Browse Titles - 16 results
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Conversations with Yehudi Menuhin – Mykonos, June 1994
directed by Bruno Monsaingeon; produced by Bettina Rettig, Hélène Le Coeur, fl. 1988 and Pierre-Olivier Bardet, 1951-, EuroArts Music International and Idéale Audience; interview by Bruno Monsaingeon (Berlin State: EuroArts, 1994), 3 hours 6 mins
Bruno Monsaingeon is famous for getting up close and personal to world-class artists in his documentaries. In this invaluable historical document, he offers the audience an intimate portrait of living-legend violinist Yehudi Menuhin - talking about everything from his musical career, politics, his childhood and fa...
Sample
directed by Bruno Monsaingeon; produced by Bettina Rettig, Hélène Le Coeur, fl. 1988 and Pierre-Olivier Bardet, 1951-, EuroArts Music International and Idéale Audience; interview by Bruno Monsaingeon (Berlin State: EuroArts, 1994), 3 hours 6 mins
Description
Bruno Monsaingeon is famous for getting up close and personal to world-class artists in his documentaries. In this invaluable historical document, he offers the audience an intimate portrait of living-legend violinist Yehudi Menuhin - talking about everything from his musical career, politics, his childhood and family and his work as an ambassador for peace and understanding in the world.
Field of Study
Classical Music
Content Type
Documentary
Contributor
Bettina Rettig, Hélène Le Coeur, fl. 1988, Pierre-Olivier Bardet, 1951-, EuroArts Music International, Idéale Audience
Author / Creator
Bruno Monsaingeon
Date Published / Released
1994
Publisher
EuroArts
Person Discussed
Yehudi Menuhin, 1916-1999
Topic / Theme
Politics, Music careers, Performing arts life, Violin
Copyright Message
Copyright © 1994 EuroArts Music International
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Copland Portrait
directed by Terry Sanders, 1931-; composed by Aaron Copland, 1900-1990; conducted by Aaron Copland, 1900-1990; produced by Freida Lee Mock, fl. 1967-2013 and Terry Sanders, 1931-, United States Information Agency (Santa Monica, CA: American Film Foundation, 1967), 30 mins
Aaron Copland is considered by many to be America's premier composer. His musical works range from ballet and orchestra to choral music and movie scores. "Copland Portrait" is a rare intimate portrait of a man and his music. Filmed at Copland's home in Peekskill, N.Y., at Tanglewood, and in Washington D.C., this a...
Sample
directed by Terry Sanders, 1931-; composed by Aaron Copland, 1900-1990; conducted by Aaron Copland, 1900-1990; produced by Freida Lee Mock, fl. 1967-2013 and Terry Sanders, 1931-, United States Information Agency (Santa Monica, CA: American Film Foundation, 1967), 30 mins
Description
Aaron Copland is considered by many to be America's premier composer. His musical works range from ballet and orchestra to choral music and movie scores. "Copland Portrait" is a rare intimate portrait of a man and his music. Filmed at Copland's home in Peekskill, N.Y., at Tanglewood, and in Washington D.C., this award winning film is a must for all lovers of American classical music.
Field of Study
Classical Music
Content Type
Performance
Contributor
Aaron Copland, 1900-1990, Freida Lee Mock, fl. 1967-2013, Terry Sanders, 1931-, United States Information Agency
Author / Creator
Aaron Copland, 1900-1990, Terry Sanders, 1931-
Date Published / Released
1967
Publisher
American Film Foundation
Person Discussed
Aaron Copland, 1900-1990
Topic / Theme
Revolution and Protest context, Music and Social Change, Music careers, Music composition, The Arts
Copyright Message
Copyright © 1967 American Film Foundation
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The Curse of the Gothic Symphony
directed by Randall Wood, 1969-; produced by Veronica Fury, fl. 2005; performed by Eugene Gilfedder, fl. 1993-2015, Veronica Fury and John Curro, 1932- (New York, NY: First Run Features, 2011), 1 hour 22 mins
The Curse of the Gothic Symphony follows the journey of a fanatical and eclectic group of music lovers who aspire to break the curse behind British composer Havergal Brian's notorious First Symphony. At over two hours long and requiring two orchestras, four brass bands and five full choirs it is regarded as the Mt...
