Browse Titles - 6 results
The Last Journey of Dashdeleg
directed by Philippe Mac Gaw, fl. 2014; produced by Pronto Prod (Paris, Ile-de-France: Windrose (Film distributor), 2014), 53 mins
Dashdeleg is about to leave his traditional Mongol's life of nomad to go with his family live in the city of Ulaanbaatar where his grandson lives. This transhumance through the beautiful landscapes of Mongolia is a story of the nomadic culture that is disappearing.
Sample
directed by Philippe Mac Gaw, fl. 2014; produced by Pronto Prod (Paris, Ile-de-France: Windrose (Film distributor), 2014), 53 mins
Description
Dashdeleg is about to leave his traditional Mongol's life of nomad to go with his family live in the city of Ulaanbaatar where his grandson lives. This transhumance through the beautiful landscapes of Mongolia is a story of the nomadic culture that is disappearing.
Field of Study
Global Issues
Content Type
Documentary
Contributor
Pronto Prod
Author / Creator
Philippe Mac Gaw, fl. 2014
Date Published / Released
2014
Publisher
Windrose (Film distributor)
Topic / Theme
Border Events and Areas Context, Cultural change and history, Internal migration, Sociology, Mongols (Central Asia), 21st Century in World History (2001– )
Copyright Message
Copyright © 2014 Windrose SAS
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Leaving Greece
directed by Anna Brass, fl. 2009; produced by Anna Brass, fl. 2009, Hochschule fur Fernsehen und Film Munchen (London, England: Royal Anthropological Institute, 2013), 1 hour 19 mins
When entering the EU for the first time, a refugee must submit an application for asylum. So much is clear. Less well known, however is the fact that for 90% of all refugees, the Aegean is the gateway to Europe. So what does this mean for Greece? Every aspect of the Greek Asylum system is so overstrained that it h...
Sample
directed by Anna Brass, fl. 2009; produced by Anna Brass, fl. 2009, Hochschule fur Fernsehen und Film Munchen (London, England: Royal Anthropological Institute, 2013), 1 hour 19 mins
Description
When entering the EU for the first time, a refugee must submit an application for asylum. So much is clear. Less well known, however is the fact that for 90% of all refugees, the Aegean is the gateway to Europe. So what does this mean for Greece? Every aspect of the Greek Asylum system is so overstrained that it has effectively collapsed. No one is allowed to remain in Greece, and yet, according to the EU no one may leave. The Authorities are ext...
When entering the EU for the first time, a refugee must submit an application for asylum. So much is clear. Less well known, however is the fact that for 90% of all refugees, the Aegean is the gateway to Europe. So what does this mean for Greece? Every aspect of the Greek Asylum system is so overstrained that it has effectively collapsed. No one is allowed to remain in Greece, and yet, according to the EU no one may leave. The Authorities are extremely harsh to those attempting to exit the country. ‘Leaving Greece’ tells the very personal story of three Afghan refugees: Hossein, Reza and Kaka, who have tried for years to break this vicious circle. A film about friendship – and the contradictory European refugee policy
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Anna Brass, fl. 2009, Hochschule fur Fernsehen und Film Munchen
Author / Creator
Anna Brass, fl. 2009
Date Published / Released
2013
Publisher
Royal Anthropological Institute
Topic / Theme
EU and its Borders, Internal and External, Right of asylum, Refugees, Sociology, Afghans, 21st Century in World History (2001– )
Copyright Message
Copyright © 2013 Royal Anthropological Institute
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Natives: Immigrant Bashing On the Border
produced by Jesse Lerner and Scott Sterling, fl. 1991 (New York, NY: Filmakers Library, 1993), 37 mins
Starkly shot in black and white, this multi-festival film captures the unabashed xenophobia of a number of Americans living in California along the U.S.-Mexican border. They are reacting to the influx of undocumented aliens, who they believe are draining community resources and committing crimes. Nativist organiza...
Sample
produced by Jesse Lerner and Scott Sterling, fl. 1991 (New York, NY: Filmakers Library, 1993), 37 mins
Description
Starkly shot in black and white, this multi-festival film captures the unabashed xenophobia of a number of Americans living in California along the U.S.-Mexican border. They are reacting to the influx of undocumented aliens, who they believe are draining community resources and committing crimes. Nativist organizations have been formed such as "Light Up The Border" which masses cars along the border with head-lights blazing at possible intruders....
Starkly shot in black and white, this multi-festival film captures the unabashed xenophobia of a number of Americans living in California along the U.S.-Mexican border. They are reacting to the influx of undocumented aliens, who they believe are draining community resources and committing crimes. Nativist organizations have been formed such as "Light Up The Border" which masses cars along the border with head-lights blazing at possible intruders.The film critiques the nativist position by contrasting the professed love of country with racist and anti-democratic attitudes. One white-haired couple advocates machine-gunning down a few at the border as a warning. Other residents complain that "the illegals bring drugs and disease, multiply like rabbits, fill up the jails, and go on welfare."A closed captioned version is available on vhs only. Please specify when ordering High School College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Jesse Lerner, Scott Sterling, fl. 1991
Date Published / Released
1993
Publisher
Filmakers Library
Topic / Theme
Mexico and the United States Border, Crossing borders, Immigrant populations, Immigration and emigration, Law, Politics & Policy, Ethnic Studies, Mexicans, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 1991. Used by permission of Filmakers Library. All rights reserved.
