Hulse, Marcia Crayford, David Ogden, Roger Chase, Christopher van Kampen
Contributor
Lionel Friend, Anthony Howell, Andrew Keener, 1954-
Author / Creator
Sir Arthur Bliss, 1891-1975, The Nash Ensemble, Elizabeth Gale, 1948-, Anthony Rolfe Johnson, 1940-2010, Gareth Hulse, Marcia Crayford, David Ogden, Roger Chase, Christopher van Kampen
Publisher
Hyperion
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Boulanger: Clairières dans le ciel
composed by Lili Boulanger, 1893-1918; conducted by James Wood, 1953-; produced by Gary Cole, fl. 1988; performed by Martyn Hill, Andrew Ball, Amanda Pitt, Jeanette Ager, Ian Townsend and Peter Johnson, New London Chamber Choir (Hyperion), 1 hour 7 mins
Sample
composed by Lili Boulanger, 1893-1918; conducted by James Wood, 1953-; produced by Gary Cole, fl. 1988; performed by Martyn Hill, Andrew Ball, Amanda Pitt, Jeanette Ager, Ian Townsend and Peter Johnson, New London Chamber Choir (Hyperion), 1 hour 7 mins
Date Written / Recorded
1994-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
New London Chamber Choir, Martyn Hill, Andrew Ball, Amanda Pitt, Jeanette Ager, Ian Townsend, Peter Johnson
Contributor
James Wood, 1953-, Gary Cole, fl. 1988
Author / Creator
Lili Boulanger, 1893-1918, New London Chamber Choir, Martyn Hill, Andrew Ball, Amanda Pitt, Jeanette Ager, Ian Townsend, Peter Johnson
Publisher
Hyperion
Tracks
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Chamber Music with Voices (& a Little Jazz)
composed by Sheila Silver, 1946-; conducted by Sheila Silver, 1946-; performed by Michael Dash, Tamzen Flanders, Christine Schadeberg, Sheldon Berkowitz and William Trigg, Musicians' Accord (Mode Records, 1995), 1 hour 16 mins
Sample
composed by Sheila Silver, 1946-; conducted by Sheila Silver, 1946-; performed by Michael Dash, Tamzen Flanders, Christine Schadeberg, Sheldon Berkowitz and William Trigg, Musicians' Accord (Mode Records, 1995), 1 hour 16 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Musicians' Accord, Michael Dash, Tamzen Flanders, Christine Schadeberg, Sheldon Berkowitz, William Trigg
Contributor
Sheila Silver, 1946-, David Smith
Author / Creator
Sheila Silver, 1946-, Musicians' Accord, Michael Dash, Tamzen Flanders, Christine Schadeberg, Sheldon Berkowitz, William Trigg
Date Published / Released
1995
Publisher
Mode Records
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Morton Feldman: Voices & Instruments
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Claron McFadden, Jos Zwaanenburg, John Anderson, Arjan Kappers, Krijn van Arnhem, Marieke Keser, Judith Van Swaay, Lorenzo Ferrandiz Carrillo, Frank Denyer, 1943-, Charles Van Tassel, James Fulkerson, Harmen de Boer and Elisabeth Smalt, The Barton Workshop, in Feldman edition (Mode Records), 1 hour 11 mins
Sample
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Claron McFadden, Jos Zwaanenburg, John Anderson, Arjan Kappers, Krijn van Arnhem, Marieke Keser, Judith Van Swaay, Lorenzo Ferrandiz Carrillo, Frank Denyer, 1943-, Charles Van Tassel, James Fulkerson, Harmen de Boer and Elisabeth Smalt, The Barton Workshop, in Feldman edition (Mode Records), 1 hour 11 mins
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Barton Workshop, Claron McFadden, Jos Zwaanenburg, John Anderson, Arjan Kappers, Krijn van Arnhem, Marieke Keser, Judith Van Swaay, Lorenzo Ferrandiz Carrillo, Frank Denyer, 1943-, Charles Van Tassel, James Fulkerson, Harmen de Boer, Elisabeth Smalt
Contributor
James Fulkerson, Robert Bosch, 1861-1942
Author / Creator
