Browse Titles - 678 results
Aidyo, ghosts in the forest
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
Fox Horn / Cherokee Song of Welcome (medley)
Mose salio de Misrain - Moses Left Egypt
I'm Gonna Sit at the Welcome Table / Our Father: Prayer (medley)
This recording was made over a period of two years to accompany a folklife study of the southern rural African-American community of Johns Island off the coast of South Carolina. Producer Guy Carawan documents the "rich oral tradition of folk expression" of Moving Star Hall, a central gathering place for communit...
This recording was made over a period of two years to accompany a folklife study of the southern rural African-American community of Johns Island off the coast of South Carolina. Producer Guy Carawan documents the "rich oral tradition of folk expression" of Moving Star Hall, a central gathering place for community members to express themselves through sermon, song, testimony and prayer evocative of the oldest forms of African American folk life...
This recording was made over a period of two years to accompany a folklife study of the southern rural African-American community of Johns Island off the coast of South Carolina. Producer Guy Carawan documents the "rich oral tradition of folk expression" of Moving Star Hall, a central gathering place for community members to express themselves through sermon, song, testimony and prayer evocative of the oldest forms of African American folk life and slave culture. 17 songs, 43 minutes, with liner notes by Guy Carawan featuring excerpts from his book, Ain't You Got a Right to the Tree of Life? : The People of Johns Island, South Carolina--Their Faces, Their Words, and Their Songs, song lyrics and pictures.
Show more Show lessBino Siabungu balu oba mboma, wewe (Field Card)
Bongo, Backra & Coolie: Jamaican Roots, Vol. 1
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convin...
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convince, another magico-religious cult that likely originated among the Maroons of the Blue Mountains, differs from kumina on two basic acco...
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convince, another magico-religious cult that likely originated among the Maroons of the Blue Mountains, differs from kumina on two basic accounts: ghosts called “duppies” rather than gods do the possessing and convince music never uses drums. Yet, kumina and convince share similar lineage from African cultural practices. Also sampled here are examples of “Hindustani” music intended for dancing. These selections use the tabla drum, the “Indian fiddle” (a bowed three-stringed instrument) and a nasal vocal tone. Volume Two (FW04232) continues with Zion Revival, quadrille bands and fife and drum music.
Show more Show lessThe Bora of the Pascoe River: Cape York Peninsula, Northeast Australia
Bosavi: Rainforest Music from Papua New Guinea
Boyobi, the ceremony for the net hunt
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk