Browse Titles - 7 results
City of Dreams
directed by Gianfranco Norelli, fl. 1980-2005 and Bruno Surrentino; produced by Palio Pictures (New York, NY: Filmakers Library, 2001), 46 mins
Juarez is often called "City of Dreams" because hundreds of thousands of young women have been drawn to this frontier town from the most impoverished regions of Mexico. They aspire to a life free from poverty and free from the male-dominated traditional family and village. Since 1993 over two hundred of these youn...
Sample
directed by Gianfranco Norelli, fl. 1980-2005 and Bruno Surrentino; produced by Palio Pictures (New York, NY: Filmakers Library, 2001), 46 mins
Description
Juarez is often called "City of Dreams" because hundreds of thousands of young women have been drawn to this frontier town from the most impoverished regions of Mexico. They aspire to a life free from poverty and free from the male-dominated traditional family and village. Since 1993 over two hundred of these young women have been murdered, and the crimes barely investigated. Many of the victims were assembly-line workers in the over four hundred...
Juarez is often called "City of Dreams" because hundreds of thousands of young women have been drawn to this frontier town from the most impoverished regions of Mexico. They aspire to a life free from poverty and free from the male-dominated traditional family and village. Since 1993 over two hundred of these young women have been murdered, and the crimes barely investigated. Many of the victims were assembly-line workers in the over four hundred mostly US-owned factories. This compelling documentary focuses on the social causes at the root of the unsolved murders. The factories, known as "maquiladoras" have brought the city jobs and opportunities otherwise rare in Mexico, but also enormous social changes as a result of free trade and globalization. Mexican human rights activists consider these women casualties in a deeper gender conflict caused by rapid changes in the male/female roles. In a country dominated by machismo, the women's independence as breadwinners has fuelled resentment. Sociologists and political scientists worldwide regard Juarez as a microcosm of the emerging global economy, where capital moves freely and labor is trapped by borders. College Adult
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Field of Study
Women's Studies
Content Type
Documentary
Contributor
Palio Pictures
Author / Creator
Gianfranco Norelli, fl. 1980-2005, Bruno Surrentino
Date Published / Released
2001
Publisher
Filmakers Library
Topic / Theme
Mexico and the United States Border, Internal migration, Women's rights, Law, Sociology, Women's & Gender Studies, Mexicans, 20th Century in World History (1914--2000), 21st Century in World History (2001– )
Copyright Message
Copyright © 2001. Used by permission of Filmakers Library. All rights reserved.
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Cuba: In the Shadow of Doubt
directed by Jim Burroughs, fl. 1981-2010; produced by Suzanne Bauman, fl. 1982-2013 and Carol Polakoff (New York, NY: Filmakers Library, 1987, originally published 1986), 1 hour
Filmed on location at La Plata, Castro's former guerrilla headquarters- the first time any foreign film crew had been permitted there - the documentary examines the origins of Castro's revolution, and its ultimate successes and failures. It places U.S.-Cuban relations within the context of history, dating back to...
Sample
directed by Jim Burroughs, fl. 1981-2010; produced by Suzanne Bauman, fl. 1982-2013 and Carol Polakoff (New York, NY: Filmakers Library, 1987, originally published 1986), 1 hour
Description
Filmed on location at La Plata, Castro's former guerrilla headquarters- the first time any foreign film crew had been permitted there - the documentary examines the origins of Castro's revolution, and its ultimate successes and failures. It places U.S.-Cuban relations within the context of history, dating back to the Spanish-American War in 1898. The documentary goes on to paint a canvas of everyday Cuban life. It contrasts the successes of Cuba...
Filmed on location at La Plata, Castro's former guerrilla headquarters- the first time any foreign film crew had been permitted there - the documentary examines the origins of Castro's revolution, and its ultimate successes and failures. It places U.S.-Cuban relations within the context of history, dating back to the Spanish-American War in 1898. The documentary goes on to paint a canvas of everyday Cuban life. It contrasts the successes of Cuba - medical care, education and housing - with the often repressive political measures implemented by the Castro government. We hear from Cuban artists, State Department officials, exiled writers, and Fidel Castro himself. We visit the Psychiatric Hospital, the Women's Prison, and a library to see what books are available. This film does full justice to its complex subject. It is neither a rationale for Communist Cuba nor a political tool for Cuban exiles. It will interest audiences of all political persuasions. High School College Adult
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Field of Study
World History
Content Type
Documentary
Contributor
Suzanne Bauman, fl. 1982-2013, Carol Polakoff, Raul Julia, 1940-1994
Author / Creator
Jim Burroughs, fl. 1981-2010
Date Published / Released
1986, 1987
Publisher
Filmakers Library
Speaker / Narrator
John F. Kennedy, 1917-1963, Fidel Castro, 1926-2016, Raul Julia, 1940-1994
Person Discussed
John F. Kennedy, 1917-1963, Fidel Castro, 1926-2016, Fulgencio Batista, 1901-1973, Che Guevara, 1928-1967, José Martí, 1853-1895
Topic / Theme
Cuba and the United States Border, Economic conditions, Government policy, Heads of state, International relations, Revolutions, Socialism, Guerrilla warfare, Bay of Pigs Invasion, April 17, 1961, Cuban Missile Crisis, 1962, Cuban Revolution, 1956-1959, Cuban War of Independence, 1895-1898, Political and Social Movements, Trade and Commerce, War and Violence, Politics & Policy, History, World Hist...
