Browse Titles - 12 results
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Ballads, Wedding Songs and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco
produced by Henrietta Yurchenco, 1916-2007 (Folkways Records, 1983), 48 mins
Sample
produced by Henrietta Yurchenco, 1916-2007 (Folkways Records, 1983), 48 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Henrietta Yurchenco, 1916-2007
Date Published / Released
1983
Publisher
Folkways Records
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(Monitor Records), 42 mins
Field of Study
World Music
Content Type
Music recording
Publisher
Monitor Records
Tracks
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produced by Frits Staal (Folkways Records, 1968), 1 hour 50 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Frits Staal
Date Published / Released
1968
Publisher
Folkways Records
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Garland Encyclopedia of World Music Volume 1: AfricaPart 2: Issues and Processes in African MusicPopular Music in Africa
written by Angela Impey; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 24 page(s)
Sample
written by Angela Impey; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 24 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Ruth M. Stone, 1942-
Author / Creator
Angela Impey
Date Published / Released
1997-08-01, 1997
Publisher
Routledge (Publisher)
Person Discussed
Paul Simon, 1941-, James Brown, 1933-2006, Gerhard Kubik, 1934-, Jean Bosco Mwenda, 1970-1991, Thomas Mapfumo, 1945-, Tabu Ley Rochereau, 1940-, Archie Shepp, 1937-, Miriam Makeba, 1932-2008, Adolph Johannes (Dollar) (Abdullah Ibrahim) Brand, Jonathan (Johnny) Clegg, 1953-, Emmanuel N'Djoké (Manu) Dibango, 1993-, Veit Erlmann, Graeme Ewens, Peter Gabriel, 1950-, Salif Keita, 1949-, Luambo Francoi...
Paul Simon, 1941-, James Brown, 1933-2006, Gerhard Kubik, 1934-, Jean Bosco Mwenda, 1970-1991, Thomas Mapfumo, 1945-, Tabu Ley Rochereau, 1940-, Archie Shepp, 1937-, Miriam Makeba, 1932-2008, Adolph Johannes (Dollar) (Abdullah Ibrahim) Brand, Jonathan (Johnny) Clegg, 1953-, Emmanuel N'Djoké (Manu) Dibango, 1993-, Veit Erlmann, Graeme Ewens, Peter Gabriel, 1950-, Salif Keita, 1949-, Luambo Francois (Franko) Makiadi, 1938-1989, Hugh Masekela, 1939-, Sipho Mncunu, Youssou N'Dour, 1959-, Mahlathini, 1938-1999, Johnny Pacheco, 1935-, Terrence O. Ranger, Madonna, 1958-, Carlos Santana, 1947-
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Topic / Theme
African American, Wolof, Zulu, Ngoni, Shona, Luo, Swahili, Arab, Yoruba, Portuguese, Indian, African, American, Anglo-American, Bambara (Bamana), Dogon, French, Fula, German, Greek, Kekchi, Malay, Brazilian, Cuban, West African, Egyptian, Jamaican, Khoisan, European, Senegalese, Cameroonian, Dutch, East African, Mandé, Dominican, Ghanaian, Angolan, Central African, Malian, Songhai, South African,...
