Browse Titles - 27 results
Andre Previn Plays Harold Arlen
composed by Harold Arlen, 1905-1986; performed by André Previn, 1929-2019 (Contemporary, 1994), 45 mins, 10 page(s)
This solo piano set from Andre Previn is a bit unusual for he recasts ten Harold Arlen compositions (all but "For Every Man There's a Woman" and "Cocoanut Sweet" are quite well-known) by reharmonizing the chords and modernizing the melodies. most of the songs are taken at slow tempoes and the set (which has been r...
Sample
composed by Harold Arlen, 1905-1986; performed by André Previn, 1929-2019 (Contemporary, 1994), 45 mins, 10 page(s)
Description
This solo piano set from Andre Previn is a bit unusual for he recasts ten Harold Arlen compositions (all but "For Every Man There's a Woman" and "Cocoanut Sweet" are quite well-known) by reharmonizing the chords and modernizing the melodies. most of the songs are taken at slow tempoes and the set (which has been reissued on CD) has a consistently melancholy and thoughtful mood throughout. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1960-05-05
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
André Previn, 1929-2019
Author / Creator
Harold Arlen, 1905-1986, André Previn, 1929-2019
Date Published / Released
1994
Publisher
Contemporary
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Art Pepper: More for Les at the Village Vanguard, Vol. 4
performed by Art Pepper, 1925-1982, George Cables, 1944-, George Mraz, 1944- and Elvin Jones, 1927-2004 (Contemporary, 1992), 57 mins, 7 page(s)
The fourth of four CD reissues taken from Art Pepper's three nights at the Village Vanguard in July 1977, as with the other releases, adds one selection ("Scrapple from the Apple") to the music of the original LP; all of the performances on this and the other sets have since been made available as part of a massiv...
Sample
performed by Art Pepper, 1925-1982, George Cables, 1944-, George Mraz, 1944- and Elvin Jones, 1927-2004 (Contemporary, 1992), 57 mins, 7 page(s)
Description
The fourth of four CD reissues taken from Art Pepper's three nights at the Village Vanguard in July 1977, as with the other releases, adds one selection ("Scrapple from the Apple") to the music of the original LP; all of the performances on this and the other sets have since been made available as part of a massive nine-CD box set. The great altoist was clearly excited to be playing at the famous New York club, and his rhythm section -- pianist G...
The fourth of four CD reissues taken from Art Pepper's three nights at the Village Vanguard in July 1977, as with the other releases, adds one selection ("Scrapple from the Apple") to the music of the original LP; all of the performances on this and the other sets have since been made available as part of a massive nine-CD box set. The great altoist was clearly excited to be playing at the famous New York club, and his rhythm section -- pianist George Cables, bassist George Mraz and drummer Elvin Jones -- consistently stimulates his imagination. This release has more variety than usual, for in addition to his alto playing (including a memorable unaccompanied solo on "Over the Rainbow"), Pepper switches to clarinet for the lengthy "More for Les" and interprets the ballad "These Foolish Things" on tenor. The nine-CD set is essential for Art Pepper fanatics, but those just wanting a taste of the great altoist's talents will be satisfied with this release. ~ Scott Yanow, All Music Guide
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Date Written / Recorded
1977-07-30
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Pepper, 1925-1982, George Cables, 1944-, George Mraz, 1944-, Elvin Jones, 1927-2004
Author / Creator
Art Pepper, 1925-1982, George Cables, 1944-, George Mraz, 1944-, Elvin Jones, 1927-2004
Date Published / Released
1992
Publisher
Contemporary
Tracks
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The Art Tatum Solo Masterpieces, Vol. 1
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 5 mins, 16 page(s)
The first of eight CDs reissuing the 119 piano solo performances that Art Tatum recorded for Norman Granz during four marathon record sessions has its moments, although in general this series lacks the excitement of Tatum's earliest recordings. The pianist interprets such standards an this first volume as "Body an...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 5 mins, 16 page(s)
Description
The first of eight CDs reissuing the 119 piano solo performances that Art Tatum recorded for Norman Granz during four marathon record sessions has its moments, although in general this series lacks the excitement of Tatum's earliest recordings. The pianist interprets such standards an this first volume as "Body and Soul," "It's Only a Paper Moon" and "Willow Weep for Me." ~ Scott Yanow, All Music Guide
Date Written / Recorded
1955-01-19
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
