Browse Titles - 66 results
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André Previn: The Kindness of Strangers
directed by Tony Palmer, 1941-; composed by André Previn, 1929-2019, Johannes Brahms, 1833-1897, Maurice Ravel, 1875-1937 and Erich Wolfgang Korngold, 1897-1957; conducted by André Previn, 1929-2019; produced by Reiner Moritz, 1938- and Mike Bluett, fl. 1993; performed by Renée Fleming, 1959-, Grady Tate, 1932-, Ray Brown, 1926-2002, Dame Kiri Te Kanawa, 1944-, David E. Finck, 1958- and André Previn, 1929-2019, Emerson Quartet, WDR Symphony Orchestra Cologne and NHK Strings, in André Previn: The Kindness of Strangers (Germany: ArtHaus Musik, 2012), 1 hour 30 mins
Andre George Previn’s simultaneous world careers as a director, composer and pianist are extremely thrilling and interesting, and they cannot be told in just a few words. The names of his teachers and the artists and orchestras with which he worked belong to the select few of their field in the classic scene. Pr...
Sample
directed by Tony Palmer, 1941-; composed by André Previn, 1929-2019, Johannes Brahms, 1833-1897, Maurice Ravel, 1875-1937 and Erich Wolfgang Korngold, 1897-1957; conducted by André Previn, 1929-2019; produced by Reiner Moritz, 1938- and Mike Bluett, fl. 1993; performed by Renée Fleming, 1959-, Grady Tate, 1932-, Ray Brown, 1926-2002, Dame Kiri Te Kanawa, 1944-, David E. Finck, 1958- and André Previn, 1929-2019, Emerson Quartet, WDR Symphony Orchestra Cologne and NHK Strings, in André Previn: The Kindness of Strangers (Germany: ArtHaus Musik, 2012), 1 hour 30 mins
Description
Andre George Previn’s simultaneous world careers as a director, composer and pianist are extremely thrilling and interesting, and they cannot be told in just a few words. The names of his teachers and the artists and orchestras with which he worked belong to the select few of their field in the classic scene. Previn was born in 1929 in Berlin and emigrated to the United States in 1938 where his family settled in Hollywood. He was awarded the Os...
Andre George Previn’s simultaneous world careers as a director, composer and pianist are extremely thrilling and interesting, and they cannot be told in just a few words. The names of his teachers and the artists and orchestras with which he worked belong to the select few of their field in the classic scene. Previn was born in 1929 in Berlin and emigrated to the United States in 1938 where his family settled in Hollywood. He was awarded the Oscar a total of four times. Along with his work as a director he has also composed orchestra and chamber music as well as two stage entertainments. He however doesn’t consider himself as belonging to the musical avant-garde.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Emerson Quartet, WDR Symphony Orchestra Cologne, NHK Strings, Renée Fleming, 1959-, Grady Tate, 1932-, Ray Brown, 1926-2002, Dame Kiri Te Kanawa, 1944-, David E. Finck, 1958-, André Previn, 1929-2019
Contributor
André Previn, 1929-2019, Reiner Moritz, 1938-, Mike Bluett, fl. 1993
Author / Creator
André Previn, 1929-2019, Johannes Brahms, 1833-1897, Maurice Ravel, 1875-1937, Erich Wolfgang Korngold, 1897-1957, Tony Palmer, 1941-, Emerson Quartet, WDR Symphony Orchestra Cologne, NHK Strings, Renée Fleming, 1959-, Grady Tate, 1932-, Ray Brown, 1926-2002, Dame Kiri Te Kanawa, 1944-, David E. Finck, 1958-
Date Published / Released
2012
Publisher
ArtHaus Musik
Person Discussed
André Previn, 1929-2019
Topic / Theme
Music careers, Opera, Composers, Music composition, Music conducting, Classical Music
Copyright Message
Copyright © 2012 by ArtHaus Musik GmbH
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Anne Sofie von Otter: A Northern Star
directed by Reiner E. Moritz, 1938-; produced by ARTE, Norddeutscher Rundfunk and Reiner Moritz Associates, London, England; performed by Anne Sofie von Otter, 1955-, in Anne Sofie von Otter: A Northern Star (Bristol, England: Digital Classics Distribution, 2001), 59 mins
Anne Sofie von Otter is widely considered to be the greatest and most versatile mezzo-soprano of her generation. filmed in Sweden, London, Paris, and Salzburg, this profile combines interviews with performance extracts and archive material, and accompanies Anne Sofie to her idyllic country home for a weekend off....
