Browse Titles - 23 results
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Bahaman Folk Guitar: Music from the Bahamas, Vol. 1
produced by Moses Asch, 1905-1986; performed by Joseph Spence (Smithsonian Folkways Recordings, 1959), 34 mins
Sample
produced by Moses Asch, 1905-1986; performed by Joseph Spence (Smithsonian Folkways Recordings, 1959), 34 mins
Date Written / Recorded
1958-07-23
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Joseph Spence
Contributor
Samuel Barclay Charters, 1929-2015, Moses Asch, 1905-1986
Author / Creator
Joseph Spence
Date Published / Released
1959
Publisher
Smithsonian Folkways Recordings
Copyright Message
Copyright © 1959 Smithsonian Folkways Recordings
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The Bahamas: Islands of Song
produced by Pete Reiniger, fl. 1956 (Smithsonian Folkways Recordings, 1997), 1 hour
This compilation of music from the Bahamas includes goombay rake-and-scrape dance bands (goombay refers to both the skin drum and the ensemble as a whole), spirituals, and fingerpicking guitar music. All the performers on this recording participated in the 1994 Festival of American Folklife, an annual event p...
Sample
produced by Pete Reiniger, fl. 1956 (Smithsonian Folkways Recordings, 1997), 1 hour
Description
This compilation of music from the Bahamas includes goombay rake-and-scrape dance bands (goombay refers to both the skin drum and the ensemble as a whole), spirituals, and fingerpicking guitar music. All the performers on this recording participated in the 1994 Festival of American Folklife, an annual event presented on the Mall in Washington, D.C., by the Smithsonian Institute’s Center for Folklife and Cultural Heritage. They were record...
This compilation of music from the Bahamas includes goombay rake-and-scrape dance bands (goombay refers to both the skin drum and the ensemble as a whole), spirituals, and fingerpicking guitar music. All the performers on this recording participated in the 1994 Festival of American Folklife, an annual event presented on the Mall in Washington, D.C., by the Smithsonian Institute’s Center for Folklife and Cultural Heritage. They were recorded in Nassau on 2 and 3 February 1995.
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Field of Study
World Music
Content Type
Music recording
Contributor
Pete Reiniger, fl. 1956
Date Published / Released
1997
Publisher
Smithsonian Folkways Recordings
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Button Accordion and Bandoneón Music from Northern Uruguay
(Smithsonian Folkways Recordings, 2012), 56 mins, 19 page(s)
Accordions and guitars have enlivened the social life of cattle-herding gaucho families of northern Uruguay since the mid 1800s. On Los Gauchos de Roldán, regional musical icon Walter Roldán pumps out time-honored polcas and chotis, Brazilian-tinged maxixas, and more on his button accordion as Chichí Vidi...
Sample
(Smithsonian Folkways Recordings, 2012), 56 mins, 19 page(s)
Description
Accordions and guitars have enlivened the social life of cattle-herding gaucho families of northern Uruguay since the mid 1800s. On Los Gauchos de Roldán, regional musical icon Walter Roldán pumps out time-honored polcas and chotis, Brazilian-tinged maxixas, and more on his button accordion as Chichí Vidiella adds the lush color of the bandoneón. Bernardo Sanguinetti's guitar and Richardo Cunha's percussive, deep-pitched guitarrón imm...
Accordions and guitars have enlivened the social life of cattle-herding gaucho families of northern Uruguay since the mid 1800s. On Los Gauchos de Roldán, regional musical icon Walter Roldán pumps out time-honored polcas and chotis, Brazilian-tinged maxixas, and more on his button accordion as Chichí Vidiella adds the lush color of the bandoneón. Bernardo Sanguinetti's guitar and Richardo Cunha's percussive, deep-pitched guitarrón immerse the melodies in a rich nest of rhythms and harmonies, which formerly-exiled singer-songwriter Numa Moraes treats us to five gems of his repertoire. 19 tracks, 55 minutes of music, 40-page bilingual booklet.
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Field of Study
World Music
Content Type
Music recording
Date Published / Released
2012
Publisher
Smithsonian Folkways Recordings
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Capoeira Angola from Salvador, Brazil
produced by Heidi Rauch and Cobra Mansa (Smithsonian Folkways Recordings, 1996), 1 hour 8 mins
Capoeira Angola, formerly a regional Brazilian form of self-defense and dance, has its roots in African traditions and is becoming popular in urban centers around the world, growing into a widely taught art form and philosophy. This call-and-response singing is accompanied by compelling rhythms played on berimbau...
Sample
produced by Heidi Rauch and Cobra Mansa (Smithsonian Folkways Recordings, 1996), 1 hour 8 mins
Description
Capoeira Angola, formerly a regional Brazilian form of self-defense and dance, has its roots in African traditions and is becoming popular in urban centers around the world, growing into a widely taught art form and philosophy. This call-and-response singing is accompanied by compelling rhythms played on berimbau and percussion instruments that express and control the performance of the Capoeira fight/dance. The musicians and singers featured o...