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Art Tatum Solo Masterpieces, Vol. 2
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 4 mins, 15 page(s)
The second of eight CDs in this series of solo performances taken from four marathon record sessions has among its highlights "Elegy," "This Can't Be Love" and "Tea for Two," but in qeneral this series lacks the excitement of Tatum's earliest recordings. Excellent but somewhat predictable performances by the class...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 4 mins, 15 page(s)
Description
The second of eight CDs in this series of solo performances taken from four marathon record sessions has among its highlights "Elegy," "This Can't Be Love" and "Tea for Two," but in qeneral this series lacks the excitement of Tatum's earliest recordings. Excellent but somewhat predictable performances by the classic virtuoso. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1955-01-19
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
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The Art Tatum Solo Masterpieces, Vol. 3
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 3 mins, 16 page(s)
The third of eight CDs in the Norman Granz series of Tatum piano solos is highlighted by "Yesterdays," "Prisoner of Love" and "Begin the Beguine" among others. He did little prior preparation for the four marathon sessions that resulted in a dozen LPs (now reissued as eight CDs), so this series lacks the excitemen...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 3 mins, 16 page(s)
Description
The third of eight CDs in the Norman Granz series of Tatum piano solos is highlighted by "Yesterdays," "Prisoner of Love" and "Begin the Beguine" among others. He did little prior preparation for the four marathon sessions that resulted in a dozen LPs (now reissued as eight CDs), so this series lacks the excitement and adventure of his earliest recordings although it is still enjoyable in its own right. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1955-01-19
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
×
The Art Tatum Solo Masterpieces, Vol. 4
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 6 mins, 15 page(s)
On the fourth volume in this eight-CD series, Tatum sounds at his best on "Ill Wind" and "The Man I Love." Taken from the 119 piano solos he cut for Norman Granz in four lengthy recording sessions during 1953-55, these performances are concise, relaxed, and surprisingly predictable, if virtuosic. ~ Scott Yanow, Al...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 6 mins, 15 page(s)
Description
On the fourth volume in this eight-CD series, Tatum sounds at his best on "Ill Wind" and "The Man I Love." Taken from the 119 piano solos he cut for Norman Granz in four lengthy recording sessions during 1953-55, these performances are concise, relaxed, and surprisingly predictable, if virtuosic. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1955-01-19
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
×
The Art Tatum Solo Masterpieces, Vol. 6
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 2 mins, 15 page(s)
Volume Six of this eight-CD series features Tatum interpreting such standards as "Night and Day," "Cherokee," "Happy Feet" and "Someone to Watch Over Me" with taste and melodic creativity. There are no real barnburners or new revelations on this generally relaxed set, but the music should please Tatum's fans. ~ Sc...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 2 mins, 15 page(s)
Description
Volume Six of this eight-CD series features Tatum interpreting such standards as "Night and Day," "Cherokee," "Happy Feet" and "Someone to Watch Over Me" with taste and melodic creativity. There are no real barnburners or new revelations on this generally relaxed set, but the music should please Tatum's fans. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1955-01-19
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
×
The Art Tatum Solo Masterpieces, Vol. 7
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 5 mins, 16 page(s)
The next-to-last volume in this eight CD-series features interpretations of a variety of standards, including "Moon Song," "Japanese Sandman," "Moonlight on the Ganges" and even "Mighty like a Rose." Taken from the 119 numbers that Tatum recorded for Norman Granz during four marathon sessions, the music is pleasin...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 5 mins, 16 page(s)
Description
The next-to-last volume in this eight CD-series features interpretations of a variety of standards, including "Moon Song," "Japanese Sandman," "Moonlight on the Ganges" and even "Mighty like a Rose." Taken from the 119 numbers that Tatum recorded for Norman Granz during four marathon sessions, the music is pleasing, if at times a bit too relaxed for those who would like to hear the virtuoso really tear into these pieces. ~ Scott Yanow, All Music...