Sample
directed by Randall Wood, 1969-; produced by Veronica Fury, fl. 2005; performed by Eugene Gilfedder, fl. 1993-2015, Veronica Fury and John Curro, 1932- (New York, NY: First Run Features, 2011), 1 hour 22 mins
Description
The Curse of the Gothic Symphony follows the journey of a fanatical and eclectic group of music lovers who aspire to break the curse behind British composer Havergal Brian's notorious First Symphony. At over two hours long and requiring two orchestras, four brass bands and five full choirs it is regarded as the Mt. Everest of classical music. Gripped by the challenge to bring off the first staging of this monstrous symphony, these modern day crus...
The Curse of the Gothic Symphony follows the journey of a fanatical and eclectic group of music lovers who aspire to break the curse behind British composer Havergal Brian's notorious First Symphony. At over two hours long and requiring two orchestras, four brass bands and five full choirs it is regarded as the Mt. Everest of classical music. Gripped by the challenge to bring off the first staging of this monstrous symphony, these modern day crusaders will not stop until they triumph against all odds ... failure is not an option. The curse must be broken.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Eugene Gilfedder, fl. 1993-2015, Veronica Fury, John Curro, 1932-
Contributor
Veronica Fury, fl. 2005
Author / Creator
Randall Wood, 1969-, Eugene Gilfedder, fl. 1993-2015, Veronica Fury, John Curro, 1932-, Anthony Mullins, fl. 2001-2012
Date Published / Released
2011-07
Publisher
First Run Features
Person Discussed
Havergal Brian, 1876-1972
Topic / Theme
Orchestras, Musicians, Symphony
Copyright Message
Copyright © 2011 by First Run Features Inc.
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Herbert von Karajan
directed by Gernot Friedel, 1941-; conducted by Herbert von Karajan, 1908-1989; produced by Herbert von Karajan Centrum Wien and Austrian Broadcasting Corporation Radio & Television (ORF); performed by Herbert von Karajan, 1908-1989, in Herbert von Karajan (Bristol, England: Digital Classics Distribution, 1999), 1 hour 28 mins
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, chartin...
Sample
directed by Gernot Friedel, 1941-; conducted by Herbert von Karajan, 1908-1989; produced by Herbert von Karajan Centrum Wien and Austrian Broadcasting Corporation Radio & Television (ORF); performed by Herbert von Karajan, 1908-1989, in Herbert von Karajan (Bristol, England: Digital Classics Distribution, 1999), 1 hour 28 mins
Description
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, charting his life both on and off the podium. Karajan himself talks in archive interviews and throughout the film there is his music, drawn fr...
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, charting his life both on and off the podium. Karajan himself talks in archive interviews and throughout the film there is his music, drawn from the many sound and audiovisual recordings he made.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Herbert von Karajan, 1908-1989
Contributor
Herbert von Karajan, 1908-1989, Herbert von Karajan Centrum Wien, Austrian Broadcasting Corporation Radio & Television (ORF)
Author / Creator
Gernot Friedel, 1941-, Herbert von Karajan, 1908-1989
Date Published / Released
1999
Publisher
Digital Classics Distribution
Person Discussed
Herbert von Karajan, 1908-1989
Topic / Theme
Performing arts occupations, Singers, Orchestras, Biographies, Performing arts life, Audio recordings, Artistic collaboration, Music conducting
Copyright Message
Copyright © 2014. Used by permission of Digital Classics Distribution, Ltd. All rights reserved.
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Ken Russell's Classic Widows
directed by Ken Russell, 1927-2011; conducted by Richard Hickox, 1948-; choreographed by Amir Hosseinpour; presented by Melvyn Bragg; produced by Maureen Murray, fl. 1987; interview by Ken Russell, 1927-2011; performed by Hetty Baynes and Fiona Cross, Bournemouth Symphony Orchestra (Halle, Saxony-Anhalt: Monarda Arts, 1995), 51 mins
Classic Widows features four extraordinary women who are championing the music of their late composer-husbands: Susana Walton, globetrotting widow of William Walton; Bertha Stevens, whose husband, a contemporary of Walton's, died in relative obscurity; Xenia Frankel, who was left £50,000 in debt on the death of h...