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Premium Spectacular, The Missing Olympics
presented by Feng Wang, in Premium Spectacular (Hong Kong (State): Phoenix TV, 2021), 1 hour
The first modern Olympics were held in Athens, Greece, in 1896. In the next 120 years, a city will become the focus of the world every 4 years. The Olympics represent not merely a high level competitive field, but also a grand affair that allows athletes from different countries to communicate, reflects the spirit...
Sample
presented by Feng Wang, in Premium Spectacular (Hong Kong (State): Phoenix TV, 2021), 1 hour
Description
The first modern Olympics were held in Athens, Greece, in 1896. In the next 120 years, a city will become the focus of the world every 4 years. The Olympics represent not merely a high level competitive field, but also a grand affair that allows athletes from different countries to communicate, reflects the spirit of the Olympics and symbolizes peace. The 100-plus-year old Olympics, nonetheless, were forced to be cancelled three times in history....
The first modern Olympics were held in Athens, Greece, in 1896. In the next 120 years, a city will become the focus of the world every 4 years. The Olympics represent not merely a high level competitive field, but also a grand affair that allows athletes from different countries to communicate, reflects the spirit of the Olympics and symbolizes peace. The 100-plus-year old Olympics, nonetheless, were forced to be cancelled three times in history. These three “Missing Olympics” were 1916 Berlin Olympics, 1940 Tokyo Olympics and 1944 London Olympics. Why were they canceled? Were they related to politics? Let us discover the obscure story behind these cancellations.
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Field of Study
Anthropology
Content Type
Documentary
Author / Creator
Feng Wang
Date Published / Released
2021
Publisher
Phoenix TV
Series
Premium Spectacular
Person Discussed
Pierre de Coubertin, 1863-1937
Topic / Theme
Sports, Olympic games, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2021 by Phoenix TV
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Talking History
directed by Spencer Nakasako, fl. 1984; produced by Spencer Nakasako, fl. 1984 (San Francisco, CA: Center for Asian American Media, 1984), 27 mins
A compelling mosaic of oral histories and historical footage of Japanese, Chinese, Korean, Filipino and Laotian women featuring their journey to the U.S. and their unique immigrant stories.
Sample
directed by Spencer Nakasako, fl. 1984; produced by Spencer Nakasako, fl. 1984 (San Francisco, CA: Center for Asian American Media, 1984), 27 mins
Description
A compelling mosaic of oral histories and historical footage of Japanese, Chinese, Korean, Filipino and Laotian women featuring their journey to the U.S. and their unique immigrant stories.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Spencer Nakasako, fl. 1984, Amy Hill, 1953-
Author / Creator
Spencer Nakasako, fl. 1984
Date Published / Released
1984
Publisher
Center for Asian American Media
Speaker / Narrator
Amy Hill, 1953-
Topic / Theme
Border Events and Areas Context, Minority communities, Immigrant life, Human trafficking, Sociology, History, Asians, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 1984 by Center for Asian American Media
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To Live with Herds
directed by David MacDougall, 1939-; produced by Judith MacDougall, fl. 1970-2011 and David MacDougall, 1939-, University of California. Extension Media Center (Berkeley, CA: Berkeley Media, 1974), 1 hour 10 mins
This classic, widely acclaimed film on the Jie of Uganda, produced by the renowned ethnographic filmmaking team of David and Judith MacDougall, examines the effects of nation building in pre-Amin Uganda on the seminomadic, pastoral Jie. Much more than an intrinsically interesting historical document, it has achiev...
Sample
directed by David MacDougall, 1939-; produced by Judith MacDougall, fl. 1970-2011 and David MacDougall, 1939-, University of California. Extension Media Center (Berkeley, CA: Berkeley Media, 1974), 1 hour 10 mins
Description
This classic, widely acclaimed film on the Jie of Uganda, produced by the renowned ethnographic filmmaking team of David and Judith MacDougall, examines the effects of nation building in pre-Amin Uganda on the seminomadic, pastoral Jie. Much more than an intrinsically interesting historical document, it has achieved classic status among ethnographic films owing to its remarkable success in developing a coherent analytical statement about its subj...
This classic, widely acclaimed film on the Jie of Uganda, produced by the renowned ethnographic filmmaking team of David and Judith MacDougall, examines the effects of nation building in pre-Amin Uganda on the seminomadic, pastoral Jie. Much more than an intrinsically interesting historical document, it has achieved classic status among ethnographic films owing to its remarkable success in developing a coherent analytical statement about its subjects' situation, yet at the same time allowing them to speak for themselves about the world as they see and experience it. The film explores life in a traditional Jie homestead during a harsh dry season. The talk and work of adults go on, but there is also hardship and worry, exacerbated by government policies that seem to attack rather than support the values and economic base of Jie society. A mother counts her children; among them is a son she hardly knows who has joined the educated bureaucracy. Later we find him supervising famine relief for his own people in a situation that seems far beyond his control. At the end of the film Logoth, the protector of the homestead, travels to the west to rejoin his herds in an area of relative plenty; at least for the time being his life seems free from official interference.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
David MacDougall, 1939-, Judith MacDougall, fl. 1970-2011, University of California. Extension Media Center
Author / Creator
David MacDougall, 1939-, Judith MacDougall, fl. 1970-2011
Date Published / Released
1971, 1974
Publisher
Berkeley Media
Topic / Theme
Benin and Nigeria Border, Living conditions, Government programs, Government policy, Cultural identity, Law, Sociology, Jie, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 1974 Berkeley Media
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