Cuba and the United States Border, Economic conditions, Government policy, Heads of state, International relations, Revolutions, Socialism, Guerrilla warfare, Bay of Pigs Invasion, April 17, 1961, Cuban Missile Crisis, 1962, Cuban Revolution, 1956-1959, Cuban War of Independence, 1895-1898, Political and Social Movements, Trade and Commerce, War and Violence, Politics & Policy, History, World History, Cubans, 20th Century in World History (1914--2000)
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Copyright Message
Copyright © 1987. Used by permission of Filmakers Library. All rights reserved.
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The Double Life of Ernesto Gomez Gomez
directed by Gary Weimberg; produced by Catherine Ryan and Gary Weimberg (New York, NY: Filmakers Library, 2001), 55 mins
Fifteen-year-old Ernesto Gomez finds his life squeezed between two identities, two families and three nations: the U.S., Mexico and Puerto Rico. This moving and informative documentary follows the teenage Ernesto as he goes on a journey of self-discovery, moving from Mexico to the USA to meet his Puerto Rican birt...
Sample
directed by Gary Weimberg; produced by Catherine Ryan and Gary Weimberg (New York, NY: Filmakers Library, 2001), 55 mins
Description
Fifteen-year-old Ernesto Gomez finds his life squeezed between two identities, two families and three nations: the U.S., Mexico and Puerto Rico. This moving and informative documentary follows the teenage Ernesto as he goes on a journey of self-discovery, moving from Mexico to the USA to meet his Puerto Rican birth mother in prison and learn from her the truth about his heritage, his legacy and himself. Dylcia Pagan, a Puerto Rican patriot, was c...
Fifteen-year-old Ernesto Gomez finds his life squeezed between two identities, two families and three nations: the U.S., Mexico and Puerto Rico. This moving and informative documentary follows the teenage Ernesto as he goes on a journey of self-discovery, moving from Mexico to the USA to meet his Puerto Rican birth mother in prison and learn from her the truth about his heritage, his legacy and himself. Dylcia Pagan, a Puerto Rican patriot, was captured in 1980 in a van packed with bombs. She received a severe sentence of 55 years in jail for seditious conspiracy. Her baby boy was adopted by a loving, politically minded Mexican family and Ernesto grew up unaware of his past. When his origins were finally revealed, he decided to reconnect with his mother, imprisoned in San Francisco. The film documents his struggle for identity as he establishes a relationship with not only his mother but also her ideology. He asked the filmmakers to tell his story, as he navigates his conflicting emotions between longing for his family left in Mexico and sympathizing with his mother. College Adult
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Field of Study
Global Issues
Content Type
Documentary
Contributor
Catherine Ryan, Gary Weimberg
Author / Creator
Gary Weimberg
Date Published / Released
2001
Publisher
Filmakers Library
Topic / Theme
Mexico and the United States Border, Cultural identity, Terrorism, Sociology, Ethnic Studies, Mexicans, Puerto Ricans, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2001. Used by permission of Filmakers Library. All rights reserved.
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Fond Memories of Cuba
directed by David Bradbury, 1951-; produced by Mike Fond and David Bradbury, 1951- (New York, NY: Filmakers Library, 2002), 53 mins
Memories of Cuba is an affectionate and thoughtful portrait of Cuba, some forty years after Castro took power. Academy Award-nominated David Bradbury (Frontline, Chile Hasta Cuando?) documents the erosion of the revolution in Cuba and sadly acknowledges that the socialist dreams of earlier decades have evaporated...
Sample
directed by David Bradbury, 1951-; produced by Mike Fond and David Bradbury, 1951- (New York, NY: Filmakers Library, 2002), 53 mins
Description
Memories of Cuba is an affectionate and thoughtful portrait of Cuba, some forty years after Castro took power. Academy Award-nominated David Bradbury (Frontline, Chile Hasta Cuando?) documents the erosion of the revolution in Cuba and sadly acknowledges that the socialist dreams of earlier decades have evaporated in the face of harsh circumstances. As the filmmaker travels across the island on trains, in broken-down cars, and sometimes hitchhikin...
