Browse Titles - 9 results
History of Vocal Teaching III: My Building Blocks of Singing, with Laura Sarti
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teach...
Open Access
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
Description
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born i...
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born in 1924 in Trieste, Italy where she heard many of the great Italian singers. Her family emigrated to Egypt in 1939. After the war she came to England, where she stayed for the rest of her life. During her operatic career she sang for E.N.O., W.N.O. and Glyndebourne, and she was a founder cast member of both Kent and Scottish Opera. She made many recordings for the BBC and was a noted recitalist. She sings in the Glyndebourne CD of Barber of Seville and in Erato CD of Monteverdi’s Orfeo. A professor and Fellow of the Guildhall School of Music & Drama since the 1970s, she has developed an international reputation as a teacher and regularly gave Master Classes in Britain, France, Switzerland, Sweden, Germany, Ireland and Portugal. She has many pupils of world renown. Beginning with breathing and posture, going on to focusing and balancing vowel sounds, lifting the soft palate, articulation of consonants and appoggio (‘leaning on the breath’), she demonstrates the basic elements of building a technique that will enable a singer to become a true interpreter, able to reveal colours fuelled by the artistic imagination in the sound of the voice. With her pupils Clare Ghigo and Ricardo Panela she demonstrates a typical sequence of exercises and gives brief coaching on operatic repertoire.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Contributor
Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Mairi Ankers, fl. 1997, Norbert Meyn, fl. 1997
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Laura Sarti
Topic / Theme
Educational methods, Singing, Performance coaching, Music practice, Musical technique, Opera, Voice
Copyright Message
Copyright © 2015 Lieder Theatre Limited
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A Short History of Opera
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Sample
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Field of Study
Classical Music
Content Type
General reference book
Author / Creator
Donald Jay Grout, Hermine Weigel Williams
Date Published / Released
2003
Publisher
Columbia University Press
Copyright Message
Copyright © 2003 Columbia University Press. All rights reserved.
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Women Composers: Music Through the Ages, vol. 4Schröter, Corona (1751-1802)
written by Annie Janeiro Randall; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 21 page(s)
Sample
written by Annie Janeiro Randall; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 21 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Annie Janeiro Randall
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Corona Schröter, 1751-1802, Johann Wolfgang von Goethe, 1749-1832
Topic / Theme
Composers, Performing arts life, Music composition, Performance practice, Music education, Expression in performance
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, Vol. 8Ethel Smyth: (1858-1944)
written by Anita Mercier and Susan Pickett; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 66 page(s)
Sample
written by Anita Mercier and Susan Pickett; edited by Sylvia Glickman and Martha Furman Schleifer (G.K. Hall & Co., 2006), 66 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Contributor
Sylvia Glickman, Martha Furman Schleifer
Author / Creator
Anita Mercier, Susan Pickett
Date Published / Released
2006
Publisher
G.K. Hall & Co.
Person Discussed
Dame Ethel Smyth, 1858-1944
Topic / Theme
Women's rights, Music education, Music theory, Opera, Women's Suffrage Movement, 1848-1920
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Women Composers, Vol. 3von Paradis, Maria Theresia (1759-1824)
written by Hidemi Matsushita; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 25 page(s)
Sample
written by Hidemi Matsushita; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 25 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Hidemi Matsushita
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Maria Theresia von Paradis, 1759-1824
Topic / Theme
Composers, Music schools, Blindness, Music composition, Performance criticism, Multimedia, Music theory, Piano
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers, Vol. 7von Bronsart, Ingeborg (1840-1913)
written by James Deaville; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 34 page(s)
Sample
written by James Deaville; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 34 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
James Deaville
Date Published / Released
2003
Publisher
G.K. Hall & Co.
Person Discussed
Ingeborg von Bronsart, 1840-1913, Franz Liszt, 1811-1886, Ernst von Wildenbruch, 1845-1909, Hans Bronsart von Schellendorf, 1830-1913
Topic / Theme
Composers, Music careers, War, Poets, Music composition, Music education, Performance criticism, Performance practice, Expression in performance, Music theory
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers, Vol. 7Freer, Eleanor Everest (1864-1942)
written by Sylvia M. Eversole; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 11 page(s)
Sample
written by Sylvia M. Eversole; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 11 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Sylvia M. Eversole
Date Published / Released
2003
Publisher
G.K. Hall & Co.
Person Discussed
Eleanor Everest Freer, 1864-1942
Topic / Theme
Composers, Music careers, Music composition, Music education, Performance practice, Expression in performance
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers, Vol. 7Moore, Mary Carr (1873-1957)
written by Catherine Parsons Smith; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 36 page(s)
Sample
written by Catherine Parsons Smith; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 36 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Catherine Parsons Smith
Date Published / Released
2003
Publisher
G.K. Hall & Co.
Person Discussed
Mary Carr Moore, 1873-1873
Topic / Theme
Music careers, Composers, Music education, Expression in performance, Performance practice, Music theory
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers, Vol. 7Giuranna, Barbara (1899-1998)
written by Paola Damiani; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 40 page(s)
Sample
written by Paola Damiani; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 2003), 40 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Paola Damiani
Date Published / Released
2003
Publisher
G.K. Hall & Co.
Person Discussed
Barbara Giuranna, 1899-1998
Topic / Theme
Italian, Music careers, Composers, Music education, Avant-garde, Expression in performance
Copyright Message
Copyright © 1996 by G.K. Hall
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