African American, Wolof, Zulu, Ngoni, Shona, Luo, Swahili, Arab, Yoruba, Portuguese, Indian, African, American, Anglo-American, Bambara (Bamana), Dogon, French, Fula, German, Greek, Kekchi, Malay, Brazilian, Cuban, West African, Egyptian, Jamaican, Khoisan, European, Senegalese, Cameroonian, Dutch, East African, Mandé, Dominican, Ghanaian, Angolan, Central African, Malian, Songhai, South African, Tanzanian, Tukulor, Wassoulou, Zaïrean, Zimbabwean, Catholicism, Composers, Christianity, Islam, Prayer and meditation, World, Battle of Stones River, TN, December 31, 1862-January 2, 1863, Columbus's First Voyage to America, 1492-1493, Red River War, TX, 1874-1875, Accordion, Piano, Banjo, Bass, double, Bass, electric, Bottle, Cello, Djembe, Drum, Ngoma, Drum, frame, Tambourine, Drum, goblet, Dumbek, Tabla, Tama, Viola, Violin, Pennywhistle, Concertina, Guitar, Guitar, electric, Harp, Kora, Horn, Malipenga, Mbira, Sanza, Organ, Ud, Keyboard, Maraca, Saxophone, Synthesizer, Trumpet, Voice, Female Chorus, Vocals, female, Vocals, male, Woodblocks, Balafon, Timbila, Xylophone, Guitar, acoustic, Harp-Lute
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Garland Encyclopedia of World Music Volume 1: AfricaPart 3: Regional Case StudiesNorth Africa: An Introduction
written by Caroline Card Wendt, fl. 1982; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 17 page(s)
Sample
written by Caroline Card Wendt, fl. 1982; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 17 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Ruth M. Stone, 1942-
Author / Creator
Caroline Card Wendt, fl. 1982
Date Published / Released
1997-08-01, 1997
Publisher
Routledge (Publisher)
Person Discussed
Béla Bartók, 1881-1945, Joseph Harold Greenberg, 1915-2001, Hassan Jouad, George Peter Murdock, 1897-1985, Abu l-Hasan Ali (Ziryab) Nafi
Topic / Theme
Arab, African, American, Andalusian, Bedouin, Berber, San, Greek, Hausa, Persian, Tuareg, Sidi, Moroccan, Arab Andalusian, Algerian, Mauritanian, European, Tunisian, Kabyle, Malian, Nuba, Phoenician, Recreational drugs, Religious literature, Musicians, Religious calendar, Christianity, Islam, Religious rites and ceremonies, Prayer and meditation, Empire, Sufism, Music theory, World, Accordion, Pia...
Arab, African, American, Andalusian, Bedouin, Berber, San, Greek, Hausa, Persian, Tuareg, Sidi, Moroccan, Arab Andalusian, Algerian, Mauritanian, European, Tunisian, Kabyle, Malian, Nuba, Phoenician, Recreational drugs, Religious literature, Musicians, Religious calendar, Christianity, Islam, Religious rites and ceremonies, Prayer and meditation, Empire, Sufism, Music theory, World, Accordion, Piano, Bagpipes, Castanets, Sticks, Clarinet, Cymbals, Drum, Drum, cylindrical, Drum, frame, Tambourine, Darabukka, Drum, goblet, Kettledrum, Viola, Violin, Guitar, Lute, Tar, Ud, Mandolin, Oboe, Organ, Keyboard, Piano, Reed, Saxophone, Trumpet, Fiddle, Chorus, Bendir, Ganga, Tabl, Tidinit, Harp-Lute, Imzad, Drum, mortar, Rabāba, Tahardent, Tbel, Tende
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Morasha: Traditional Jewish Musical Heritage
produced by Amnon Shiloah (Folkways Records, 1978), 52 mins
Biblical chanting, prayers, holy and profane songs, tunes for the Sabbath, feasts and Holy Daysthese largely vocal "authentic songs" were collected by Dr. Amnon Shiloah from highly accomplished, non-professional musicians. "Morasha" means "heritage."
Sample
produced by Amnon Shiloah (Folkways Records, 1978), 52 mins
Description
Biblical chanting, prayers, holy and profane songs, tunes for the Sabbath, feasts and Holy Daysthese largely vocal "authentic songs" were collected by Dr. Amnon Shiloah from highly accomplished, non-professional musicians. "Morasha" means "heritage."
Field of Study
World Music
Content Type
Music recording
Contributor
Amnon Shiloah
Date Published / Released
1978
Publisher
Folkways Records
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Music of Cuba
produced by Verna Gillis, 1942- and John Santos (Folkways Records, 1985), 48 mins
Sample
produced by Verna Gillis, 1942- and John Santos (Folkways Records, 1985), 48 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Verna Gillis, 1942-, John Santos
Date Published / Released
1985
Publisher
Folkways Records
Tracks
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Music of Guatemala, Vol. 2
produced by Jacques Jangoux (Folkways Records, 1973), 42 mins
Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their...
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their...
Sample
produced by Jacques Jangoux (Folkways Records, 1973), 42 mins
Description
Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the culture... Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the cultures of rural Guatemala are the result of the confrontation over several centuries of two very different civilizations, the indigenous Mayan, and the Western, introduced by the Spanish in the 16th century. Both cultures have borrowed traits form the other, and this is nowhere more evident than in their music, which is a mixture of European, Indian, and perhaps also African elements..."
