Browse Titles - 43 results
9 NIGHTS FOR LEROY a TAAL Special
(Trinidad and Tobago: Banyan Archive, 2004), 53 mins
Documentary on a 9 nights memorial for Leroy Thomas.
Sample
(Trinidad and Tobago: Banyan Archive, 2004), 53 mins
Description
Documentary on a 9 nights memorial for Leroy Thomas.
Date Written / Recorded
2004-11-01
Field of Study
World Music
Content Type
Documentary
Date Published / Released
2004
Publisher
Banyan Archive
Person Discussed
Leroy Thomas, 1948-2004
Topic / Theme
Calypso
Copyright Message
Copyright © 2004. Used with permission of the Banyan Archive.
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Caribbean Eye, Caribbean Eye Interviews Mighty Duke & Byron Lee
produced by Banyan Productions; interview by Tony Hall, 1948-, in Caribbean Eye (Trinidad and Tobago: Banyan Archive, 1990), 14 mins
Tony Hall Interviews (The Mighty) Duke (Kelvin Pope) about - the relationship between commercial success and lyrics - his song "HOW MANY MORE MUST DIE". - about David Rudder's calypsoes - his commercial success - THUNDER – Lambada. - facts and figures about the success of "HOW MANY MORE MUST DIE". - what differe...
Sample
produced by Banyan Productions; interview by Tony Hall, 1948-, in Caribbean Eye (Trinidad and Tobago: Banyan Archive, 1990), 14 mins
Description
Tony Hall Interviews (The Mighty) Duke (Kelvin Pope) about - the relationship between commercial success and lyrics - his song "HOW MANY MORE MUST DIE". - about David Rudder's calypsoes - his commercial success - THUNDER – Lambada. - facts and figures about the success of "HOW MANY MORE MUST DIE". - what different has been done to the Lambada version of THUNDER - about traditional calypso vs soca in Thunder and generally.. Tony Hall interviews...
Tony Hall Interviews (The Mighty) Duke (Kelvin Pope) about - the relationship between commercial success and lyrics - his song "HOW MANY MORE MUST DIE". - about David Rudder's calypsoes - his commercial success - THUNDER – Lambada. - facts and figures about the success of "HOW MANY MORE MUST DIE". - what different has been done to the Lambada version of THUNDER - about traditional calypso vs soca in Thunder and generally.. Tony Hall interviews Byron Lee about - calypso vs soca commercialization etc. - about his commercial success - about Byron's Carnival that he is carrying to Jamaica - why Trinidad Carnival to Jamaica - how they intend to do it, what they have to do in Jamaica -expertise that has been taken to Jamaica.
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Date Written / Recorded
1990
Field of Study
World Music
Content Type
Interview
Contributor
Banyan Productions
Author / Creator
Tony Hall, 1948-
Date Published / Released
1990
Publisher
Banyan Archive
Series
Caribbean Eye
Person Discussed
Byron Lee, 1935-2008, Mighty Duke, 1932-2009
Topic / Theme
Soca, Calypso
Copyright Message
Copyright © 1990. Used with permission of the Banyan Archive.
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Caribbean eye Interview with David Rudder
produced by Banyan Archive; interview by Tony Hall, fl. 1991 (Trinidad and Tobago: Banyan Archive, 1990), 10 mins
Tony Hall interview David Rudder about the international presence of Calypso and Soca and the penetration of his own music.
Sample
produced by Banyan Archive; interview by Tony Hall, fl. 1991 (Trinidad and Tobago: Banyan Archive, 1990), 10 mins
Description
Tony Hall interview David Rudder about the international presence of Calypso and Soca and the penetration of his own music.
Date Written / Recorded
1990
Field of Study
World Music
Content Type
Interview
Contributor
Banyan Archive
Author / Creator
Tony Hall, fl. 1991
Date Published / Released
1990
Publisher
Banyan Archive
Person Discussed
David Rudder, 1953-
Topic / Theme
Soca, Calypso
Copyright Message
Copyright © 1990. Used with permission of the Banyan Archive.
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Caribbean Eye Interview with Gordon Rohlehr
produced by Banyan Archive; interview by Tony Hall, fl. 1991 (Trinidad and Tobago: Banyan Archive, 1990), 21 mins
Tony Hall interviews Gordon Rohlehr about the history of the internationalisation of Calypso and Soca.
Sample
produced by Banyan Archive; interview by Tony Hall, fl. 1991 (Trinidad and Tobago: Banyan Archive, 1990), 21 mins
Description
Tony Hall interviews Gordon Rohlehr about the history of the internationalisation of Calypso and Soca.