Sample
directed by Reiner E. Moritz, 1938-; produced by ARTE, Norddeutscher Rundfunk and Reiner Moritz Associates, London, England; performed by Anne Sofie von Otter, 1955-, in Anne Sofie von Otter: A Northern Star (Bristol, England: Digital Classics Distribution, 2001), 59 mins
Description
Anne Sofie von Otter is widely considered to be the greatest and most versatile mezzo-soprano of her generation. filmed in Sweden, London, Paris, and Salzburg, this profile combines interviews with performance extracts and archive material, and accompanies Anne Sofie to her idyllic country home for a weekend off. A framework is provided by one of her career highlights, her performance as Octavian in Richard Strauss's Der Rosenkavalier for Carlos...
Anne Sofie von Otter is widely considered to be the greatest and most versatile mezzo-soprano of her generation. filmed in Sweden, London, Paris, and Salzburg, this profile combines interviews with performance extracts and archive material, and accompanies Anne Sofie to her idyllic country home for a weekend off. A framework is provided by one of her career highlights, her performance as Octavian in Richard Strauss's Der Rosenkavalier for Carlos Kleiber. There is footage of her on the operatic stage, in rehearsal, working with her voice coach, and rehearsing lieder.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Anne Sofie von Otter, 1955-
Contributor
ARTE, Norddeutscher Rundfunk, Reiner Moritz Associates, London, England
Author / Creator
Reiner E. Moritz, 1938-, Anne Sofie von Otter, 1955-
Date Published / Released
2001
Publisher
Digital Classics Distribution
Person Discussed
Bengt Forsberg, 1952-, Dame Felicity Lott, 1839-1894, Anne Sofie von Otter, 1955-, Barbara Bonney, 1956-, Carlos Kleiber
Topic / Theme
Opera, Biographies, Singers, Performing arts life
Copyright Message
Copyright © 2014. Used by permission of Digital Classics Distribution, Ltd. All rights reserved.
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Beautifully Scary: Contemporary Music in America
directed by Russ Wiltse, fl. 1994; produced by Russ Wiltse, fl. 1994, Beyond Definition Films (Privately Published, 2016), 1 hour 1 mins
Beautifully Scary explores the landscape of contemporary music in America in the 20th century and beyond. The documentary features generations of composers who represent trends in modern classical music. Interviews with some of the most influential composers in American such as Elliott Carter, Milton Babbitt and P...
Sample
directed by Russ Wiltse, fl. 1994; produced by Russ Wiltse, fl. 1994, Beyond Definition Films (Privately Published, 2016), 1 hour 1 mins
Description
Beautifully Scary explores the landscape of contemporary music in America in the 20th century and beyond. The documentary features generations of composers who represent trends in modern classical music. Interviews with some of the most influential composers in American such as Elliott Carter, Milton Babbitt and Philip Glass, gives the viewer a strong sense of the circumstances that shaped the classical tradition in America, and the creative visi...
Beautifully Scary explores the landscape of contemporary music in America in the 20th century and beyond. The documentary features generations of composers who represent trends in modern classical music. Interviews with some of the most influential composers in American such as Elliott Carter, Milton Babbitt and Philip Glass, gives the viewer a strong sense of the circumstances that shaped the classical tradition in America, and the creative visions that have emerged from it. The film begins with a short history of modern music in America, highlighting some of the great American composers (Ives, Copland, Cage, Bernstein) through archival photos and film footage combined with short musical excerpts. This section also includes brief references to the earlier European influences (Wagner, Debussy, Schoenberg, Stravinsky). Composers such as Steve Reich, George Crumb, Bright Sheng and Pauline Oliveros talk about their lives, and how their work has contributed to the evolution of the form. They also discuss their music, and the effect of their approaches to composition upon the contemporary music scene. The documentary includes short excerpts from performances of works by Joan Tower, Tan Dun, Christopher Rouse and John Corigliano. The instrumental forces range from solo and small instrumental combinations, to full orchestra, showing the broad expressive range of their unique music. The film draws attention to the innovative work being done, and it's importance to the fabric of modern American culture.
