Browse Titles - 54 results
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32 Sounds
directed by Sam Green, fl. 2004; produced by Thomas O. Kriegsmann, fl. 2005 and Josh Penn, fl. 2008-2016, ArKtype, Sundance Institute, Wavelength Productions and Impact Partners (Sausalito, CA: Ro*Co Films, 2023), 1 hour 37 mins
32 Sounds is an immersive feature documentary and profound sensory experience from Academy-Award nominated filmmaker Sam Green (The Weather Underground, A Thousand Thoughts) featuring original music by JD Samson (Le Tigre, MEN). The film explores the elemental phenomenon of sound by weaving together 32 specific so...
Sample
directed by Sam Green, fl. 2004; produced by Thomas O. Kriegsmann, fl. 2005 and Josh Penn, fl. 2008-2016, ArKtype, Sundance Institute, Wavelength Productions and Impact Partners (Sausalito, CA: Ro*Co Films, 2023), 1 hour 37 mins
Description
32 Sounds is an immersive feature documentary and profound sensory experience from Academy-Award nominated filmmaker Sam Green (The Weather Underground, A Thousand Thoughts) featuring original music by JD Samson (Le Tigre, MEN). The film explores the elemental phenomenon of sound by weaving together 32 specific sound explorations into a cinematic meditation on the power of sound to bend time, cross borders, and profoundly shape our perception of...
32 Sounds is an immersive feature documentary and profound sensory experience from Academy-Award nominated filmmaker Sam Green (The Weather Underground, A Thousand Thoughts) featuring original music by JD Samson (Le Tigre, MEN). The film explores the elemental phenomenon of sound by weaving together 32 specific sound explorations into a cinematic meditation on the power of sound to bend time, cross borders, and profoundly shape our perception of the world around us. Join Oscar nominated filmmaker Green as he takes the audience on a journey through time and space exploring everything from forgotten childhood memories, to the soundtrack of resistance, to subaquatic symphonies and experience in new ways the astonishing sounds of our everyday lives. 32 Sounds investigates the mysterious nature of perception and the subtle yet radical politics that arise from sensation and being present in one’s body.
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Field of Study
World Music
Content Type
Documentary
Contributor
Sam Green, fl. 2004, Jocelyn Samson, 1978-, Thomas O. Kriegsmann, fl. 2005, Josh Penn, fl. 2008-2016, ArKtype, Sundance Institute, Wavelength Productions, Impact Partners
Author / Creator
Sam Green, fl. 2004
Date Published / Released
2023
Publisher
Ro*Co Films
Speaker / Narrator
Mazen Kerbaj, 1975-, Christine Sun Kim, 1980-, Harold Gilliam, 1918-2016, Fred Moten, 1962-, Nehanda Abiodun, 1950-1919, Edgar Choueiri, fl. 1961, Joanna Fang, fl. 2014, Cheryl Tipp, fl. 2011
Person Discussed
Mazen Kerbaj, 1975-, Christine Sun Kim, 1980-, Harold Gilliam, 1918-2016, Fred Moten, 1962-, Nehanda Abiodun, 1950-1919, Edgar Choueiri, fl. 1961, Joanna Fang, fl. 2014, Cheryl Tipp, fl. 2011, Ruth Anderson, Alan Blumlein, 1903-1942, Annea Lockwood, 1939-, Charles Babbage, Thomas Edison, 1847-1931, Walter Scott Murch, 1943-
Topic / Theme
Musical instruments, Audio recordings, Composers, Political criticism, Music composition, Sound design
Copyright Message
Copyright © 2023 Film Platform
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1992 'Urs of Data Ganj Bakhsh at Data Darbar, #6 (PAK-92-8)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 38 mins
Clean-up and preparation for the last night of the 'urs. Evening lineup of qawwals up to the last qawwal before the entrance of Nusrat Fateh Ali Khan.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 38 mins
Description
Clean-up and preparation for the last night of the 'urs. Evening lineup of qawwals up to the last qawwal before the entrance of Nusrat Fateh Ali Khan.
Date Written / Recorded
1992-08-20
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Topic / Theme
Musical instruments
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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Abou Diarra & Donko Band - Live Au New Morning
produced by Koala (Paris, Ile-de-France: Windrose SAS, 2015), 1 hour 2 mins
Marked by the ancestral culture of the Mandingo hunters, Abou Diarra is a Malian n'goni (Malian harp guitar) player with an atypical background. Trained by a virtuoso and blind master, he has criss-crossed the roads of Abidjan-Bamako-Conakry on foot for several months, accompanied by his only instrument. Crossing...