Morton Feldman, 1926-1987, The Barton Workshop, Claron McFadden, Jos Zwaanenburg, John Anderson, Arjan Kappers, Krijn van Arnhem, Marieke Keser, Judith Van Swaay, Lorenzo Ferrandiz Carrillo, Frank Denyer, 1943-, Charles Van Tassel, James Fulkerson, Harmen de Boer, Elisabeth Smalt
Publisher
Mode Records
Series
Feldman edition
Tracks
Journey to the End of the Night
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Claron McFadden, Jos Zwaanenburg, John Anderson, Arjan Kappers, Krijn van Arnhem, Marieke Keser, Judith Van Swaay, Lorenzo Ferrandiz Carrillo, Frank Denyer, 1943-, Charles Van Tassel, James Fulkerson, Harmen de Boer and Elisabeth Smalt, The Barton Workshop, in Feldman edition
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Ferrari: Chansons pour le corps; Et si tout entiere maintenant...symphonic tale
composed by Luc Ferrari, 1929-; conducted by Yves Prin; performed by Elise Caron, 1960-, Carol Mundinger, Sylvian Frydman, Christine Lagniel, Michel Maurer, Michel Musseau, fl. 1987 and Anne Sée, Nouvelle Orchestre Philharmonique (Mode Records), 1 hour 15 mins
Sample
composed by Luc Ferrari, 1929-; conducted by Yves Prin; performed by Elise Caron, 1960-, Carol Mundinger, Sylvian Frydman, Christine Lagniel, Michel Maurer, Michel Musseau, fl. 1987 and Anne Sée, Nouvelle Orchestre Philharmonique (Mode Records), 1 hour 15 mins
Date Written / Recorded
1995-03-18
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Nouvelle Orchestre Philharmonique, Elise Caron, 1960-, Carol Mundinger, Sylvian Frydman, Christine Lagniel, Michel Maurer, Michel Musseau, fl. 1987, Anne Sée
Contributor
Yves Prin, Pascal Besnard
Author / Creator
Luc Ferrari, 1929-, Nouvelle Orchestre Philharmonique, Elise Caron, 1960-, Carol Mundinger, Sylvian Frydman, Christine Lagniel, Michel Maurer, Michel Musseau, fl. 1987, Anne Sée
Publisher
Mode Records
Tracks
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From the Diary of Anne Frank
composed by Malcolm Forsyth; conducted by Mario Bernardi; produced by Anton Kwiatkowski, fl. 1969; performed by Judith Forst, CBC Vancouver Orchestra (CBC Records), 59 mins
Sample
composed by Malcolm Forsyth; conducted by Mario Bernardi; produced by Anton Kwiatkowski, fl. 1969; performed by Judith Forst, CBC Vancouver Orchestra (CBC Records), 59 mins
Date Written / Recorded
1998
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
CBC Vancouver Orchestra, Judith Forst
Contributor
Mario Bernardi, Don Harder, Anton Kwiatkowski, fl. 1969
Author / Creator
Malcolm Forsyth, CBC Vancouver Orchestra, Judith Forst
Publisher
CBC Records
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Gala de Día
conducted by Nelly Vuksic; produced by Max Lifchitz, 1948-; performed by César Vuksic, Stanley Dorn, Sandra Arida, Sarah Kerr, Marian Wasserman and Chris Vasquez, Americas Vocal Ensemble (North-South), 1 hour 3 mins
Sample
conducted by Nelly Vuksic; produced by Max Lifchitz, 1948-; performed by César Vuksic, Stanley Dorn, Sandra Arida, Sarah Kerr, Marian Wasserman and Chris Vasquez, Americas Vocal Ensemble (North-South), 1 hour 3 mins
Date Written / Recorded
2000-06-23
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Americas Vocal Ensemble, César Vuksic, Stanley Dorn, Sandra Arida, Sarah Kerr, Marian Wasserman, Chris Vasquez
Contributor
Nelly Vuksic, Max Lifchitz, 1948-
Author / Creator
Americas Vocal Ensemble, César Vuksic, Stanley Dorn, Sandra Arida, Sarah Kerr, Marian Wasserman, Chris Vasquez
Publisher
North-South
Tracks
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