Memories of Cuba is an affectionate and thoughtful portrait of Cuba, some forty years after Castro took power. Academy Award-nominated David Bradbury (Frontline, Chile Hasta Cuando?) documents the erosion of the revolution in Cuba and sadly acknowledges that the socialist dreams of earlier decades have evaporated in the face of harsh circumstances. As the filmmaker travels across the island on trains, in broken-down cars, and sometimes hitchhiking, he encounters a fascinating cross-section of people who share their current reality, their hopes and disappointments. He discovers that the new generation looks to capitalism and tourism as the desperate solution to Cuba's economic woes. Among those Cubans Bradbury encounters are: an elderly couple living in a rent free apartment without plumbing who are grateful they eat every day; a broadcaster whose family has deserted Cuba to live in Miami; a documentary filmmaker who expresses frustration because his film on racism in Cuba was banned from the Havanna Film Festival; a dissident who calls for freedom of speech and free elections, and faces arrest. The story that unfolds is set against a backdrop of exuberant music and local color. While revolutionary ardor still burns in the breasts of many Cubans, and Che Guevara is still revered, forty years of economic hardship has taken its toll. College Adult
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Field of Study
World History
Content Type
Documentary
Contributor
Mike Fond, David Bradbury, 1951-
Author / Creator
David Bradbury, 1951-
Date Published / Released
2002
Publisher
Filmakers Library
Topic / Theme
Cuban Revolution and Fidel Castro Regime, 1953-2011, Economics, Politics & Policy, History, Humanities, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2002. Used by permission of Filmakers Library. All rights reserved.
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The Guestworker
directed by Cynthia Hill, fl. 2003 and Charles Thompson; produced by Charles Thompson and Cynthia Hill, fl. 2003 (New York, NY: Filmakers Library, 2006), 53 mins
When President Bush and some members of Congress proposed guest worker programs as part of new immigration reform legislation, it was as though nothing like this had existed before. Yet since 1986, thousands of Mexican men have legally entered the United States to work here, because of the little known H-2A guestw...
Sample
directed by Cynthia Hill, fl. 2003 and Charles Thompson; produced by Charles Thompson and Cynthia Hill, fl. 2003 (New York, NY: Filmakers Library, 2006), 53 mins
Description
When President Bush and some members of Congress proposed guest worker programs as part of new immigration reform legislation, it was as though nothing like this had existed before. Yet since 1986, thousands of Mexican men have legally entered the United States to work here, because of the little known H-2A guestworker program, put in effect during the Reagan years. Filmed on both sides of the border, the documentary chronicles the life of such f...
When President Bush and some members of Congress proposed guest worker programs as part of new immigration reform legislation, it was as though nothing like this had existed before. Yet since 1986, thousands of Mexican men have legally entered the United States to work here, because of the little known H-2A guestworker program, put in effect during the Reagan years. Filmed on both sides of the border, the documentary chronicles the life of such farm- workers while looking at the issues surrounding the program. The film focuses on a 66-year-old Mexican farmer, Candelario Moreno Gonzales, who works on the tobacco, cucumber and pepper fields of the Western Farms in North Carolina . He has made this annual trip for forty years, initially as an undocumented immigrant for which he was jailed three times. Now too old to risk illegal crossings, he has paid as much as a thousand dollars for his bus fare and other costs of participating in the program. Although he is twenty years older than most of his fellow workers, he puts in the same grueling hours with no hope of citizenship and the benefits that go along with it. The film also shows the troubles of his employer, Len Wester, who may loose his farm because of drought. Wester, like many US farmers, is dependent on foreign farm laborers to sustain his farm. Candelario loves his home and family but the deteriorating condition of Mexico's rural economy leave him little choice but to continue his yearly trek. As he says " I need to go as long as I can work. I'm old. The work has worn me down and made me tired. My family needs me at home in Mexico, but I need to be here too." High School College Adult
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Field of Study
American History
Content Type
Documentary
Contributor
Charles Thompson, Cynthia Hill, fl. 2003
Author / Creator
Cynthia Hill, fl. 2003, Charles Thompson
Date Published / Released
2006
Publisher
Filmakers Library
Topic / Theme
Mexico and the United States Border, Farm workers, Migrant life, Immigration laws, Sociology, Politics & Policy, Ethnic Studies, Mexicans, 21st Century in World History (2001– ), 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2006. Used by permission of Filmakers Library. All rights reserved.
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Mi Puerto Rico
directed by Sharon Simon, fl. 1995; produced by Sharon Simon, fl. 1995 and Raquel Ortiz, fl. 1981-2007 (Berkeley, CA: Berkeley Media, 2005), 1 hour 27 mins
This wide-ranging and much-honored documentary explores Puerto Rico's rich cultural traditions and untold history, revealing the remarkable stories of its revolutionaries and abolitionists, poets and patriots -- all of whose struggles for national identity unfold within the complex web of relations between Puerto...
