Browse Titles - 47 results
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Between Two Worlds: A Japanese Pilgrimage
directed by Joanne Hershfield, 1950- and Susan Caperna Lloyd, fl. 1992; produced by Susan Caperna Lloyd, fl. 1992 and Joanne Hershfield, 1950- (Berkeley, CA: Berkeley Media, 1994), 30 mins,
Source: www.berkeleymedia.com
Source: www.berkeleymedia.com
For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the 'Pilgrimage to the 88 Sacred Places of Shikoku', a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century. This illuminating documentary is...
Sample
directed by Joanne Hershfield, 1950- and Susan Caperna Lloyd, fl. 1992; produced by Susan Caperna Lloyd, fl. 1992 and Joanne Hershfield, 1950- (Berkeley, CA: Berkeley Media, 1994), 30 mins,
Source: www.berkeleymedia.com
Source: www.berkeleymedia.com
Description
For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the 'Pilgrimage to the 88 Sacred Places of Shikoku', a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century. This illuminating documentary is a visual meditation on the phenomenon of pilgrimage and, to a lesser extent, on the processes of ethnographic filmmaking. It combines i...
For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the 'Pilgrimage to the 88 Sacred Places of Shikoku', a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century. This illuminating documentary is a visual meditation on the phenomenon of pilgrimage and, to a lesser extent, on the processes of ethnographic filmmaking. It combines images of traditional and modern Japan, excerpts from the writings of Kobo Daishi, and commentary by pilgrims, everyday Japanese, and the filmmakers themselves to explore the meaning and persistence of 'pilgrimage' in contemporary industrial Japan. By examining the effects that rapid change has had on this ritual journey, the film asks: Why do people still undertake pilgrimages to 'sacred' places? This thought-provoking documentary will generate discussion in courses in Asian studies, Japanese studies, cultural anthropology, Buddhism, and comparative religion. It was produced by Joanne Hershfield and Susan Caperna Lloyd.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Susan Caperna Lloyd, fl. 1992, Joanne Hershfield, 1950-
Author / Creator
Joanne Hershfield, 1950-, Susan Caperna Lloyd, fl. 1992
Date Published / Released
1992, 1994
Publisher
Berkeley Media
Topic / Theme
Buddhism, Pilgrimage, Religious beliefs, Japanese
Copyright Message
Copyright © 1994 Berkeley Media
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Carnival in Q’eros: Where the Mountains Meet the Jungle
directed by Juan Núñez del Prado, fl. 1991-2004 and John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1991), 33 mins
This groundbreaking documentary shows the remarkable Carnival celebrations -- never before seen by outsiders -- of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures.The Q'eros play flutes and sing to their alpacas in a...
Sample
directed by Juan Núñez del Prado, fl. 1991-2004 and John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1991), 33 mins
Description
This groundbreaking documentary shows the remarkable Carnival celebrations -- never before seen by outsiders -- of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures.The Q'eros play flutes and sing to their alpacas in a ritual to promote the animals' fertility. The film shows how the music evolves from individual, to family, to ayllu, to community, a s...
This groundbreaking documentary shows the remarkable Carnival celebrations -- never before seen by outsiders -- of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures.The Q'eros play flutes and sing to their alpacas in a ritual to promote the animals' fertility. The film shows how the music evolves from individual, to family, to ayllu, to community, a structure of spiritual activity distinct from the structure of kinship. The Q'eros sing and play separately from each other, producing a heterophonic sound without rhythmic beat, harmony, or counterpoint -- a "chaotic" sound texture that exemplifies a key connection between the culture of the Andes and that of the Amazon jungle.The film also focuses on the protracted negotiations by which the Indians were compensated for their participation in the project.This classic and widely acclaimed film is essential viewing in a range of courses in cultural anthropology, ethnomusicology, folklore, Latin American and Andean studies, and comparative religion. It was produced by renowned filmmaker and musician John Cohen.
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Date Written / Recorded
1991
Field of Study
Anthropology
Content Type
Documentary
Contributor
John Cohen, 1932-
Author / Creator
Juan Núñez del Prado, fl. 1991-2004, John Cohen, 1932-
Date Published / Released
1991
Publisher
Berkeley Media
Topic / Theme
Religious rites and ceremonies, Folk music, Fairs and festivals, Animal husbandry, Cusco Quechua
Copyright Message
Copyright © 1991 Berkeley Media
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Cashing in on Culture: Indigenous Communities and Tourism
directed by Regina Harrison, fl. 2002-2015; produced by Regina Harrison, fl. 2002-2015 (Berkeley, CA: Berkeley Media, 2002), 28 mins
Tourism is one of the largest industries in the world, and one of the most important forms of contemporary contact between different cultures. Eco-tourism and "ethnic" tourism, designed specifically to bring affluent and adventurous tourists into remote indigenous communities, are among the fastest-growing types o...