Jacques Jangoux
Producido y grabado por Jacques Jangoux.
"La música que se presenta en este álbum es típica de la Guatemala rural. Muchos de los habitantes de esta área son indios descendientes de los Mayas, pero también se pueden encontrar "ladinos" casi en todo el país rural guatemalteco, es decir, personas de diversos orígenes étnicos que hablan castellano en sus casas y han adoptado las costumbres ladinas, principalmente españolas. No completamente, porque ambas culturas de la Guatemala rural son el resultado de una confrontación de varios siglos entre civilizaciones muy diferentes, la Maya y la occidental, introducida por los españoles en el siglo XVI. Ambas culturas han tomado algunos rasgos de la otra, y esto no puede ser más evidente en ningún otro sitio que es su música, que es una mezcla de elementos europeos, indígenas y quizá también africanos..."
Jacques Jangoux
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"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the culture... Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the cultures of rural Guatemala are the result of the confrontation over several centuries of two very different civilizations, the indigenous Mayan, and the Western, introduced by the Spanish in the 16th century. Both cultures have borrowed traits form the other, and this is nowhere more evident than in their music, which is a mixture of European, Indian, and perhaps also African elements..."
Jacques Jangoux
Producido y grabado por Jacques Jangoux.
"La música que se presenta en este álbum es típica de la Guatemala rural. Muchos de los habitantes de esta área son indios descendientes de los Mayas, pero también se pueden encontrar "ladinos" casi en todo el país rural guatemalteco, es decir, personas de diversos orígenes étnicos que hablan castellano en sus casas y han adoptado las costumbres ladinas, principalmente españolas. No completamente, porque ambas culturas de la Guatemala rural son el resultado de una confrontación de varios siglos entre civilizaciones muy diferentes, la Maya y la occidental, introducida por los españoles en el siglo XVI. Ambas culturas han tomado algunos rasgos de la otra, y esto no puede ser más evidente en ningún otro sitio que es su música, que es una mezcla de elementos europeos, indígenas y quizá también africanos..."
Jacques Jangoux
Para información sobre ordenar haga clic
Field of Study
World Music
Content Type
Music recording
Contributor
Jacques Jangoux
Date Published / Released
1973
Publisher
Folkways Records
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Music of the Bahamas, Vol. 2: Anthems, Work Songs and Ballads
produced by Samuel Barclay Charters, 1929-2015 (Folkways Records, 1959), 38 mins
When reading Samuel Charters’ saga of his search for Frederick McQueen, one gets the sense that he is chasing a ghost on the Bahamas’ largest island of Andros - coincidentally known for its mysticism and unearthly objects. What Charters discovers, however, is one of the country’s greatest ballad singers an...
Sample
produced by Samuel Barclay Charters, 1929-2015 (Folkways Records, 1959), 38 mins
Description
When reading Samuel Charters’ saga of his search for Frederick McQueen, one gets the sense that he is chasing a ghost on the Bahamas’ largest island of Andros - coincidentally known for its mysticism and unearthly objects. What Charters discovers, however, is one of the country’s greatest ballad singers and in the process recorded several examples of the dying art of Bahamian three-part contrapuntal singing, as on “Pytoria (Run, Come Se...
When reading Samuel Charters’ saga of his search for Frederick McQueen, one gets the sense that he is chasing a ghost on the Bahamas’ largest island of Andros - coincidentally known for its mysticism and unearthly objects. What Charters discovers, however, is one of the country’s greatest ballad singers and in the process recorded several examples of the dying art of Bahamian three-part contrapuntal singing, as on “Pytoria (Run, Come See Jerusalem)” or “A Great Day is Coming”.
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Field of Study
World Music
Content Type
Music recording
Contributor
Samuel Barclay Charters, 1929-2015
Date Published / Released
1959
Publisher
Folkways Records
×
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Music of the Waswahili of Lamu, Kenya, Vol. 1: Maulidi
produced by Alan W. Boyd (Folkways Records, 1985), 47 mins
Sample
produced by Alan W. Boyd (Folkways Records, 1985), 47 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Alan W. Boyd
Date Published / Released
1985
Publisher
Folkways Records
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