Capoeira Angola, formerly a regional Brazilian form of self-defense and dance, has its roots in African traditions and is becoming popular in urban centers around the world, growing into a widely taught art form and philosophy. This call-and-response singing is accompanied by compelling rhythms played on berimbau and percussion instruments that express and control the performance of the Capoeira fight/dance. The musicians and singers featured on these 39 tracks are among the finest modern performers of Capoeira Angola music.
"A good introduction to this highly passionate and expressive artform." — Cultural Survival Quarterly
Capoeira Angola, una forma regional de autodefensa y danza del Brasil cuyas raíces se erigen sobre tradiciones africanas, ha alcanzado una gran popularidad en diversos centros urbanos alrededor del mundo, evolucionando en una forma artística y filosófica ampliamente cultivada. Los ritmos tocados en el berimbau y los instrumentos de percusión expresan y controlan la práctica de la Capoeira, al mismo tiempo que acompañan el diálogo cantado entre el solista y un grupo. Los intérpretes presentados en estos 39 cortes se cuentan entre los más finos exponentes de la Capoiera Angola.
"Una buena introducción a esta forma artística fuertemente apasionada y expresiva." — Cultural Survival Quarterly
Para información sobre ordenar haga clic aquí.
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"A good introduction to this highly passionate and expressive artform." — Cultural Survival Quarterly
Capoeira Angola, una forma regional de autodefensa y danza del Brasil cuyas raíces se erigen sobre tradiciones africanas, ha alcanzado una gran popularidad en diversos centros urbanos alrededor del mundo, evolucionando en una forma artística y filosófica ampliamente cultivada. Los ritmos tocados en el berimbau y los instrumentos de percusión expresan y controlan la práctica de la Capoeira, al mismo tiempo que acompañan el diálogo cantado entre el solista y un grupo. Los intérpretes presentados en estos 39 cortes se cuentan entre los más finos exponentes de la Capoiera Angola.
"Una buena introducción a esta forma artística fuertemente apasionada y expresiva." — Cultural Survival Quarterly
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Heidi Rauch, Cobra Mansa
Date Published / Released
1996
Publisher
Smithsonian Folkways Recordings
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¡Cimarrón! Joropo Music from the Plains of Colombia
(Smithsonian Folkways Recordings, 2011), 48 mins, 13 page(s)
Percussive strings and maracas, dynamic vocal expression, and full-throttle pace earned the joropo of the Orinoco plains of Colombia and Venezuela its place among the most exciting regional musics of Latin America. On this, its second Smithsonian Folkways album, the GRAMMY-nominated and internationally acclaim...
Sample
(Smithsonian Folkways Recordings, 2011), 48 mins, 13 page(s)
Description
Percussive strings and maracas, dynamic vocal expression, and full-throttle pace earned the joropo of the Orinoco plains of Colombia and Venezuela its place among the most exciting regional musics of Latin America. On this, its second Smithsonian Folkways album, the GRAMMY-nominated and internationally acclaimed Colombian ensemble Cimarrón distills this excitement into a tightly arranged, even more explosive rendition of their tropical tradi...
Percussive strings and maracas, dynamic vocal expression, and full-throttle pace earned the joropo of the Orinoco plains of Colombia and Venezuela its place among the most exciting regional musics of Latin America. On this, its second Smithsonian Folkways album, the GRAMMY-nominated and internationally acclaimed Colombian ensemble Cimarrón distills this excitement into a tightly arranged, even more explosive rendition of their tropical tradition. Through their powerful, moody, and unbridled sound, they live up to the meaning of their name Cimarrón—“wild bull.” This album is part of the Smithsonian Folkways Tradiciones/Traditions series of Latino music albums, produced with support by the Smithsonian Latino Center.
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RELATED LESSON PLAN
On the Plains of Orinoco: Joropo Music in Colombia
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Sí, Soy Llanero: Joropo Music from the Orinoco Plains of Colombia
Field of Study
World Music
Content Type
Music recording
Date Published / Released
2011
Publisher
Smithsonian Folkways Recordings
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Cuba in Washington
produced by René López (Smithsonian Folkways Recordings, 1997), 54 mins
Electrifying live performances by the renowned Afrocuba de Matanzas, Grupo Changui, and other musicians bridge languages, styles, ideologies, and geographical distances to arrive at a common transnational space: Cuba in Washington. Booklet contains extensive notes, photos, and lyrics in Spanish and English. 12...
Sample
produced by René López (Smithsonian Folkways Recordings, 1997), 54 mins
Description
Electrifying live performances by the renowned Afrocuba de Matanzas, Grupo Changui, and other musicians bridge languages, styles, ideologies, and geographical distances to arrive at a common transnational space: Cuba in Washington. Booklet contains extensive notes, photos, and lyrics in Spanish and English. 12 tracks. 61 minutes.
"...[E]lectrifying...deeply African music that's the benchmark for all subsequent innovations." — Dirty Linen... Electrifying live performances by the renowned Afrocuba de Matanzas, Grupo Changui, and other musicians bridge languages, styles, ideologies, and geographical distances to arrive at a common transnational space: Cuba in Washington. Booklet contains extensive notes, photos, and lyrics in Spanish and English. 12 tracks. 61 minutes.