Sample
produced by Koala (Paris, Ile-de-France: Windrose SAS, 2015), 1 hour 2 mins
Description
Marked by the ancestral culture of the Mandingo hunters, Abou Diarra is a Malian n'goni (Malian harp guitar) player with an atypical background. Trained by a virtuoso and blind master, he has criss-crossed the roads of Abidjan-Bamako-Conakry on foot for several months, accompanied by his only instrument. Crossing the most remote villages of West Africa as well as modern megalopolises, he drew from traditional sounds and contemporary urban music....
Marked by the ancestral culture of the Mandingo hunters, Abou Diarra is a Malian n'goni (Malian harp guitar) player with an atypical background. Trained by a virtuoso and blind master, he has criss-crossed the roads of Abidjan-Bamako-Conakry on foot for several months, accompanied by his only instrument. Crossing the most remote villages of West Africa as well as modern megalopolises, he drew from traditional sounds and contemporary urban music. His music speaks of travel. The concert was filmed at the New Morning, a cult jazz concert hall in Paris. (Bass – Jean-Sebastien Masanet; Drums – Yannick Arnaud Kouassi; Electric Guitar – Daouda Dembele; Guitar, Keyboards – Moussa Koita; Ngoni, Lead Vocals – Abou Diarra)
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Field of Study
World Music
Content Type
Performance
Contributor
Koala
Date Published / Released
2015
Publisher
Windrose SAS
Speaker / Narrator
Abou Diarra, fl. 2013
Person Discussed
Abou Diarra, fl. 2013
Topic / Theme
Concerts, Jazz music, Musical instruments, Performing arts life, Musicians, Africans
Copyright Message
Copyright © 2015 Windrose SAS
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Amy Catlin-Jairazbhoy's Bake Restudy Notes
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes. (New Delhi, Delhi State) (1984) , 102 page(s)
N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of t...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes. (New Delhi, Delhi State) (1984) , 102 page(s)
Description
N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maha...
N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes.
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Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Field notes
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Topic / Theme
Singing, Musical instruments, Music
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Aqcha III - Āq Pishak Photo
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS31. Aqcha III - Āq Pishak (Middletown, CT) (1967) , 3 page(s)
Sample
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS31. Aqcha III - Āq Pishak (Middletown, CT) (1967) , 3 page(s)
Date Written / Recorded
1967
Field of Study
Anthropology
Content Type
Photograph
Contributor
Mark Slobin, 1943-
Author / Creator
Mark Slobin, 1943-
Topic / Theme
Musical instruments, Dömbra, Afghans
Copyright Message
Material sourced from the World Music Archive, Wesleyan University. Copyright Mark Slobin.
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Aqcha V Photo
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS33. Aqcha V (Middletown, CT) (1967) , 6 page(s)
Sample
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS33. Aqcha V (Middletown, CT) (1967) , 6 page(s)
Date Written / Recorded
1967
Field of Study
Anthropology
Content Type
Photograph
Contributor
Mark Slobin, 1943-
Author / Creator
Mark Slobin, 1943-
Topic / Theme
Performers, Musical instruments, Zirbaghali, Drum, frame, Dömbra, Afghans
Copyright Message
Material sourced from the World Music Archive, Wesleyan University. Copyright Mark Slobin.
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Aqcha VI - Āq Pishak, Dambura 10/1/1968 Photo
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS34. Aqcha VI - Āq Pishak, dambura 10/1/1968 (Middletown, CT) (1967) , 3 page(s)
Sample
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS34. Aqcha VI - Āq Pishak, dambura 10/1/1968 (Middletown, CT) (1967) , 3 page(s)
Date Written / Recorded
1967
Field of Study
Anthropology
Content Type
Photograph
Contributor
Mark Slobin, 1943-
Author / Creator
Mark Slobin, 1943-
Topic / Theme
Musical instruments, Dömbra, Afghans
Copyright Message
Material sourced from the World Music Archive, Wesleyan University. Copyright Mark Slobin.
