Browse Titles - 2 results
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Fate
directed by Christopher Nupen, fl. 1967; composed by Pyotr Il'yich Tchaikovsky, 1840-1893; conducted by Vladimir Ashkenazy, 1937-; produced by Allegro Films, London, England; performed by Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948- and Daniel Barenboim, 1942-, Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester), in Fate (Guildford, England: Allegro Films, London, England, 1989), 1 hour 26 mins
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people. The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our l...
Sample
directed by Christopher Nupen, fl. 1967; composed by Pyotr Il'yich Tchaikovsky, 1840-1893; conducted by Vladimir Ashkenazy, 1937-; produced by Allegro Films, London, England; performed by Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948- and Daniel Barenboim, 1942-, Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester), in Fate (Guildford, England: Allegro Films, London, England, 1989), 1 hour 26 mins
Description
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people. The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our lives. In the second film the focus shifts to Tchaikovsky's concern with his own fate in Manfred and the last three symphonies and his e...
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people. The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our lives. In the second film the focus shifts to Tchaikovsky's concern with his own fate in Manfred and the last three symphonies and his extraordinary relationship with Nadezhda von Meck as told in his revealing correspondence with her. There are no actors in these films, the story is told entirely through Tchaikovsky's music, Tchaikovsky's words and those of some of his closest acquaintances.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester), Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948-, Daniel Barenboim, 1942-
Contributor
Vladimir Ashkenazy, 1937-, Allegro Films, London, England
Author / Creator
Pyotr Il'yich Tchaikovsky, 1840-1893, Christopher Nupen, fl. 1967, Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester), Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948-, Daniel Barenboim, 1942-
Date Published / Released
1989
Publisher
Allegro Films, London, England
Person Discussed
Pyotr Il'yich Tchaikovsky, 1840-1893
Topic / Theme
Music history, Music criticism
Copyright Message
Copyright © 1989 by Allegro Films
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Tchaikovsky's Women
directed by Christopher Nupen, fl. 1967; composed by Pyotr Il'yich Tchaikovsky, 1840-1893; conducted by Vladimir Ashkenazy, 1937-; produced by Allegro Films, London, England; performed by Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester), in Tchaikovsky's Women (Guildford, England: Allegro Films, London, England, 1988), 1 hour 10 mins
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people. The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our l...
Sample
directed by Christopher Nupen, fl. 1967; composed by Pyotr Il'yich Tchaikovsky, 1840-1893; conducted by Vladimir Ashkenazy, 1937-; produced by Allegro Films, London, England; performed by Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester), in Tchaikovsky's Women (Guildford, England: Allegro Films, London, England, 1988), 1 hour 10 mins
Description
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people. The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our lives. The women in the first film are both the women in his personal life (His mother, Alexandra, his governess Fanny Durbach and the B...
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people. The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our lives. The women in the first film are both the women in his personal life (His mother, Alexandra, his governess Fanny Durbach and the Belgian singer Désirée Artôt) and the vulnerable young heroines in his early music ( Katerina Kabanova in The Storm, Juliet in Romeo and Juliet, Francesca in Francesca da Rimini, Odette in Swan Lake and Tatyana in Evgeny Onegin.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester)
Contributor
Vladimir Ashkenazy, 1937-, Allegro Films, London, England
Author / Creator
Pyotr Il'yich Tchaikovsky, 1840-1893, Christopher Nupen, fl. 1967, Swedish Radio Symphony Orchestra (Sveriges Radios Symfoniorkester)
Date Published / Released
1988
Publisher
Allegro Films, London, England
Person Discussed
Pyotr Il'yich Tchaikovsky, 1840-1893
Topic / Theme
Women, Music history, Music criticism
Copyright Message
Copyright © 1988 by Allegro Films
×
