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OUR OUTDOOR GOSPEL CRUSADE
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written by Thomas E. Little, fl. 1963; edited by Thomas E. Little, fl. 1963; in The American Protest, Vol. 30 no. 1, Volume 30, Issue 1 (New York, NY: American Protestant Defense League, 1963)
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written by Thomas E. Little, fl. 1963; edited by Thomas E. Little, fl. 1963; in The American Protest, Vol. 30 no. 1, Volume 30, Issue 1 (New York, NY: American Protestant Defense League, 1963)
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Mary to Fauriel
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written by Mary Clarke Mohl, 1793-1883; in Clarkey, a Portrait in Letters of Mary Clarke Mohl (New York, NY: Oxford University Press, 1984), 62-62
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written by Mary Clarke Mohl, 1793-1883; in Clarkey, a Portrait in Letters of Mary Clarke Mohl (New York, NY: Oxford University Press, 1984), 62-62
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written by Frances Thynne Seymour, 1699-1754; edited by W. Bingley; in Correspondence Between Frances, Countess of Hartford (afterwards Duchess of Somerset) and Henrietta Louisa, Countess of Pomfret, Between the Years 1738 and 1741, vol. 3 (London, England: I. Gold for Richard Phillips, 1806), 17-30
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W'odo - Welcome Song
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produced by Clifford Entes; in Creole Music of Surinam (Folkways Records, 1978), 2 mins

This collection presents the two main genres of Afro-Dutch Guyanese music—Kawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.

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produced by Clifford Entes; in Creole Music of Surinam (Folkways Records, 1978), 2 mins
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Rome, January 1, 1816.
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written by Lady Charlotte Susan Maria Campbell Bury, 1775-1861; edited by Archibald Francis Steuart, 1872-; in The Diary of a Lady-In-Waiting, vol. 2 (London, England: Bodley Head, 1908), 80-105
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written by Lady Charlotte Susan Maria Campbell Bury, 1775-1861; edited by Archibald Francis Steuart, 1872-; in The Diary of a Lady-In-Waiting, vol. 2 (London, England: Bodley Head, 1908), 80-105
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Drums of Defiance: Maroon Music from the Earliest Free Black Communities of Jamaica
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produced by Kenneth M. Bilby, 1953- (Smithsonian Folkways Recordings, 1992), 1 hour 9 mins
Featuring complex, West African influenced drumming and dancing, this little-known rural tradition is at the heart of modern, politically charged reggae music. The conviction heard here reveals a long history of struggle. During the 17th and 18th centuries, some of the Africans brought to Jamaica as slaves escap...
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produced by Kenneth M. Bilby, 1953- (Smithsonian Folkways Recordings, 1992), 1 hour 9 mins
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Letter VIII
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written by Sophia Lane Poole, 1804-1891; edited by Edward William Lane, 1801-1876; in The Englishwoman in Egypt: Letters from Cairo Written During a Residence there in 1842, 3 and 4, vol. 1 (London, England: C. Cox (Publisher), 1851), 107-114
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written by Sophia Lane Poole, 1804-1891; edited by Edward William Lane, 1801-1876; in The Englishwoman in Egypt: Letters from Cairo Written During a Residence there in 1842, 3 and 4, vol. 1 (London, England: C. Cox (Publisher), 1851), 107-114
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The Englishwoman in Egypt: Letters from Cairo Written during a Residence There in 1845-46; 2nd Series
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written by Sophia Lane Poole, 1804-1891; edited by Edward William Lane, 1801-1876 (London, England, 1846), 249 page(s)
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written by Sophia Lane Poole, 1804-1891; edited by Edward William Lane, 1801-1876 (London, England, 1846), 249 page(s)
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Brittania Hatsiatsia Songs
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produced by Seth Kobla Ladzekpo; in Ewe Music of Ghana (Folkways Records, 1969), 7 mins
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produced by Seth Kobla Ladzekpo; in Ewe Music of Ghana (Folkways Records, 1969), 7 mins
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Sunday, March 1st.
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written by Mary Berry, 1763-1852; edited by Maria Theresa Lewis, 1803-1865; in Extracts of the Journals and Correspondence of Miss Berry from the Year 1783-1852, vol. 1 (London, England: Longmans, Green, & Co., 1866), 127-135
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written by Mary Berry, 1763-1852; edited by Maria Theresa Lewis, 1803-1865; in Extracts of the Journals and Correspondence of Miss Berry from the Year 1783-1852, vol. 1 (London, England: Longmans, Green, & Co., 1866), 127-135
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