Sample
directed by Ken Russell, 1927-2011; conducted by Richard Hickox, 1948-; choreographed by Amir Hosseinpour; presented by Melvyn Bragg; produced by Maureen Murray, fl. 1987; interview by Ken Russell, 1927-2011; performed by Hetty Baynes and Fiona Cross, Bournemouth Symphony Orchestra (Halle, Saxony-Anhalt: Monarda Arts, 1995), 51 mins
Description
Classic Widows features four extraordinary women who are championing the music of their late composer-husbands: Susana Walton, globetrotting widow of William Walton; Bertha Stevens, whose husband, a contemporary of Walton's, died in relative obscurity; Xenia Frankel, who was left £50,000 in debt on the death of her husband Benjamin; and Humphrey Searle's widow. The programme features specially chosen selections from all the composers' works, per...
Classic Widows features four extraordinary women who are championing the music of their late composer-husbands: Susana Walton, globetrotting widow of William Walton; Bertha Stevens, whose husband, a contemporary of Walton's, died in relative obscurity; Xenia Frankel, who was left £50,000 in debt on the death of her husband Benjamin; and Humphrey Searle's widow. The programme features specially chosen selections from all the composers' works, performed by the Bournemouth Symphony Orchestra, conducted by Richard Hickox.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Bournemouth Symphony Orchestra, Hetty Baynes, Fiona Cross
Contributor
Amir Hosseinpour, Richard Hickox, 1948-, Maureen Murray, fl. 1987
Author / Creator
Amir Hosseinpour, Ken Russell, 1927-2011, Bournemouth Symphony Orchestra, Hetty Baynes, Fiona Cross, Melvyn Bragg
Date Published / Released
1995
Publisher
Monarda Arts
Person Discussed
Susana Walton, 1926-2010, Bertha Stevens, Fiona Searle, Xenia Frankel, Humphrey Searle, 1915-1982, Benjamin Frankel, 1906-1973, Sir William Walton, 1902-1983, Bernard George Stevens, 1916-1983
Topic / Theme
Music
Copyright Message
Copyright © 1995 Monarda Arts
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Leaving Home - Orchestral Music in the 20th Century, Colour
directed by Peter West, fl. 1994; conducted by Sir Simon Rattle, 1955-; presented by Sir Simon Rattle, 1955-; produced by Sue Knussen, 1949-2003 and Hilary Chadwick, fl. 1980, Monarda Arts; performed by City of Birmingham Symphony Orchestra, in Leaving Home - Orchestral Music in the 20th Century (Halle, Saxony-Anhalt: Monarda Arts, 1996), 51 mins
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the Cit...
Sample
directed by Peter West, fl. 1994; conducted by Sir Simon Rattle, 1955-; presented by Sir Simon Rattle, 1955-; produced by Sue Knussen, 1949-2003 and Hilary Chadwick, fl. 1980, Monarda Arts; performed by City of Birmingham Symphony Orchestra, in Leaving Home - Orchestral Music in the 20th Century (Halle, Saxony-Anhalt: Monarda Arts, 1996), 51 mins
Description
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the...
