Browse Titles - 783 results
Abagenyi baizire (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 (1950) , 2 page(s)
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are s...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 (1950) , 2 page(s)
Description
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36...
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Horn, Rattle, Ebinyege, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abakaikula kitulayeza twena tucome Mlekule (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
When we harvest our crops we shall all enjoy dancing the Mlekule.' Mlekule is a dance done for the chief at his village.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
Description
When we harvest our crops we shall all enjoy dancing the Mlekule.' Mlekule is a dance done for the chief at his village.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Mbira, Mbira, likembe muchapata
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abarinda nibarwana (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 (1950) , 1 page(s)
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 (1950) , 1 page(s)
Description
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, Song, Flute, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abatandani ngumasingili = Their love for each other is exalted (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 (1957) , 1 page(s)
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 (1957) , 1 page(s)
Description
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Bow, musical, Hadi
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abavuga obugali (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 (1952) , 1 page(s)
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 (1952) , 1 page(s)
Description
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Lyre, Endongo, Lute, Ndingidi, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abiiru Drum Rhythms (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR181 (1952) , 1 page(s)
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced dr...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR181 (1952) , 1 page(s)
Description
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced drums of the same shape but varying in pitch. At this mine a number of them had been improvised from oil drums, 44 gallon and 8 gallon me...
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced drums of the same shape but varying in pitch. At this mine a number of them had been improvised from oil drums, 44 gallon and 8 gallon metal containers. The chief drummer is called - Umwiiro maukuru. The second drummer is called - Uwaura. The timekeeper drummer is called - Ishakwe. The beaters or drumsticks are called - Murisho (s.) Imirisho (pl.). The names of the drums are from treble to bass. Lead drum -- (in this case a small bucket drum) -- Ishako. First drum - Nyahura. Second drum - Nterero. Third drum - Irubi. Fourth drum - Luvugamahame. Fifth drum - Chihumurizo. The leader plays his own drum and sometimes the three also on either side of him (4 all told) when setting a rhythm. His second-in-command also plays his own drum and sometimes one on either side (3 in all). The time setter stands out in front of the line and keeps the time going. This recording was made near a plantation of tall eucalyptus (blue gum) trees and the diffuse echo from the boughs and leaves overhead can be clearly heard throughout.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Drum, Sticks
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Achicatao = The blouse (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 (1956) , 1 page(s)
The singer's wife asked a tailor to make her a new fashioned blouse. He did so and she was very happy and delighted with her new blouse. The origin of the word 'Achikatao' is obscure, possibly from the Portuguese chita -- cotton print fabric or Chitâo -- cretonne.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 (1956) , 1 page(s)
Description
The singer's wife asked a tailor to make her a new fashioned blouse. He did so and she was very happy and delighted with her new blouse. The origin of the word 'Achikatao' is obscure, possibly from the Portuguese chita -- cotton print fabric or Chitâo -- cretonne.
Date Written / Recorded
1956
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Guitar
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Achifa dukwana chamina = This handkerchief of mine (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR008 (1955) , 1 page(s)
This handkerchief of mine reminds me of my old people at Chaichai. My wife does not bring me water to wash with and I go around like a Tsotsi (vagabond). Who is that who looks like my father? It is Alberto Tentowani.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR008 (1955) , 1 page(s)
Description
This handkerchief of mine reminds me of my old people at Chaichai. My wife does not bring me water to wash with and I go around like a Tsotsi (vagabond). Who is that who looks like my father? It is Alberto Tentowani.'
Date Written / Recorded
1955
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Guitar
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Acinkanja (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR083 (1958) , 2 page(s)
This song is a most interesting piece of part singing by the wives of African police constables. Acinkanga, nkajanguya kuteputa cisani cikwisa nasimene asungu anakutepula.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR083 (1958) , 2 page(s)
Description
This song is a most interesting piece of part singing by the wives of African police constables. Acinkanga, nkajanguya kuteputa cisani cikwisa nasimene asungu anakutepula.
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ada a Banda (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 (1950) , 1 page(s)
"My father, Banda, has gone off to work in the towns, for a long long time, to buy himself clothes." how true a reflection this is upon thousands of Tonga men in this district who go off to mines and towns for their own reasons leaving the women and children to fend for themselves at home. Many send back money, bu...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 (1950) , 1 page(s)
Description
"My father, Banda, has gone off to work in the towns, for a long long time, to buy himself clothes." how true a reflection this is upon thousands of Tonga men in this district who go off to mines and towns for their own reasons leaving the women and children to fend for themselves at home. Many send back money, but as many others find local foreign girls and forget their home and children.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, Song, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×