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Field of Study
Classical Music
Content Type
Documentary
Contributor
Russ Wiltse, fl. 1994, Beyond Definition Films
Author / Creator
Russ Wiltse, fl. 1994
Date Published / Released
2016
Publisher
Privately Published
Person Discussed
Charles Wuorinen, Lang Lang, 1982-, Michael Gordon, Wu Man, fl. 1997, Alexa Still, Sharon Isbin, David Harrington, Evelyn Glennie, 1965-, Zhou Long, 1953-, Julia Wolfe, 1958-, Joan Tower, 1938-, Tan Dun, 1957-, Bright Sheng, 1955-, Christopher Rouse, 1949-, Ned Rorem, 1923-, Terry Riley, 1935-, Pauline Oliveros, 1932-2016, Libby Larsen, 1950-, David Lang, 1957-, George Crumb, 1929-, John Paul Cori...
Charles Wuorinen, Lang Lang, 1982-, Michael Gordon, Wu Man, fl. 1997, Alexa Still, Sharon Isbin, David Harrington, Evelyn Glennie, 1965-, Zhou Long, 1953-, Julia Wolfe, 1958-, Joan Tower, 1938-, Tan Dun, 1957-, Bright Sheng, 1955-, Christopher Rouse, 1949-, Ned Rorem, 1923-, Terry Riley, 1935-, Pauline Oliveros, 1932-2016, Libby Larsen, 1950-, David Lang, 1957-, George Crumb, 1929-, John Paul Corigliano, 1938-, Yi Chen, 1953-, John Coolidge Adams, 1947-, Philip Glass, 1937-, Milton Babbitt, 1916-2011, Elliott Carter, 1908-2012, Charles E. Ives, 1874-1954, Aaron Copland, 1900-1990, John Cage, 1912-1992, Leonard Bernstein, 1918-1990
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Topic / Theme
History, Music composition, Composers, Fusion, Electronic, Americans
Copyright Message
Copyright © 2016 Russ Wiltse
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Between Two Worlds: Erich Wolfgang Korngold
directed by Barrie Gavin, 1935-; composed by Erich Wolfgang Korngold, 1897-1957; conducted by Hugh Wolff; produced by Reiner Moritz Associates, London, England; performed by Alexander Frey, fl. 1985, Anne Sofie von Otter, 1955- and Leonidas Kavakos, 1967-, HR-Symphony Orchestra, Frankfurt, in Between Two Worlds: Erich Wolfgang Korngold (Bristol, England: Digital Classics Distribution, 2001), 59 mins
Sample
directed by Barrie Gavin, 1935-; composed by Erich Wolfgang Korngold, 1897-1957; conducted by Hugh Wolff; produced by Reiner Moritz Associates, London, England; performed by Alexander Frey, fl. 1985, Anne Sofie von Otter, 1955- and Leonidas Kavakos, 1967-, HR-Symphony Orchestra, Frankfurt, in Between Two Worlds: Erich Wolfgang Korngold (Bristol, England: Digital Classics Distribution, 2001), 59 mins
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
HR-Symphony Orchestra, Frankfurt, Alexander Frey, fl. 1985, Anne Sofie von Otter, 1955-, Leonidas Kavakos, 1967-
Contributor
Hugh Wolff, Reiner Moritz Associates, London, England
Author / Creator
Erich Wolfgang Korngold, 1897-1957, Barrie Gavin, 1935-, HR-Symphony Orchestra, Frankfurt, Alexander Frey, fl. 1985, Anne Sofie von Otter, 1955-, Leonidas Kavakos, 1967-
Date Published / Released
2001
Publisher
Digital Classics Distribution
Person Discussed
Hugh Wolff, Erich Wolfgang Korngold, 1897-1957
Topic / Theme
Imagination, Film industry, Composers, Music composition, Music theory, Orchestration (Music), Performance influences
Copyright Message
Copyright © 2014. Used by permission of Digital Classics Distribution, Ltd. All rights reserved.
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Boris Berezovsky: Pianist and Virtuoso
directed by Holger Preusse and Claus Wischmann, 1966-; produced by Sounding Images; performed by Boris Berezovsky, Ural Philharmonic Orchestra (UPO), in Boris Berezovsky: Pianist and Virtuoso (C Major Entertainment, 2006), 42 mins
This documentary, directed by Holger Preuße and Claus Wischmann, follows virtuoso pianist Boris Berezovsky as he travels to Yekaterinburg, Russia, to record a CD with the Ural Philharmonic Orchestra.