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Aqcha VII - Āq Pishak Photo
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS35. Aqcha VII- Āq Pishak (Middletown, CT) (1967) , 3 page(s)
Sample
of Wesleyan University. World Music Archives, in The Mark Slobin Fieldwork Archive, Music in the Afghan North, 1967-1972, The Aqcha Series, MS35. Aqcha VII- Āq Pishak (Middletown, CT) (1967) , 3 page(s)
Date Written / Recorded
1967
Field of Study
World Music
Content Type
Photograph
Contributor
Mark Slobin, 1943-
Author / Creator
Mark Slobin, 1943-
Topic / Theme
Musical instruments, Dömbra, Afghans
Copyright Message
Material sourced from the World Music Archive, Wesleyan University. Copyright Mark Slobin.
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Bayaka Shorts - Bayaka boyobi music and dance (1)
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film (Oxford, England: University of Oxford. Pitt Rivers Museum), 20 secs,
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yan...
Sample
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film (Oxford, England: University of Oxford. Pitt Rivers Museum), 20 secs,
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
Description
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yandoumbé, a settlement that he helped found. Ethnomusicologist Noel Lobley has been in contact with Louis for the last eight years, work...
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yandoumbé, a settlement that he helped found. Ethnomusicologist Noel Lobley has been in contact with Louis for the last eight years, working through his unprecedented collection of over 1000 hours of recordings that document the full range of music-making and soundscapes of a single community of hunter gatherers for more than a generation. Louis continues to donate his recordings, images, and videos to the Pitt Rivers Museum in Oxford, with the longterm intention that his archive will benefit the Bayaka communities.
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yandoumbé, a settlement that he helped found.
Ethnomusicologist Noel Lobley has been in contact with Louis for the last eight years, working through his unprecedented collection of over 1000 hours of recordings that document the full range of music-making and soundscapes of a single community of hunter gatherers for more than a generation. Louis continues to donate his recordings, images, and videos to the Pitt Rivers Museum in Oxford, with the longterm intention that his archive will benefit the Bayaka communities.
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Date Written / Recorded
2013
Field of Study
World Music
Content Type
Archival footage
Contributor
Louis Sarno, 1954-2017
Author / Creator
Louis Sarno, 1954-2017
Publisher
University of Oxford. Pitt Rivers Museum
Topic / Theme
Musical instruments, Music, Singing, Dance and dancing, Aka
Copyright Message
Material sourced from the Louis Sarno Archive, Pitt Rivers Museum, University of Oxford. Copyright © Pitt Rivers Museum, University of Oxford.
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Bayaka Shorts - Bayaka boyobi music and dance (2)
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film (Oxford, England: University of Oxford. Pitt Rivers Museum), 14 secs,
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yan...
Sample
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film (Oxford, England: University of Oxford. Pitt Rivers Museum), 14 secs,
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
Description
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yandoumbé, a settlement that he helped found. Ethnomusicologist Noel Lobley has been in contact with Louis for the last eight years, work...
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yandoumbé, a settlement that he helped found. Ethnomusicologist Noel Lobley has been in contact with Louis for the last eight years, working through his unprecedented collection of over 1000 hours of recordings that document the full range of music-making and soundscapes of a single community of hunter gatherers for more than a generation. Louis continues to donate his recordings, images, and videos to the Pitt Rivers Museum in Oxford, with the longterm intention that his archive will benefit the Bayaka communities.
Drawn to the rainforests of the Central African Republic by some of the most beautiful singing in the world, New Jersey native Louis Sarno travelled there in 1985 with a one-way ticket, a tape recorder and plenty of batteries. Nearly thirty years later he continues to live with a Bayaka community in and around Yandoumbé, a settlement that he helped found.
Ethnomusicologist Noel Lobley has been in contact with Louis for the last eight years, working through his unprecedented collection of over 1000 hours of recordings that document the full range of music-making and soundscapes of a single community of hunter gatherers for more than a generation. Louis continues to donate his recordings, images, and videos to the Pitt Rivers Museum in Oxford, with the longterm intention that his archive will benefit the Bayaka communities.
Show more Show less
Date Written / Recorded
2013
Field of Study
World Music
Content Type
Archival footage
Contributor
Louis Sarno, 1954-2017
Author / Creator
Louis Sarno, 1954-2017
Publisher
University of Oxford. Pitt Rivers Museum
Topic / Theme
Dance and dancing, Musical instruments, Music, Singing, Aka
Copyright Message
Material sourced from the Louis Sarno Archive, Pitt Rivers Museum, University of Oxford. Copyright © Pitt Rivers Museum, University of Oxford.
×