Sample
directed by Regina Harrison, fl. 2002-2015; produced by Regina Harrison, fl. 2002-2015 (Berkeley, CA: Berkeley Media, 2002), 28 mins
Description
Tourism is one of the largest industries in the world, and one of the most important forms of contemporary contact between different cultures. Eco-tourism and "ethnic" tourism, designed specifically to bring affluent and adventurous tourists into remote indigenous communities, are among the fastest-growing types of tourism worldwide.This insightful documentary, filmed in the small tropical forest community of Capirona, in Ecuador, serves as an in...
Tourism is one of the largest industries in the world, and one of the most important forms of contemporary contact between different cultures. Eco-tourism and "ethnic" tourism, designed specifically to bring affluent and adventurous tourists into remote indigenous communities, are among the fastest-growing types of tourism worldwide.This insightful documentary, filmed in the small tropical forest community of Capirona, in Ecuador, serves as an incisive case study of the many issues and potential problems surrounding eco- and ethnic tourism. Those issues are shown to be simultaneously cultural, economic, and environmental, and are complexly intertwined for both indigenous communities and tourists.The film interweaves illuminating sequences featuring the Quechua-speaking Capirona Indians, Ecuadorian tour operators, anthropologists and other academics, and college-age American tourists to examine the benefits and negative costs of such tourism to everyone involved. The film focuses in particular on how tourism has changed the lives of members of the indigenous community, which took eight years to decide to admit tourists into their villages.The cash flow from tourism that is managed directly by the Indians bypasses the fees normally exacted by travel agencies and tour operators and may be able to sustain the community if revenues are distributed equitably. But how do indigenous communities, in the context of global tourism and business interests, set up and run successful tourist operations without compromising their own cultural traditions and despoiling their environment?"Cashing in on Culture" explores some of the most perplexing issues facing indigenous communities and raises a multitude of thorny questions. The film will generate discussion in a variety of courses in cultural anthropology, development and Third-World issues, and Latin American studies. It was produced by Prof. Regina Harrison, University of Maryland, who also produced the award-winning "Mined to Death."
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Regina Harrison, fl. 2002-2015
Author / Creator
Regina Harrison, fl. 2002-2015
Date Published / Released
2002
Publisher
Berkeley Media
Topic / Theme
Economic development, American Indians, Indigenous peoples, Ecology, Tourism industry, Chimborazo Highland Quichua
Copyright Message
Copyright © 2002 Berkeley Media
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Celebrating Semana Santa: Change, Conflict, and Continuity in Rural Honduras
directed by Sam Pack, fl. 1999-2012; produced by Sam Pack, fl. 1999-2012 (Berkeley, CA: Berkeley Media, 2012), 44 mins
This "superb, thought-provoking" ethnographic documentary explores the vitality and controversies surrounding a remarkable syncretic religious ceremony held in neighboring remote villages in rural Honduras during the Easter Holy Week. The ritual drama enacted in this ceremony resonates with persistent indigenous b...
Sample
directed by Sam Pack, fl. 1999-2012; produced by Sam Pack, fl. 1999-2012 (Berkeley, CA: Berkeley Media, 2012), 44 mins
Description
This "superb, thought-provoking" ethnographic documentary explores the vitality and controversies surrounding a remarkable syncretic religious ceremony held in neighboring remote villages in rural Honduras during the Easter Holy Week. The ritual drama enacted in this ceremony resonates with persistent indigenous beliefs although expressed within a familiar Catholic framework. During the week leading up to Semana Santa, the two villages are litera...
This "superb, thought-provoking" ethnographic documentary explores the vitality and controversies surrounding a remarkable syncretic religious ceremony held in neighboring remote villages in rural Honduras during the Easter Holy Week. The ritual drama enacted in this ceremony resonates with persistent indigenous beliefs although expressed within a familiar Catholic framework. During the week leading up to Semana Santa, the two villages are literally overrun by characters called "Judios" (Spanish for "Jews"), masked individuals who carry wooden swords, speak in a strange guttural manner, and generally cause mayhem by staging riotous mock sword fights. Not surprisingly, members of the local Catholic Church -- most notably the parish priest -- consider these indigenous celebrations to be sacrilegious and want them ended. Tensions between Church members and the celebration participants are high, and the conflict is further exacerbated because the opposing sides are not comfortable speaking directly to one another about the issues involved. However, by including the divergent perspectives of members of the various constituencies, one of the principal goals of the film itself is to facilitate a channel of communication between the opposing parties that will enable dialogue to take place between them. With that goal in mind, the filmmaker returned to Honduras to screen a preliminary version of the film in order to make this invaluable cultural heritage available to the very community to which it belongs. Community members with opposing views were asked for their reactions, which were then incorporated into a final version of Celebrating Semana Santa, thereby adding a unique reflexive component to the film. Celebrating Semana Santa powerfully illustrates how symbols from the past may be re-interpreted in modern contexts and not simply survive but thrive in those radically changed situations. In so doing, the film illuminates the varied ways that people craft their understanding of the present with reference to the past and their hopes for the future. The film will engage students and inspire thought and discussion in a wide variety of courses in Latin American studies, cultural anthropology and ethnography, and religious studies. It was produced and directed by Sam Pack, Associate Professor of Cultural Anthropology at Kenyon College. It is in Spanish with English subtitles.
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Date Written / Recorded
2012
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sam Pack, fl. 1999-2012
Author / Creator
Sam Pack, fl. 1999-2012
Date Published / Released
2012
Publisher
Berkeley Media
Topic / Theme
Indigenous peoples, Holy Week, Religious differences, Religious rites and ceremonies, Hondurans
Copyright Message
Copyright © 2012 Berkeley Media
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Choqela: Only Interpretation
directed by John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1987), 12 mins
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology."Choqela" will stimulate thoug...
Sample
directed by John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1987), 12 mins
Description
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology."Choqela" will stimulate thought and discussion in courses in cultural anthropology, Latin American studies, comparative religion, and any course in which the proble...
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology."Choqela" will stimulate thought and discussion in courses in cultural anthropology, Latin American studies, comparative religion, and any course in which the problems of interpreting cultural identities and events are considered. It was produced by renowned filmmaker and musician John Cohen.
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Date Written / Recorded
1987
Field of Study
Anthropology
Content Type
Documentary
Contributor
John Cohen, 1932-
Author / Creator
John Cohen, 1932-
Date Published / Released
1987
Publisher
Berkeley Media
Topic / Theme
Translations, Hunting, Folk dance, Religious rites and ceremonies, Aymara
Copyright Message
Copyright © 1987 Berkeley Media
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Cities in China, Beijing
directed by Peter C. Wang, fl. 1981; produced by Li Sue Yung, fl. 1984-1986, in Cities in China (Berkeley, CA: Berkeley Media, 1981), 46 mins,
Source: www.berkeleymedia.com
Source: www.berkeleymedia.com
This acclaimed documentary -- from the classic three-part 'Cities in China Series' -- conveys the texture and flavor of the venerable Chinese capital through a close-up look at a number of its inhabitants, both young and old, with varied and fascinating backgrounds. Their stories unfold against the backdrop of a t...
Sample
directed by Peter C. Wang, fl. 1981; produced by Li Sue Yung, fl. 1984-1986, in Cities in China (Berkeley, CA: Berkeley Media, 1981), 46 mins,
Source: www.berkeleymedia.com
Source: www.berkeleymedia.com
Description
This acclaimed documentary -- from the classic three-part 'Cities in China Series' -- conveys the texture and flavor of the venerable Chinese capital through a close-up look at a number of its inhabitants, both young and old, with varied and fascinating backgrounds. Their stories unfold against the backdrop of a timeless but rapidly changing metropolis. The gold and vermilion roofs of the Forbidden Palace, recalling the splendor of the imperial p...
This acclaimed documentary -- from the classic three-part 'Cities in China Series' -- conveys the texture and flavor of the venerable Chinese capital through a close-up look at a number of its inhabitants, both young and old, with varied and fascinating backgrounds. Their stories unfold against the backdrop of a timeless but rapidly changing metropolis. The gold and vermilion roofs of the Forbidden Palace, recalling the splendor of the imperial past, still dominate the center of the city, but highrise apartment buildings are encroaching upon traditional single-story neighborhoods and are dramatically changing the skyline. Highlights include a backstage tour of the Peking Opera, a family reunion of four generations previously dispersed to far-flung outposts, and an interview with the brother of China's last emperor.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Li Sue Yung, fl. 1984-1986, James Hong, 1929-
Author / Creator
Peter C. Wang, fl. 1981
Date Published / Released
1981
Publisher
Berkeley Media
Series
Cities in China
Speaker / Narrator
James Hong, 1929-
Topic / Theme
History, City life, Tourist attractions, Chinese
Copyright Message
Copyright © 1981 Berkeley Media
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Cities in China, Suzhou
directed by Shirley Sun, fl. 1980 and Li Sue Yung, fl. 1984-1986; produced by Shirley Sun, fl. 1980 and Li Sue Yung, fl. 1984-1986, in Cities in China (Berkeley, CA: Berkeley Media, 1981), 29 mins
Known for centuries as the center of Chinese culture and aesthetics, this Yangzi delta city has often been called the 'Venice of the East' because of its many canals and bridges. This beautifully filmed portrait of the city leads the viewer through markets and teahouses, sweet shops and bookstores, rice paddies an...