Sample
directed by Holger Preusse and Claus Wischmann, 1966-; produced by Sounding Images; performed by Boris Berezovsky, Ural Philharmonic Orchestra (UPO), in Boris Berezovsky: Pianist and Virtuoso (C Major Entertainment, 2006), 42 mins
Description
This documentary, directed by Holger Preuße and Claus Wischmann, follows virtuoso pianist Boris Berezovsky as he travels to Yekaterinburg, Russia, to record a CD with the Ural Philharmonic Orchestra.
Field of Study
Classical Music
Content Type
Performance, Documentary
Performer / Ensemble
Ural Philharmonic Orchestra (UPO), Boris Berezovsky
Contributor
Sounding Images
Author / Creator
Holger Preusse, Claus Wischmann, 1966-, Ural Philharmonic Orchestra (UPO), Boris Berezovsky
Date Published / Released
2006
Publisher
C Major Entertainment
Person Discussed
Boris Berezovsky
Topic / Theme
Musicians, Performing arts life, Artistic collaboration, Expression in performance
Copyright Message
Copyright © 2013 by C Major Entertainment
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Boulez on Varèse, Part I, Offrandes
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part I, in Boulez on Varèse, Part I: Offrandes (Kent, CT: Creative Arts Television, 1971), 29 mins
Pierre Boulez rehearses the 1920's composition "Offrandes" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part I of a two-part series using this technique and the music of Varese. Boulez' intention, as stated in his remarks, is to have the...
Sample
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part I, in Boulez on Varèse, Part I: Offrandes (Kent, CT: Creative Arts Television, 1971), 29 mins
Description
Pierre Boulez rehearses the 1920's composition "Offrandes" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part I of a two-part series using this technique and the music of Varese. Boulez' intention, as stated in his remarks, is to have the audience familiar with "the vocabulary" of the piece, and to close the gap between contemporary audiences and contemporary music. Vares...
Pierre Boulez rehearses the 1920's composition "Offrandes" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part I of a two-part series using this technique and the music of Varese. Boulez' intention, as stated in his remarks, is to have the audience familiar with "the vocabulary" of the piece, and to close the gap between contemporary audiences and contemporary music. Varese, who was born in 1885, moved to America as a young man. He died in 1966. In the early days of the century Varese anticipated a great deal of what later. understood as "modern music."
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Field of Study
Classical Music
Content Type
Performance, Interview
Contributor
Pierre Boulez, 1925-2016, Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Merrill Brockway, 1923-2013
Date Published / Released
1971
Publisher
Creative Arts Television
Series
Boulez on Varèse
Person Discussed
Edgard Varèse, 1883-1965
Topic / Theme
Music history, Composers, Music composition, Avant-Garde
Copyright Message
Copyright © 1971 Creative Arts Television
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Boulez on Varèse, Part II, Octandre
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part II, in Boulez on Varèse, Part II: Octandre (Kent, CT: Creative Arts Television, 1971), 28 mins
Pierre Boulez rehearses the 1920's composition "Octandre" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part II of a two-part series using this technique and the music of Varese. Boulez is particularly interested in modern music and in l...
Sample
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part II, in Boulez on Varèse, Part II: Octandre (Kent, CT: Creative Arts Television, 1971), 28 mins
Description
Pierre Boulez rehearses the 1920's composition "Octandre" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part II of a two-part series using this technique and the music of Varese. Boulez is particularly interested in modern music and in leading audiences to an appreciation of it. He makes clear that audiences tend to have a fear of new music and can be brought to an unde...
Pierre Boulez rehearses the 1920's composition "Octandre" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part II of a two-part series using this technique and the music of Varese. Boulez is particularly interested in modern music and in leading audiences to an appreciation of it. He makes clear that audiences tend to have a fear of new music and can be brought to an understanding of the music.
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Field of Study
Classical Music
Content Type
Interview, Performance
Contributor
Pierre Boulez, 1925-2016, Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Merrill Brockway, 1923-2013
Date Published / Released
1971
Publisher
Creative Arts Television
Series
Boulez on Varèse
Person Discussed
Edgard Varèse, 1883-1965
Topic / Theme
Music history, Composers, Music composition, Avant-Garde
Copyright Message
Copyright © 1971 Creative Arts Television
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Boulez x 3, Part II, Musicians and Contemporary Music
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez x 3, Part II, in Boulez x 3, Part II: Musicians and Contemporary Music (Kent, CT: Creative Arts Television, 1975), 29 mins
Part two of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. Performances of modern music accompany and illustrate these talks. On this program the conversat...
