Browse Titles - 9 results
Carnaval in Cuba
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying exper...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African and American Indian heritage. Liner notes include information on the History of Carnaval, as well as song and instrument details. Some notation and lyrics.
Show more Show lessHillel Raveh Sings Songs of the Israel Defense Army - Zva Haganah L'Israel
Hillel Raveh joined the underground Haganah movement in his teens and during WWII was a member of the Jewish Brigades, whose "shock troops" developed into the Palmach, or Israel Defence Army. He sings stirring songs of the period, accompanied by Gil Aldema on accordion and his own playing on chalil, a traditiona...
Hillel Raveh joined the underground Haganah movement in his teens and during WWII was a member of the Jewish Brigades, whose "shock troops" developed into the Palmach, or Israel Defence Army. He sings stirring songs of the period, accompanied by Gil Aldema on accordion and his own playing on chalil, a traditional shepherd’s flute.
Irish and British Songs from the Ottawa Valley
Music of Cuba
Music of the Coastal Amerindians of Guyana: The Arawak, Carib and Warrau
David Blair Stiffler
"Esta grabación presenta canciones... "This recording presents songs of the Warrau, the Carib, and the Arawak Amerindian tribes of Guyana, South America. These families of Amerindian peoples are spread along the rivers and waterways of the Northeast coast of South America, south of the Orinoco and north of the Amazon, but this recording was made entirely within Guyana, where all the three families are well represented..."
David Blair Stiffler
"Esta grabación presenta canciones de las tribus amerindias Warrau, los Caribes y los Arawak de Guyana, América del Sur. Estas familias amerindias están diseminadas por los ríos y canales de la costa norte de Sur América, al sur del Orinoco y al norte del Amazonas, pero esta grabación fue realizada enteramente en la Guyana, donde la población de todas las tres familias está bien representada..."
David Blair Stiffler
Para información sobre ordenar haga clic aquí.
Show more Show less
O' Canada: A History in Song
Chants of the Inuit, ballads of French settlers, battle tunes of the British, and songs of Canadian self-rule: singer Alan Mills combines all four to present a rich tapestry of Canadian history in music. Extensive liner notes with full lyrics accompany this collection, which comprises the first half of Folkways...
Chants of the Inuit, ballads of French settlers, battle tunes of the British, and songs of Canadian self-rule: singer Alan Mills combines all four to present a rich tapestry of Canadian history in music. Extensive liner notes with full lyrics accompany this collection, which comprises the first half of Folkways FW03001, Canada’s Story in Song.
Vocal Music of Contemporary China, Vol. 1: The Han People
Han Kuo-Huang selected this collection of Chinese Operas of the Han People. He explains that "art in contemporary China is to serve a specific (usually political) function rather than the ultimate art-for-art’s sake idea of the west" and that "the audience for this art is workers, peasants, and soldiers." The ol...
Han Kuo-Huang selected this collection of Chinese Operas of the Han People. He explains that "art in contemporary China is to serve a specific (usually political) function rather than the ultimate art-for-art’s sake idea of the west" and that "the audience for this art is workers, peasants, and soldiers." The old traditional opera styles are merged here with contemporary life such as "The Marriage of Xiao Erhei" that is a stance against the feu...
Han Kuo-Huang selected this collection of Chinese Operas of the Han People. He explains that "art in contemporary China is to serve a specific (usually political) function rather than the ultimate art-for-art’s sake idea of the west" and that "the audience for this art is workers, peasants, and soldiers." The old traditional opera styles are merged here with contemporary life such as "The Marriage of Xiao Erhei" that is a stance against the feudal marriage system. Liner notes include History of the Han People and song information.
Show more Show less