Browse Titles - 31 results
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The History of Classical MusicThe Baroque Era
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 13 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 13 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Jean-Baptiste Rousseau, 1671-1741, Jacopo Peri, 1561-1633, Claudio Monteverdi, 1567-1643, Johann Sebastian Bach, 1685-1750, George Frideric Handel, 1685-1759, Antonio Vivaldi, 1678-1741
Topic / Theme
Italian, Emotions and feelings, Music, Biographies, Composers, Cultural life, Creativity, Music composition, Musicology, Expression in performance, Performance practice, Organ
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Classical Period
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 17 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 17 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Johann Sebastian Bach, 1685-1750, Johann Stamitz, 1717-1757, Joseph Haydn, 1732-1809, Wolfgang Amadeus Mozart, 1756-1791, Ludwig van Beethoven, 1770-1827
Topic / Theme
Philosophy, Music, Cultural life, Music composition, Performance practice, Expression in performance, Musical ensembles, Concerts, Musicology, Symphony orchestra
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Romantic Era
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 14 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 14 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Johann Wolfgang von Goethe, 1749-1832, Franz Peter Schubert, 1797-1828, Robert Schumann, 1810-1856, Clara Schumann, 1819-1896, Fanny Mendelssohn-Hensel, 1805-1847, Felix Mendelssohn, 1809-1847, Franz Liszt, 1811-1886, Gioachino Rossini, 1792-1868, Giuseppe Verdi, 1813-1901, Richard Wagner, 1813-1883
Topic / Theme
Italian, German, War, Cultural life, Mental illnesses, Composers, Music composition, Performance practice, Expression in performance, Musicology, Nationalism, Program Music
Copyright Message
Copyright © 2003 by Lucent Books.
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History of Vocal Teaching III: My Building Blocks of Singing, with Laura Sarti
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teach...
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directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
Description
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born i...
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born in 1924 in Trieste, Italy where she heard many of the great Italian singers. Her family emigrated to Egypt in 1939. After the war she came to England, where she stayed for the rest of her life. During her operatic career she sang for E.N.O., W.N.O. and Glyndebourne, and she was a founder cast member of both Kent and Scottish Opera. She made many recordings for the BBC and was a noted recitalist. She sings in the Glyndebourne CD of Barber of Seville and in Erato CD of Monteverdi’s Orfeo. A professor and Fellow of the Guildhall School of Music & Drama since the 1970s, she has developed an international reputation as a teacher and regularly gave Master Classes in Britain, France, Switzerland, Sweden, Germany, Ireland and Portugal. She has many pupils of world renown. Beginning with breathing and posture, going on to focusing and balancing vowel sounds, lifting the soft palate, articulation of consonants and appoggio (‘leaning on the breath’), she demonstrates the basic elements of building a technique that will enable a singer to become a true interpreter, able to reveal colours fuelled by the artistic imagination in the sound of the voice. With her pupils Clare Ghigo and Ricardo Panela she demonstrates a typical sequence of exercises and gives brief coaching on operatic repertoire.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Contributor
Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Mairi Ankers, fl. 1997, Norbert Meyn, fl. 1997
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Laura Sarti
Topic / Theme
Educational methods, Singing, Performance coaching, Music practice, Musical technique, Opera, Voice
Copyright Message
Copyright © 2015 Lieder Theatre Limited
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Lecture and Q & A with Renee Fleming
produced by National Association of Teachers of Singing; interview by Rachelle Fleming, fl. 2016 (Jacksonville, FL: National Association of Teachers of Singing, 2016), 1 hour 16 mins
In the lecture and question-and-answer session, renowned soprano Renée Fleming addresses questions from her audience following her 2016 master class at the annual conference of the National Association of Teachers of Singing. Known as "the people's diva" and winner of the 2013 Grammy for Best Classical Vocal S...
Sample
produced by National Association of Teachers of Singing; interview by Rachelle Fleming, fl. 2016 (Jacksonville, FL: National Association of Teachers of Singing, 2016), 1 hour 16 mins
Description
In the lecture and question-and-answer session, renowned soprano Renée Fleming addresses questions from her audience following her 2016 master class at the annual conference of the National Association of Teachers of Singing. Known as "the people's diva" and winner of the 2013 Grammy for Best Classical Vocal Solo, Fleming continues to grace the world's greatest opera stages and concert halls, now extending her reach to include other musical f...
In the lecture and question-and-answer session, renowned soprano Renée Fleming addresses questions from her audience following her 2016 master class at the annual conference of the National Association of Teachers of Singing. Known as "the people's diva" and winner of the 2013 Grammy for Best Classical Vocal Solo, Fleming continues to grace the world's greatest opera stages and concert halls, now extending her reach to include other musical forms and media.
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Date Written / Recorded
2016-07-09
Field of Study
Classical Music
Content Type
Lecture/presentation
Contributor
National Association of Teachers of Singing
Author / Creator
Rachelle Fleming, fl. 2016
Date Published / Released
2016
Publisher
National Association of Teachers of Singing
Person Discussed
Renée Fleming, 1959-
Topic / Theme
Opera, Musical technique, Performing arts occupations, Singing, Performance coaching, Vocal Jazz, Musical
Copyright Message
Copyright © 2016 National Association of Teachers of Singing
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A Short History of Opera
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Sample
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Field of Study
Classical Music
Content Type
General reference book
Author / Creator
Donald Jay Grout, Hermine Weigel Williams
Date Published / Released
2003
Publisher
Columbia University Press
Copyright Message
Copyright © 2003 Columbia University Press. All rights reserved.
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Women Composers: Music Through the Ages, vol. 4Boetzelaer, Josina Anna Petronella van (1733-1797)
written by Helen Metzelaar; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 41 page(s)
Sample
written by Helen Metzelaar; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 41 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Helen Metzelaar
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Josina Anna Petronella van Boetzelaer, 1733-1797
Topic / Theme
Composers, Women, Music composition, Expression in performance
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, vol. 4Louis, Madame (1746-1825)
written by Deborah Hayes; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 62 page(s)
Sample
written by Deborah Hayes; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 62 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Deborah Hayes
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Marie-Emmanuelle Bayon Louis, 1746-1825
Topic / Theme
Composers, Music composition, Music theory, Expression in performance, Performance criticism
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, vol. 4de Villars, Henriette-Adelaïde (1748-1803)
written by Deborah Kauffman; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 16 page(s)
Sample
written by Deborah Kauffman; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 16 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Deborah Kauffman
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Henriette-Adelaïde de Villard, 1748-1803
Topic / Theme
Singers, Performing arts life, Composers, Music composition, Performance practice, Music theory
Copyright Message
Copyright © 1996 by G.K. Hall
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Women Composers: Music Through the Ages, vol. 4Schröter, Corona (1751-1802)
written by Annie Janeiro Randall; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 21 page(s)
Sample
written by Annie Janeiro Randall; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 21 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Annie Janeiro Randall
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Corona Schröter, 1751-1802, Johann Wolfgang von Goethe, 1749-1832
Topic / Theme
Composers, Performing arts life, Music composition, Performance practice, Music education, Expression in performance
Copyright Message
Copyright © 1996 by G.K. Hall
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