"...[E]lectrifying...deeply African music that's the benchmark for all subsequent innovations." — Dirty Linen
Electrizantes interpretaciones grabadas en vivo de los reconocidos conjuntos Grupo Afrocuba de Matanzas, Grupo Changüí, y otros músicos, que tendieron puentes entre idiomas, ideologías y distancias geográficas para encontrarse en un espacio transnacional común: Cuba en Washington. El cuadernillo contiene notas extensas, fotografías, y las letras de las canciones en español e inglés. 12 cortes, 61 minutos. Show more Show less
"...[E]lectrifying...deeply African music that's the benchmark for all subsequent innovations." — Dirty Linen... Electrifying live performances by the renowned Afrocuba de Matanzas, Grupo Changui, and other musicians bridge languages, styles, ideologies, and geographical distances to arrive at a common transnational space: Cuba in Washington. Booklet contains extensive notes, photos, and lyrics in Spanish and English. 12 tracks. 61 minutes.
"...[E]lectrifying...deeply African music that's the benchmark for all subsequent innovations." — Dirty Linen
Electrizantes interpretaciones grabadas en vivo de los reconocidos conjuntos Grupo Afrocuba de Matanzas, Grupo Changüí, y otros músicos, que tendieron puentes entre idiomas, ideologías y distancias geográficas para encontrarse en un espacio transnacional común: Cuba en Washington. El cuadernillo contiene notas extensas, fotografías, y las letras de las canciones en español e inglés. 12 cortes, 61 minutos. Show more Show less
Field of Study
World Music
Content Type
Music recording
Contributor
René López
Date Published / Released
1997
Publisher
Smithsonian Folkways Recordings
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performed by Kaia Kater, 1993- (Smithsonian Folkways Recordings, 2018), 43 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Kaia Kater, 1993-
Author / Creator
Kaia Kater, 1993-
Date Published / Released
2018
Publisher
Smithsonian Folkways Recordings
Copyright Message
Copyright © 2018 Smithsonian Folkways Recordings
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Joseph Spence: The Complete Folkways Recordings, 1958
produced by Samuel Barclay Charters, 1929-2015 (Smithsonian Folkways Recordings, 1992), 50 mins
Sam Charters first recorded Bahamian guitarist Joseph Spence on Andros Island in July 1958. Spence, long out of work as a stonemason, had used his time to perfect a unique style of playing. Charters took Spence as a model for what he wanted to hear in other Bahamian guitarists. Originally issued in 1959 as Fol...
Sample
produced by Samuel Barclay Charters, 1929-2015 (Smithsonian Folkways Recordings, 1992), 50 mins
Description
Sam Charters first recorded Bahamian guitarist Joseph Spence on Andros Island in July 1958. Spence, long out of work as a stonemason, had used his time to perfect a unique style of playing. Charters took Spence as a model for what he wanted to hear in other Bahamian guitarists. Originally issued in 1959 as Folkways 3844 and part of Folkways 3847.
Field of Study
World Music
Content Type
Music recording
Contributor
Samuel Barclay Charters, 1929-2015
Date Published / Released
1992
Publisher
Smithsonian Folkways Recordings
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Mountain Music of Peru, Vol. 1
produced by John Cohen, 1932- (Smithsonian Folkways Recordings, 1991), 1 hour 9 mins
Portions of this recording were previously issued in 1966 as Folkways FE 4539.
Sample
produced by John Cohen, 1932- (Smithsonian Folkways Recordings, 1991), 1 hour 9 mins
Description
Portions of this recording were previously issued in 1966 as Folkways FE 4539.
Field of Study
World Music
Content Type
Music recording
Contributor
John Cohen, 1932-
Date Published / Released
1991
Publisher
Smithsonian Folkways Recordings
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Mountain Music of Peru, Vol. 2
produced by John Cohen, 1932- (Smithsonian Folkways Recordings, 1994), 1 hour 15 mins
This recording contains music of the Andean people as performed in their own communities. It contains stunning panpipe ensembles and a wide variety of vocal and instrumental styles. A single festival from the Mantaro Valley is documented here plus the panpipe, flute, and takara music of the Aymara, as featured i...
Sample
produced by John Cohen, 1932- (Smithsonian Folkways Recordings, 1994), 1 hour 15 mins
Description
This recording contains music of the Andean people as performed in their own communities. It contains stunning panpipe ensembles and a wide variety of vocal and instrumental styles. A single festival from the Mantaro Valley is documented here plus the panpipe, flute, and takara music of the Aymara, as featured in Tom Turino's book, Moving Away from Silence. 29 tracks. "Interesting listening, a contrast to everyday fare." — Sing Out!
Field of Study
World Music
Content Type
Music recording
Contributor
John Cohen, 1932-
Date Published / Released
1994
Publisher
Smithsonian Folkways Recordings
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