Sample
directed by Shirley Sun, fl. 1980 and Li Sue Yung, fl. 1984-1986; produced by Shirley Sun, fl. 1980 and Li Sue Yung, fl. 1984-1986, in Cities in China (Berkeley, CA: Berkeley Media, 1981), 29 mins
Description
Known for centuries as the center of Chinese culture and aesthetics, this Yangzi delta city has often been called the 'Venice of the East' because of its many canals and bridges. This beautifully filmed portrait of the city leads the viewer through markets and teahouses, sweet shops and bookstores, rice paddies and fish stalls, and two of Suzhou's exquisite gardens.The film -- from the classic three-part 'Cities in China Series' -- explores the p...
Known for centuries as the center of Chinese culture and aesthetics, this Yangzi delta city has often been called the 'Venice of the East' because of its many canals and bridges. This beautifully filmed portrait of the city leads the viewer through markets and teahouses, sweet shops and bookstores, rice paddies and fish stalls, and two of Suzhou's exquisite gardens.The film -- from the classic three-part 'Cities in China Series' -- explores the process of silk cultivation, long a Suzhou specialty, and shows the preparation of a regional meal in a simple home kitchen. Two elegant young women sing in a garden, evoking the celebrated days of the literati gathering. An expressive storyteller recounts a traditional epic, enhancing his tale with the sound effect of drum rolls and charging horses.The film concludes with visits to two of Suzhou's famed gardens: the Net Master's Garden and the Garden of the Humble Politician. Whether sensed in these fabled gardens, or evoked in the banter of elderly gentlemen taking tea together, a persistent devotion to basic moral values in shown to be intrinsic to Suzhou life.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Shirley Sun, fl. 1980, Li Sue Yung, fl. 1984-1986
Author / Creator
Shirley Sun, fl. 1980, Li Sue Yung, fl. 1984-1986
Date Published / Released
1981
Publisher
Berkeley Media
Series
Cities in China
Topic / Theme
Social customs, Work life, Cultural life, Chinese
Copyright Message
Copyright © 1981 Berkeley Media
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Cities in China, Xian
produced by Li Sue Yung, fl. 1984-1986, in Cities in China (Berkeley, CA: Berkeley Media, 1981), 1 hour
This wide-ranging documentary -- from the classic three-part 'Cities in China Series' -- presents a cultural history of the ancient Chinese imperial city, once the greatest capital in the world and the Eastern terminus of the famed Silk Road.Just outside the city lies one of the world's most spectacular archaeolog...
Sample
produced by Li Sue Yung, fl. 1984-1986, in Cities in China (Berkeley, CA: Berkeley Media, 1981), 1 hour
Description
This wide-ranging documentary -- from the classic three-part 'Cities in China Series' -- presents a cultural history of the ancient Chinese imperial city, once the greatest capital in the world and the Eastern terminus of the famed Silk Road.Just outside the city lies one of the world's most spectacular archaeological sites, the burial tomb of China's first emperor, Qin Shi Huang Di, who unified the country and connected the Great Wall. The highl...