Sample
directed by Sharon Simon, fl. 1995; produced by Sharon Simon, fl. 1995 and Raquel Ortiz, fl. 1981-2007 (Berkeley, CA: Berkeley Media, 2005), 1 hour 27 mins
Description
This wide-ranging and much-honored documentary explores Puerto Rico's rich cultural traditions and untold history, revealing the remarkable stories of its revolutionaries and abolitionists, poets and patriots -- all of whose struggles for national identity unfold within the complex web of relations between Puerto Rico and the United States. The film moves fluidly between Puerto Rico itself and New York's South Bronx barrio. By illuminating the pa...
This wide-ranging and much-honored documentary explores Puerto Rico's rich cultural traditions and untold history, revealing the remarkable stories of its revolutionaries and abolitionists, poets and patriots -- all of whose struggles for national identity unfold within the complex web of relations between Puerto Rico and the United States. The film moves fluidly between Puerto Rico itself and New York's South Bronx barrio. By illuminating the past, examining the present, and bringing Puerto Rico's vibrant cultural heritage to audiences, the film illustrates why the political fate of this tiny Caribbean island concerns all Americans. The style of the film is personal, intimate, and accessible to all students, with producer/writer Raquel Ortiz serving as on-screen host and narrator. Her participation in the process of learning about her own heritage infuses the film with an engaging dynamic of discovery and interaction. Traditional Puerto Rican music -- including storytelling plenas -- punctuates the film, while noted Puerto Rican artist Juan Sanchez's collages -- composed of striking graphics, images from the past, and symbols from popular culture -- provide an innovative method of presenting history, as visual elements from the collages are "assembled" and "disassembled" on screen.To facilitate educational use, "Mi Puerto Rico" is well-edited into 15-minute segments. It is essential viewing for many classes in Latin American studies, American history and studies, multiculturalism, and Caribbean studies. "Mi Puerto Rico" was directed by Sharon Simon and produced by Raquel Ortiz and Sharon Simon.
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Field of Study
American History
Content Type
Documentary
Contributor
Sharon Simon, fl. 1995, Raquel Ortiz, fl. 1981-2007
Author / Creator
Sharon Simon, fl. 1995
Date Published / Released
2005
Publisher
Berkeley Media
Topic / Theme
Border Events and Areas Context, Race relations, Cultural identity, Sociology, Puerto Ricans, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2005 Berkeley Media
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The Walls of Taniperla
directed by Dominique Berger (New York, NY: Filmakers Library, 2001), 1 hour 5 mins
Taniperla is an Indian community in the Chiapas region of Mexico, one of many which have been occupied by the federal government since declaring themselves autonomous. Seventy percent of the population are Zapatistas, supporters of the peasant revolution. The rest support the government, or PRI.Filmed by Belgian H...
Sample
directed by Dominique Berger (New York, NY: Filmakers Library, 2001), 1 hour 5 mins
Description
Taniperla is an Indian community in the Chiapas region of Mexico, one of many which have been occupied by the federal government since declaring themselves autonomous. Seventy percent of the population are Zapatistas, supporters of the peasant revolution. The rest support the government, or PRI.Filmed by Belgian Human Watch observers who have the dangerous job of watching for infractions from the armed forces of the Mexican government, this is a...
Taniperla is an Indian community in the Chiapas region of Mexico, one of many which have been occupied by the federal government since declaring themselves autonomous. Seventy percent of the population are Zapatistas, supporters of the peasant revolution. The rest support the government, or PRI.Filmed by Belgian Human Watch observers who have the dangerous job of watching for infractions from the armed forces of the Mexican government, this is a close up look at the hopes and dreams of the "revolutionaries", an impoverished group descended from workers on the "fincas", basically slave plantations run by Europeans in Mexico. The villagers tell what life was like on the fincas before the Mexican Revolution, where "patrons" were the arbiters of life and death. Life is not much better now; the Indians are underpaid for their crops and receive no aid from the central government of Mexico which claims to represent them.The film follows the painting of a mural by the community in celebration of the anniversary of their declaration of autonomy. All around one sees the threatening entrenched armed forces. A thousand paramilitary troops suppressed the demonstration, imprisoning many villagers and deporting the foreign observers. But the spirit of the mural lives on. It has been reproduced as a symbol of the movement and stands now in Brussels, Barcelona, Paris and San Francisco. College Adult
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Field of Study
World History
Content Type
Documentary
Author / Creator
Dominique Berger
Date Published / Released
2001
Publisher
Filmakers Library
Topic / Theme
Zapatista Movement, Mexico, 1980-current, Mexican Revolution, 1910-1920, Politics, Politics & Policy, History, Area Studies, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2001. Used by permission of Filmakers Library. All rights reserved.
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