Browse Titles - 52 results

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Aidyo, ghosts in the forest
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of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film; interview by Nick Lobley, fl. 2013 (Oxford, England: University of Oxford. Pitt Rivers Museum), 1 min,
Source: web.prm.ox.ac.uk
The video clip shows Louis Sarno talking about meeting forest spirits in the rainforests of the Central African Republic, and is part of a series of video interviews with Louis that were recorded in April 2012. Bayaka believe in a divine creator, Kumba, who created the world and then retreated. Bayaka life in the...
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of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film; interview by Nick Lobley, fl. 2013 (Oxford, England: University of Oxford. Pitt Rivers Museum), 1 min,
Source: web.prm.ox.ac.uk
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Mose salio de Misrain - Moses Left Egypt
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produced by Henrietta Yurchenco, 1916-2007; in Ballads, Wedding Songs and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco (Folkways Records, 1983), 3 mins
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produced by Henrietta Yurchenco, 1916-2007; in Ballads, Wedding Songs and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco (Folkways Records, 1983), 3 mins
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Boyobi, the ceremony for the net hunt
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of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film; interview by Nick Lobley, fl. 2013 (Oxford, England: University of Oxford. Pitt Rivers Museum), 4 mins,
Source: web.prm.ox.ac.uk
The video clip shows Louis Sarno talking about recording Bayaka Boyobi ceremonies, and is part of a series of video interviews with Louis that were recorded in April 2012. Boyobis are Bayaka ceremonies that are often performed before net hunting. Women sing interlocking webs of polyphonic sound to entice the bobé...
Sample
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film; interview by Nick Lobley, fl. 2013 (Oxford, England: University of Oxford. Pitt Rivers Museum), 4 mins,
Source: web.prm.ox.ac.uk
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Brittania Hatsiatsia Songs
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produced by Seth Kobla Ladzekpo; in Ewe Music of Ghana (Folkways Records, 1969), 7 mins
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produced by Seth Kobla Ladzekpo; in Ewe Music of Ghana (Folkways Records, 1969), 7 mins
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Profile of Africa
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written by Ruth M. Stone, 1942-; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 5 page(s)
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written by Ruth M. Stone, 1942-; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 5 page(s)
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The Scholarly Study of African Music: A Historical Review
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written by J. H. Kwabena Nketia; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 61 page(s)
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written by J. H. Kwabena Nketia; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 61 page(s)
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The Representation of African Music in Early Documents
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written by John McCall; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 27 page(s)
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written by John McCall; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 27 page(s)
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Time in African Performance
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written by Ruth M. Stone, 1942-; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 22 page(s)
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written by Ruth M. Stone, 1942-; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 22 page(s)
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Notation and Oral Tradition
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written by Kay Kaufman Shelemay; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 19 page(s)
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written by Kay Kaufman Shelemay; edited by Ruth M. Stone, 1942- (New York: Routledge (Publisher), 1997), 19 page(s)
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