Date Written / Recorded
1990
Field of Study
World Music
Content Type
Interview
Contributor
Banyan Archive
Author / Creator
Tony Hall, fl. 1991
Date Published / Released
1990
Publisher
Banyan Archive
Person Discussed
Gordon Rohlehr, 1942-
Topic / Theme
Soca, Calypso
Copyright Message
Copyright © 1990. Used with permission of the Banyan Archive.
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Caribbean Eye Interviews Pelham Goddard
produced by Banyan Archive; interview by Tony Hall, fl. 1991; performed by Charlie's Roots (Trinidad and Tobago: Banyan Archive, 1990), 12 mins
Tony Hall interviews Pelham Goddard about - why was Charlie's Roots started - when was Charlie's Roots formed - what was the role of Charlie's Roots when you started ** FIRST 2 QUESTIONS ASKED AND ANSWERED AGAIN - different angle - what was Maestro's relationship to Charlie's Roots - what was Maestro's contributio...
Sample
produced by Banyan Archive; interview by Tony Hall, fl. 1991; performed by Charlie's Roots (Trinidad and Tobago: Banyan Archive, 1990), 12 mins
Description
Tony Hall interviews Pelham Goddard about - why was Charlie's Roots started - when was Charlie's Roots formed - what was the role of Charlie's Roots when you started ** FIRST 2 QUESTIONS ASKED AND ANSWERED AGAIN - different angle - what was Maestro's relationship to Charlie's Roots - what was Maestro's contribution to soca music - what was different in Charlie's Roots' approach to soca - the various contracts with London Records and what does tha...
Tony Hall interviews Pelham Goddard about - why was Charlie's Roots started - when was Charlie's Roots formed - what was the role of Charlie's Roots when you started ** FIRST 2 QUESTIONS ASKED AND ANSWERED AGAIN - different angle - what was Maestro's relationship to Charlie's Roots - what was Maestro's contribution to soca music - what was different in Charlie's Roots' approach to soca - the various contracts with London Records and what does that mean - where Maestro would have been now, had he lived.
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Date Written / Recorded
1990
Field of Study
World Music
Content Type
Interview
Performer / Ensemble
Charlie's Roots
Contributor
Banyan Archive
Author / Creator
Charlie's Roots, Tony Hall, fl. 1991
Date Published / Released
1990
Publisher
Banyan Archive
Person Discussed
Pelham Goddard, 1946-
Topic / Theme
Music careers, Soca, Calypso
Copyright Message
Copyright © 1990. Used with permission of the Banyan Archive.
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Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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CHARLO interview
interview by Christopher Laird, 1945- (Trinidad and Tobago: Banyan Archive, 2007), 36 mins
Christopher Laird interviews Courtney, 'Charlo' Charles of Trinidad All Stars Steel Orchestra about the history of flagwavers and 'The Bomb' competition.
Sample
interview by Christopher Laird, 1945- (Trinidad and Tobago: Banyan Archive, 2007), 36 mins
Description
Christopher Laird interviews Courtney, 'Charlo' Charles of Trinidad All Stars Steel Orchestra about the history of flagwavers and 'The Bomb' competition.
Date Written / Recorded
2007-02-06
Field of Study
World Music
Content Type
Interview
Author / Creator
Christopher Laird, 1945-
Date Published / Released
2007
Publisher
Banyan Archive
Person Discussed
Courtney Charles, fl. 2000
Topic / Theme
Calypso
Copyright Message
Copyright © 2007. Used with permission of the Banyan Archive.
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A Conversation with Brigo (Samuel Abraham)
produced by Gayelle Television; interview by Judith Laird, fl. 1985 (Trinidad and Tobago: Banyan Archive, 2010), 53 mins
Judith Laird talks with Calypsonian, Brigo ( Samuel Abraham).
Sample
produced by Gayelle Television; interview by Judith Laird, fl. 1985 (Trinidad and Tobago: Banyan Archive, 2010), 53 mins
Description
Judith Laird talks with Calypsonian, Brigo ( Samuel Abraham).
Field of Study
Anthropology
Content Type
Interview
Contributor
Gayelle Television
Author / Creator
Judith Laird, fl. 1985
Date Published / Released
2010
Publisher
Banyan Archive
Person Discussed
Brigo, 1940-2017
Topic / Theme
Performing arts life, Musicians, Calypso
Copyright Message
Copyright © 2010. Used with permission of the Banyan Archive.
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Crossing Over, Crossing Over Trinidad – Maracas
directed by Wallace Bampoe-Addo, fl. 1988 and Christopher Laird, 1945-; produced by Christopher Laird, 1945-, National Film and Television Institute of Ghana and Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 19 mins
Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (1:10) Youths playing football in front of Koo Nimo (Daniel Amponsah) and Lancelot Layne.. (2:33) Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and continue dis...