Sample
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez x 3, Part II, in Boulez x 3, Part II: Musicians and Contemporary Music (Kent, CT: Creative Arts Television, 1975), 29 mins
Description
Part two of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns how musicians feel about the challenges of modern music, and what new techniques are demanded on players and their instrum...
Part two of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns how musicians feel about the challenges of modern music, and what new techniques are demanded on players and their instruments. Pieces performed: Varese's "Ionisation" (1933) and Peter Lieberson's "Concerto for Violoncello with Accompanying Trios" (1974). With members of the New York Philharmonic: concertmaster Eliot Chapo, Ralph Mendelson (viola), Orin O'Brian (double bass), Walter Rosenberger (percussion), Stanley Drucker (clarinet).
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Field of Study
Classical Music
Content Type
Performance, Panel discussion
Contributor
Pierre Boulez, 1925-2016, Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Merrill Brockway, 1923-2013
Date Published / Released
1975
Publisher
Creative Arts Television
Series
Boulez x 3
Speaker / Narrator
Walter E. Rosenberger, 1918-, Orin O'Brien, fl. 1975, Ralph Mendelson, fl. 1975, Eliot Chapo, fl. 1975, Faubion Bowers, 1917-1999, Gerard Schwarz, Stanley Drucker
Person Discussed
Walter E. Rosenberger, 1918-, Orin O'Brien, fl. 1975, Ralph Mendelson, fl. 1975, Eliot Chapo, fl. 1975, Faubion Bowers, 1917-1999, Gerard Schwarz, Stanley Drucker
Topic / Theme
Musical performances, Music practice, Musicians, Music, Avant-Garde
Copyright Message
Copyright © 1975 Creative Arts Television
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Boulez x 3, Part III, Music Director and Contemporary Music
directed by Merrill Brockway, 1923-2013; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez x 3, Part III, in Boulez x 3, Part III: Music Director and Contemporary Music (Kent, CT: Creative Arts Television, 1975), 29 mins
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, comp...
Sample
directed by Merrill Brockway, 1923-2013; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez x 3, Part III, in Boulez x 3, Part III: Music Director and Contemporary Music (Kent, CT: Creative Arts Television, 1975), 29 mins
Description
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, composer. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns the responsibilities...
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, composer. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns the responsibilities of the conductor, the architecture of concert halls, added rehearsal time needed for modern music, new or different orchestra personnel needed for new music. Pieces performed: "Valentine" by Druckman, "Eclat" by Boulez.
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Field of Study
Classical Music
Content Type
Panel discussion, Performance
Contributor
Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Merrill Brockway, 1923-2013
Date Published / Released
1975
Publisher
Creative Arts Television
Series
Boulez x 3
Speaker / Narrator
Arthur Weisberg, Jacob Druckman, 1928-1996, Faubion Bowers, 1917-1999, Pierre Boulez, 1925-2016
Person Discussed
Arthur Weisberg, Jacob Druckman, 1928-1996, Faubion Bowers, 1917-1999, Pierre Boulez, 1925-2016
Topic / Theme
Music, Music conductors, Composers, Avant-Garde
Copyright Message
Copyright © 1975 Creative Arts Television
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Broadway Babies
directed by Karen Whiteside; produced by Karen Whiteside, British Broadcasting Corporation, in Broadway Babies (London, England: BBC Worldwide, 2000), 49 mins
This documentary, directed by Karen Whiteside, is about the Voice of Musical Theatre 2000 competition.
Sample
directed by Karen Whiteside; produced by Karen Whiteside, British Broadcasting Corporation, in Broadway Babies (London, England: BBC Worldwide, 2000), 49 mins
Description
This documentary, directed by Karen Whiteside, is about the Voice of Musical Theatre 2000 competition.
Field of Study
Classical Music
Content Type
Documentary
Contributor
Karen Whiteside, British Broadcasting Corporation, Robert Lindsay, 1949-
Author / Creator
Karen Whiteside
Date Published / Released
2000
Publisher
BBC Worldwide
Speaker / Narrator
Robert Lindsay, 1949-
Topic / Theme
Contests and competitions, Musical theater, Singing, Singers, Musical Theatre
Copyright Message
Copyright © 2013 BBC Worldwide.
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