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the chief musical developments from Mahler to the present day. Each programme is illustrated with evocative imagery, archive film and photographs and the featured music is set within the broader context of artistic and social change.Why “Leaving Home”? The story of twentieth-century music is one of leave-takings in many ways. As a wealth of talented composers searched for new creative responses to the world around them, many made departures from the solid ‘home’ foundations of eighteenth- and nineteenth-century music – tonal harmony, melody, regular rhythm and metre. Many had to literally leave home, displaced by political uphevals. A remarkable diversity of expression developed – not all of the difficult or discordant variety commonly associated with modern music. The range is wide and this series samples the work of over thirty composers, discovering new and challenging sounds as well as some unexpectedly familiar music. It presents an extraordinary kaleidoscope of orchestral images, full of contrasts and surprises.The first episode in the series describes a great musical culture in decline in turn-of-the-nineteenth-century Vienna. From that decline erupted a musical revolution whose reverberations have continued to this day. The names of Schönberg, Webern and Berg still strike terror into the hearts of many concert-goers, but with Simon Rattle we hear in this music’s brooding power not only the collapse of the old Austro-German order and the rise of Facism, but also the portents of the music to come in the second half of the twentieth century.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
City of Birmingham Symphony Orchestra
Contributor
Sir Simon Rattle, 1955-, Sue Knussen, 1949-2003, Hilary Chadwick, fl. 1980, Monarda Arts
Author / Creator
Peter West, fl. 1994, City of Birmingham Symphony Orchestra, Sir Simon Rattle, 1955-
Date Published / Released
1996
Publisher
Monarda Arts
Series
Leaving Home - Orchestral Music in the 20th Century
Person Discussed
Maurice Ravel, 1875-1937, Takemitsu Tōru, 1930-1996, Olivier Messiaen, 1908-1992, Pierre Boulez, 1925-2016, Arnold Schoenberg, 1874-1951, Igor Stravinsky, 1882-1971, Claude Debussy, 1862-1918
Topic / Theme
Orchestration (Music), Music
Copyright Message
Copyright © 1996 Monarda Arts
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Leaving Home - Orchestral Music in the 20th Century, Rhythm
directed by Deborah May, fl. 1993; conducted by Sir Simon Rattle, 1955-; presented by Sir Simon Rattle, 1955-; produced by Hilary Chadwick, fl. 1980 and Sue Knussen, 1949-2003, Monarda Arts; performed by City of Birmingham Symphony Orchestra, in Leaving Home - Orchestral Music in the 20th Century (Halle, Saxony-Anhalt: Monarda Arts, 1996), 51 mins
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the Cit...
Sample
directed by Deborah May, fl. 1993; conducted by Sir Simon Rattle, 1955-; presented by Sir Simon Rattle, 1955-; produced by Hilary Chadwick, fl. 1980 and Sue Knussen, 1949-2003, Monarda Arts; performed by City of Birmingham Symphony Orchestra, in Leaving Home - Orchestral Music in the 20th Century (Halle, Saxony-Anhalt: Monarda Arts, 1996), 51 mins
Description
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the...
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the chief musical developments from Mahler to the present day. Each programme is illustrated with evocative imagery, archive film and photographs and the featured music is set within the broader context of artistic and social change.Why “Leaving Home”? The story of twentieth-century music is one of leave-takings in many ways. As a wealth of talented composers searched for new creative responses to the world around them, many made departures from the solid ‘home’ foundations of eighteenth- and nineteenth-century music – tonal harmony, melody, regular rhythm and metre. Many had to literally leave home, displaced by political uphevals. A remarkable diversity of expression developed – not all of the difficult or discordant variety commonly associated with modern music. The range is wide and this series samples the work of over thirty composers, discovering new and challenging sounds as well as some unexpectedly familiar music. It presents an extraordinary kaleidoscope of orchestral images, full of contrasts and surprises.The first episode in the series describes a great musical culture in decline in turn-of-the-nineteenth-century Vienna. From that decline erupted a musical revolution whose reverberations have continued to this day. The names of Schönberg, Webern and Berg still strike terror into the hearts of many concert-goers, but with Simon Rattle we hear in this music’s brooding power not only the collapse of the old Austro-German order and the rise of Facism, but also the portents of the music to come in the second half of the twentieth century.
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Show less
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
City of Birmingham Symphony Orchestra
Contributor
Sir Simon Rattle, 1955-, Hilary Chadwick, fl. 1980, Sue Knussen, 1949-2003, Monarda Arts
Author / Creator
Deborah May, fl. 1993, City of Birmingham Symphony Orchestra, Sir Simon Rattle, 1955-
Date Published / Released
1996
Publisher
Monarda Arts
Series
Leaving Home - Orchestral Music in the 20th Century
Person Discussed
Conlon Nancarrow, 1912-, Gustav Mahler, 1860-1911, Olivier Messiaen, 1908-1992, Pierre Boulez, 1925-2016, Steve Reich, 1936-, György Ligeti, 1923-2006, Edgard Varèse, 1883-1965, Igor Stravinsky, 1882-1971
Topic / Theme
Orchestration (Music), Music
Copyright Message
Copyright © 1996 Monarda Arts
×
See details
Leaving Home - Orchestral Music in the 20th Century, Threads
directed by Terry Edwards; conducted by Sir Simon Rattle, 1955-; presented by Sir Simon Rattle, 1955-; produced by Sue Knussen, 1949-2003 and Hilary Chadwick, fl. 1980, RM Arts; performed by City of Birmingham Symphony Orchestra, in Leaving Home - Orchestral Music in the 20th Century (Halle, Saxony-Anhalt: Monarda Arts, 1996), 50 mins
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the Cit...