The next-to-last volume in this eight CD-series features interpretations of a variety of standards, including "Moon Song," "Japanese Sandman," "Moonlight on the Ganges" and even "Mighty like a Rose." Taken from the 119 numbers that Tatum recorded for Norman Granz during four marathon sessions, the music is pleasing, if at times a bit too relaxed for those who would like to hear the virtuoso really tear into these pieces. ~ Scott Yanow, All Music Guide
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Date Written / Recorded
1955-01-19
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
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The Art Tatum Solo Masterpieces, Vol. 8
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 7 mins, 17 page(s)
The final volume of this eight-CD (and originally 12-LP) series is similar to the first seven in that Tatum melodically improvises on a variety of standards, in this case such tunes as "She's Funny That Way," "I Won't Dance," "Begin the Beguine" and "Humoresque." Few revelations occur (most of the interpretations...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 1992), 1 hour 7 mins, 17 page(s)
Description
The final volume of this eight-CD (and originally 12-LP) series is similar to the first seven in that Tatum melodically improvises on a variety of standards, in this case such tunes as "She's Funny That Way," "I Won't Dance," "Begin the Beguine" and "Humoresque." Few revelations occur (most of the interpretations are in the same relaxed medium tempo) but the music is typically well-played and generally quite enjoyable. ~ Scott Yanow, All Music Gu...
The final volume of this eight-CD (and originally 12-LP) series is similar to the first seven in that Tatum melodically improvises on a variety of standards, in this case such tunes as "She's Funny That Way," "I Won't Dance," "Begin the Beguine" and "Humoresque." Few revelations occur (most of the interpretations are in the same relaxed medium tempo) but the music is typically well-played and generally quite enjoyable. ~ Scott Yanow, All Music Guide
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Date Written / Recorded
1956-08-15
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1992
Publisher
Pablo
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The Best of Art Tatum: The Complete Pablo Solo Masterpieces
performed by Art Tatum, 1909-1956 (Pablo, 2003), 1 hour 17 mins, 20 page(s)
The Best of the Pablo Solo Masterpieces collects 20 tracks from the original seven-disc box set of recordings made by influential jazz pianist Art Tatum between 1953 and 1956. Featuring Tatum alone at the piano, producer Norman Granz intended these sessions as a spotlight for the artist, and as such, they deliver...
Sample
performed by Art Tatum, 1909-1956 (Pablo, 2003), 1 hour 17 mins, 20 page(s)
Description
The Best of the Pablo Solo Masterpieces collects 20 tracks from the original seven-disc box set of recordings made by influential jazz pianist Art Tatum between 1953 and 1956. Featuring Tatum alone at the piano, producer Norman Granz intended these sessions as a spotlight for the artist, and as such, they deliver a portrait of the genius technician in the latter stage of his career. Although Tatum's brilliant early work is the place to start list...
The Best of the Pablo Solo Masterpieces collects 20 tracks from the original seven-disc box set of recordings made by influential jazz pianist Art Tatum between 1953 and 1956. Featuring Tatum alone at the piano, producer Norman Granz intended these sessions as a spotlight for the artist, and as such, they deliver a portrait of the genius technician in the latter stage of his career. Although Tatum's brilliant early work is the place to start listening to his unique style, the Pablo sessions are nonetheless essential listening for Tatum fanatics. Also, given the exhaustive nature of the original 120-track box set, this compilation is a welcome development. ~ Matt Collar, All Music Guide
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Date Written / Recorded
1953-12-29
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
2003
Publisher
Pablo
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