Sample
directed by Wallace Bampoe-Addo, fl. 1988 and Christopher Laird, 1945-; produced by Christopher Laird, 1945-, National Film and Television Institute of Ghana and Banyan Productions, in Crossing Over (Trinidad and Tobago: Banyan Archive, 1988), 19 mins
Description
Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (1:10) Youths playing football in front of Koo Nimo (Daniel Amponsah) and Lancelot Layne.. (2:33) Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and continue discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (6:41) Steelband (VOICES) approaches and Koo Nimo...
Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (1:10) Youths playing football in front of Koo Nimo (Daniel Amponsah) and Lancelot Layne.. (2:33) Koo Nimo (Daniel Amponsah) and Lancelot Layne sitting and continue discussing East Indian influence on Trinidad music at Football field in Maracas Valley.. (6:41) Steelband (VOICES) approaches and Koo Nimo (Daniel Amponsah) and Lancelot Layne join it and they proceed to Lancelot layne's house.. (11:14) Koo Nimo (Daniel Amponsah) and Lancelot Layne are talking and eating discussing the things they have experienced in their exchange of visits.
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Date Written / Recorded
1988-03
Field of Study
World Music
Content Type
Documentary
Contributor
Lancelot Layne, Koo Nimo, 1934-, Christopher Laird, 1945-, National Film and Television Institute of Ghana, Banyan Productions
Author / Creator
Wallace Bampoe-Addo, fl. 1988, Christopher Laird, 1945-
Date Published / Released
1988
Publisher
Banyan Archive
Series
Crossing Over
Topic / Theme
Caribbean, Calypso
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
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Crossing Over Ghana Tape 6
performed by Adadam Agofomma (Trinidad and Tobago: Banyan Archive, 1987), 20 mins
00:00:00- Calypso musician, spoken word performer and composer Lancelot Layne and Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) at Koo Nimo's house . Koo Nimo introduces Lancelot Layne to his music group (ADADAM AGOFOMMA) and explains the significance of the robes they wear and demonstrates a specific rhy...
Sample
performed by Adadam Agofomma (Trinidad and Tobago: Banyan Archive, 1987), 20 mins
Description
00:00:00- Calypso musician, spoken word performer and composer Lancelot Layne and Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) at Koo Nimo's house . Koo Nimo introduces Lancelot Layne to his music group (ADADAM AGOFOMMA) and explains the significance of the robes they wear and demonstrates a specific rhythm .(Techiman) Koo Nimo explains the use of the 'Talking Drum'
Ghanaian Highlife guitarist Koo Nimo explains how important proverbs a...
00:00:00- Calypso musician, spoken word performer and composer Lancelot Layne and Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) at Koo Nimo's house . Koo Nimo introduces Lancelot Layne to his music group (ADADAM AGOFOMMA) and explains the significance of the robes they wear and demonstrates a specific rhythm .(Techiman) Koo Nimo explains the use of the 'Talking Drum'
Ghanaian Highlife guitarist Koo Nimo explains how important proverbs are to the traditional music and songs.He demonstrates. calypso musician, spoken word performer and composer Lancelot Layne joins with percussion
00:03:06- Ghanaian Highlife guitarist Koo Nimo (Daniel Amponsah) and calypso musician, spoken word performer and composer Lancelot Layne move to another section of the music group (ADADAM AGOFOMMA) to demonstrate another traditional rhythm. Individual instruments start and join in
00:05:46- calypso musician, spoken word performer and composer Lancelot layne comments on Ghanaian Highlife guitarist Koo Nimo's Kente cloth robes and Koo Nimo explains its meaning. He explains the rhythm they will demonstrate (Apente) and the band demonstrates the rhythm
00:08:36- Ghanaian Highlife guitarist Koo Nimo asks calypso musician, spoken word performer and composer Lancelot Layne how he enjoyed the concert he attended the night before and Lancelot layne responds. (three takes)Lancelot thought aspects of the concert denigrates the traditions of Africa
00:11:24- Ghanaian Highlife guitarist Koo Nimo explains the aims of his group to teach the youth not to despise their traditions and introduces two rhythms as demonstration
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Date Written / Recorded
1987-11
Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Adadam Agofomma
Author / Creator
Adadam Agofomma
Date Published / Released
1987
Publisher
Banyan Archive
Speaker / Narrator
Lancelot Layne, Koo Nimo, 1934-
Person Discussed
Lancelot Layne, Koo Nimo, 1934-
Topic / Theme
African Drumming, Ghanaians
Copyright Message
Copyright © 1987. Used with permission of the Banyan Archive.
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