Sample
directed by Terry Edwards; conducted by Sir Simon Rattle, 1955-; presented by Sir Simon Rattle, 1955-; produced by Sue Knussen, 1949-2003 and Hilary Chadwick, fl. 1980, RM Arts; performed by City of Birmingham Symphony Orchestra, in Leaving Home - Orchestral Music in the 20th Century (Halle, Saxony-Anhalt: Monarda Arts, 1996), 50 mins
Description
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the...
Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the twentieth century. Each of the seven programmes feature over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra.Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the chief musical developments from Mahler to the present day. Each programme is illustrated with evocative imagery, archive film and photographs and the featured music is set within the broader context of artistic and social change.Why “Leaving Home”? The story of twentieth-century music is one of leave-takings in many ways. As a wealth of talented composers searched for new creative responses to the world around them, many made departures from the solid ‘home’ foundations of eighteenth- and nineteenth-century music – tonal harmony, melody, regular rhythm and metre. Many had to literally leave home, displaced by political uphevals. A remarkable diversity of expression developed – not all of the difficult or discordant variety commonly associated with modern music. The range is wide and this series samples the work of over thirty composers, discovering new and challenging sounds as well as some unexpectedly familiar music. It presents an extraordinary kaleidoscope of orchestral images, full of contrasts and surprises.The first episode in the series describes a great musical culture in decline in turn-of-the-nineteenth-century Vienna. From that decline erupted a musical revolution whose reverberations have continued to this day. The names of Schönberg, Webern and Berg still strike terror into the hearts of many concert-goers, but with Simon Rattle we hear in this music’s brooding power not only the collapse of the old Austro-German order and the rise of Facism, but also the portents of the music to come in the second half of the twentieth century.
Show more
Show less
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
City of Birmingham Symphony Orchestra
Contributor
Sir Simon Rattle, 1955-, Sue Knussen, 1949-2003, Hilary Chadwick, fl. 1980, RM Arts
Author / Creator
Terry Edwards, City of Birmingham Symphony Orchestra, Sir Simon Rattle, 1955-
Date Published / Released
1996
Publisher
Monarda Arts
Series
Leaving Home - Orchestral Music in the 20th Century
Person Discussed
Sofia Gubaidulina, 1931-, Oliver Knussen, 1952-2018, Mark-Anthony Turnage, 1960-, Sir Harrison Birtwistle, 1934-, György Kurtág, 1926-, Hans Werner Henze, 1926-2012, Luciano Berio, 1925-2003
Topic / Theme
Music, Orchestration (Music)
Copyright Message
Copyright © 1996 Monarda Arts
×
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The Legacy of Rosina Lhevinne
directed by Salome Ramras Arkatov; produced by Salome Ramras Arkatov (New York, NY: Filmakers Library, 2008), 1 hour 5 mins
This documentary film offers an intimate and compelling portrait of the life and achievements of the legendary pianist and master teacher, Rosina Lhevinne: her years of study at the Moscow Conservatory of Music, her marriage to famous pianist, Joseph Lhevinne, her devastation following her husband's death and her...
Sample
directed by Salome Ramras Arkatov; produced by Salome Ramras Arkatov (New York, NY: Filmakers Library, 2008), 1 hour 5 mins
Description
This documentary film offers an intimate and compelling portrait of the life and achievements of the legendary pianist and master teacher, Rosina Lhevinne: her years of study at the Moscow Conservatory of Music, her marriage to famous pianist, Joseph Lhevinne, her devastation following her husband's death and her recovery and stunningly productive life from age 65 to 96. Recognized as one of the most remarkable women of the 20th century, Mme. Lhe...