This wide-ranging documentary -- from the classic three-part 'Cities in China Series' -- presents a cultural history of the ancient Chinese imperial city, once the greatest capital in the world and the Eastern terminus of the famed Silk Road.Just outside the city lies one of the world's most spectacular archaeological sites, the burial tomb of China's first emperor, Qin Shi Huang Di, who unified the country and connected the Great Wall. The highlight of the film is its extensive and unique footage of his immense underground army vault, which is larger than a football field, and filled with a life-sized pottery army numbering some 6,000 startlingly lifelike warriors, plus horses, chariots, and weapons.Traveling to nearby areas, the film shows many smaller but also impressive sights. A demonstration of calligraphic stone-rubbing illustrates how picture, style, idea, and moral character come together in Chinese writing. Among several other important archaeological sites visited are the majestic tumulus of the Empress Wu, who boldly left her memorial slab blank so it could be filled in by future generations, and the tomb of her granddaughter, the Princess Yung-tai, with its beautiful murals and exquisite glazed figurines in wall niches.Interspersed with these memories of the past are contemporary scenes of the region's ever-pervasive yellow earth and the enduring, perennial life that it sustains.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Li Sue Yung, fl. 1984-1986
Date Published / Released
1981
Publisher
Berkeley Media
Series
Cities in China
Topic / Theme
Monarchs, Burial customs, Archaeological sites, Chinese
Copyright Message
Copyright © 1981 Berkeley Media
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Dancing with the Incas
directed by John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1992), 58 mins
This extraordinary film documents the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.The film shows how ancient Incan music passed down through the centuries has a contemporary life...
Sample
directed by John Cohen, 1932-; produced by John Cohen, 1932- (Berkeley, CA: Berkeley Media, 1992), 58 mins
Description
This extraordinary film documents the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.The film shows how ancient Incan music passed down through the centuries has a contemporary life of its own in the cities of Peru. Lima on Sundays is alive with Huayno music, in which one hears authentic Inca melodies performed on...
This extraordinary film documents the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.The film shows how ancient Incan music passed down through the centuries has a contemporary life of its own in the cities of Peru. Lima on Sundays is alive with Huayno music, in which one hears authentic Inca melodies performed on every conceivable type of instrument. In the moody lyrics, the musings of oppressed people assume an existential and timeless quality even when a carnival atmosphere prevails. This is one of the few ethnographic films that deals with complex issues of cultural mixture. Rather than focusing on a single community or ethnic group, the film investigates a broad cultural region and illustrates what happens to it as it confronts the commercial traditions and demands of the West."Dancing with the Incas" will generate thought, analysis, and discussion in a wide array of courses in cultural anthropology, Latin American studies, ethnomusicology, popular culture, and the arts and humanities. It was produced by renowned filmmaker and musician John Cohen.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Cohen, 1932-
Author / Creator
John Cohen, 1932-
Date Published / Released
1992
Publisher
Berkeley Media
Person Discussed
Julia Illanes
Topic / Theme
Cultural diversity, Folk music, Ethnomusicology, Indigenous peoples, American Indians, Cusco Quechua
Copyright Message
Copyright © 1992 Berkeley Media
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Daughters of Ixchel: Maya Thread of Change
directed by John McKay, 1965- and Kathryn Lipke Vigesaa, fl. 1993-1997; produced by Dakota Productions (Berkeley, CA: Berkeley Media, 1993), 30 mins
Guatemalan Maya women are highly skilled weavers. Their textiles, created using the backstrap loom, are known worldwide for their excellent workmanship and design. Their weaving skills have been passed down from mother to daughter since ancient times. Not only are the designs and colors of the Maya textiles attrac...
Sample
directed by John McKay, 1965- and Kathryn Lipke Vigesaa, fl. 1993-1997; produced by Dakota Productions (Berkeley, CA: Berkeley Media, 1993), 30 mins
Description
Guatemalan Maya women are highly skilled weavers. Their textiles, created using the backstrap loom, are known worldwide for their excellent workmanship and design. Their weaving skills have been passed down from mother to daughter since ancient times. Not only are the designs and colors of the Maya textiles attractive and unique, they also carry the history and traditions of their communities. This illuminating documentary explores the lives of M...
Guatemalan Maya women are highly skilled weavers. Their textiles, created using the backstrap loom, are known worldwide for their excellent workmanship and design. Their weaving skills have been passed down from mother to daughter since ancient times. Not only are the designs and colors of the Maya textiles attractive and unique, they also carry the history and traditions of their communities. This illuminating documentary explores the lives of Maya women today, portrays their ancient weaving processes, and examines the economic, political, and cultural forces that are profoundly affecting the women and their weaving. "Daughters of Ixchel" will generate discussion in a wide variety of courses in cultural anthropology, Latin American studies, women's studies, and the arts and humanities. It was produced by Kathryn Lipke Vigesaa and John McKay.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Dakota Productions
Author / Creator
John McKay, 1965-, Kathryn Lipke Vigesaa, fl. 1993-1997
Date Published / Released
1993
Publisher
Berkeley Media
Topic / Theme
Cloth, Cooperatives, Women, Weavers, Weaving, Mayan
Copyright Message
Copyright © 1993 Berkeley Media
×