This documentary film offers an intimate and compelling portrait of the life and achievements of the legendary pianist and master teacher, Rosina Lhevinne: her years of study at the Moscow Conservatory of Music, her marriage to famous pianist, Joseph Lhevinne, her devastation following her husband's death and her recovery and stunningly productive life from age 65 to 96. Recognized as one of the most remarkable women of the 20th century, Mme. Lhevinne was hailed as the greatest piano teacher in the world. Through her teaching on film, we witness her influence as a creative force that not only preserved the great 19th century Russian pianistic tradition but helped students go beyond themselves to develop their artistic individuality. We see how Mme. Lhevinne's incomparable teaching career flourished after age 65. And we hear extraordinarily beautiful performances from her solo career which began at age 75 and climaxed at age 82 when Mme. Lhevinne made her spectacular debut with the New York Philharmonic under the direction of Leonard Bernstein. Through her playing, teaching, and unique personality we witness how Rosina Lhevinne brought her passion for music making and creative living to generations of students who are now among the great musicians of the world, such as John Browning, Van Cliburn, Misha Dichter, James Levine, Hiroko Nakamura, Kun Woo Paik, Daniel Pollack, Jeffrey Seigel and John Williams. Aside from musical considerations, the examination of Rosina Lhevinne's life and accomplishments is an inspiration to those who have traditionally viewed age in terms of "declining years" and diminished creative output. To those who associate bereavement of a mate with loss of identity, Mme. Lhevinne's story speaks of recovery, adaptability and new opportunities. The elderly may identify with her capability for late-in-life resourcefulness, energy and expressiveness. By focusing on one remarkable artist whose work flourished in the twilight of her life, we may enlighten society on the creative experience, the aging process and the possibilities that lie within both. High School College Adult
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Field of Study
Classical Music
Content Type
Documentary
Contributor
Salome Ramras Arkatov
Author / Creator
Salome Ramras Arkatov
Date Published / Released
2008
Publisher
Filmakers Library
Person Discussed
Rosina Lhevinne, 1880-1976
Topic / Theme
Music, Musicians, Creativity, Aging, Performing arts occupations, Music education, Piano, Humanities
Copyright Message
Copyright © 2008. Used by permission of Filmakers Library. All rights reserved.
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Never Give Up: The 20th Century Odyssey of Herbert Zipper
directed by Terry Sanders, 1931-; produced by Freida Lee Mock, fl. 1967-2013 and Terry Sanders, 1931-, American Film Foundation (Santa Monica, CA: American Film Foundation, 1995), 40 mins
The extraordinary story of Vienna born musician and conductor Herbert Zipper who survived Dachau, Buchenwald, and a Japanese concentration camp to become one of the great music educators of the world, continuing at 92 to bring music to the inner city schools of America. In Dachau, Zipper organized secret concerts...
Sample
directed by Terry Sanders, 1931-; produced by Freida Lee Mock, fl. 1967-2013 and Terry Sanders, 1931-, American Film Foundation (Santa Monica, CA: American Film Foundation, 1995), 40 mins
Description
The extraordinary story of Vienna born musician and conductor Herbert Zipper who survived Dachau, Buchenwald, and a Japanese concentration camp to become one of the great music educators of the world, continuing at 92 to bring music to the inner city schools of America. In Dachau, Zipper organized secret concerts using makeshift instruments. He learned the lesson that music and the arts are essential to the very existence of life. For the last ha...
The extraordinary story of Vienna born musician and conductor Herbert Zipper who survived Dachau, Buchenwald, and a Japanese concentration camp to become one of the great music educators of the world, continuing at 92 to bring music to the inner city schools of America. In Dachau, Zipper organized secret concerts using makeshift instruments. He learned the lesson that music and the arts are essential to the very existence of life. For the last half of the 20th century, Zipper has pioneered in bringing professional orchestras into America's inner city schools.
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Field of Study
Classical Music
Content Type
Documentary
Contributor
Freida Lee Mock, fl. 1967-2013, Terry Sanders, 1931-, American Film Foundation
Author / Creator
Terry Sanders, 1931-
Date Published / Released
1995
Publisher
American Film Foundation
Person Discussed
Herbert Zipper, 1904-1997
Topic / Theme
Music education, Wartime economy, Life histories, Professional life, Composers, Holocaust, 1939-1945, World War I, 1914-1918
Copyright Message
Copyright © 2006 American Film Foundation
×
