Browse Titles - 114 results
(Folkways Records, 1965), 45 mins
Field of Study
American Music
Content Type
Music recording
Date Published / Released
1965
Publisher
Folkways Records
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Bach: Little Organ Book, BWV 599-644
composed by Johann Sebastian Bach, 1685-1750; performed by Wolfgang Zerer, Bach: Little Organ Book, BWV 599-644 (Hänssler Classic, 1999), 20 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Wolfgang Zerer, Bach: Little Organ Book, BWV 599-644 (Hänssler Classic, 1999), 20 page(s)
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Wolfgang Zerer
Author / Creator
Johann Sebastian Bach, 1685-1750, Wolfgang Zerer
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Johann Pachelbel, 1653-1706, Dieterich Buxtehude, 1637-1707, Georg Böhm, 1661-1733, Samuel Scheidt, 1587-1654
Topic / Theme
Music theory, Piece, Canon, Organ
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The Black Composer Speaks
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Sample
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Field of Study
American Music
Content Type
Biography
Contributor
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Author / Creator
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Date Published / Released
1978
Publisher
Scarecrow Press
Topic / Theme
African American Music
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Valentine
directed by Merrill Brockway, 1923-2013; composed by Jacob Druckman, 1928-1996; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; performed by Jon Deak, 1943-; in Music Director and Contemporary Music, Boulez x 3, Part III (Kent, CT: Creative Arts Television), 8 mins
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, comp...
Sample
directed by Merrill Brockway, 1923-2013; composed by Jacob Druckman, 1928-1996; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; performed by Jon Deak, 1943-; in Music Director and Contemporary Music, Boulez x 3, Part III (Kent, CT: Creative Arts Television), 8 mins
Description
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, composer. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns the responsibilities...
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, composer. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns the responsibilities of the conductor, the architecture of concert halls, added rehearsal time needed for modern music, new or different orchestra personnel needed for new music. Pieces performed: "Valentine" by Druckman, "Eclat" by Boulez.
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Field of Study
Classical Music
Content Type
Panel discussion, Performance
Performer / Ensemble
Jon Deak, 1943-
Contributor
Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Jacob Druckman, 1928-1996, Merrill Brockway, 1923-2013, Jon Deak, 1943-
Publisher
Creative Arts Television
Series
Boulez x 3
Topic / Theme
Music, Music conductors, Composers, Avant-Garde
Copyright Message
Copyright © 1975 Creative Arts Television
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Bruch: Violin Concerto No. 1; Swedish Dances; Symphony No. 1
composed by Max Christian Friedrich Bruch, 1838-1920; performed by Pamela Frank, Bruch: Violin Concerto No. 1; Swedish Dances; Symphony No. 1 (Hänssler Classic, 2001), 11 page(s)
Sample
composed by Max Christian Friedrich Bruch, 1838-1920; performed by Pamela Frank, Bruch: Violin Concerto No. 1; Swedish Dances; Symphony No. 1 (Hänssler Classic, 2001), 11 page(s)
Date Written / Recorded
2001
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Pamela Frank
Author / Creator
Max Christian Friedrich Bruch, 1838-1920, Pamela Frank
Date Published / Released
2001
Publisher
Hänssler Classic
Person Discussed
Ludwig van Beethoven, 1770-1827, Eduard Hanslick, 1825-1904, Richard Wagner, 1813-1883, Joseph Joachim, 1831-1907, Nicolò Paganini, 1782-1840
Topic / Theme
Uighur, Swedish people, Folk music, Music theory, Music criticism, Dance, Piece, Violin
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Brahms: Hungarian Dance #8
During the 18th and 19th centuries, Schrammelmusik rose from the slums of Vienna (a musical product of the meeting of Austrian, Hungarian, Slovenian, Moravian and Bavarian immigrants) to the fashionable haunts of Vienna's aristocracy and even the Austrian court. Now stylish in the cafés of Vienna and Budapest,...
Sample
Description
During the 18th and 19th centuries, Schrammelmusik rose from the slums of Vienna (a musical product of the meeting of Austrian, Hungarian, Slovenian, Moravian and Bavarian immigrants) to the fashionable haunts of Vienna's aristocracy and even the Austrian court. Now stylish in the cafés of Vienna and Budapest, the musiclargely waltzes and ländlersis usually played with accordion and double-necked guitar. This collection features instead...
During the 18th and 19th centuries, Schrammelmusik rose from the slums of Vienna (a musical product of the meeting of Austrian, Hungarian, Slovenian, Moravian and Bavarian immigrants) to the fashionable haunts of Vienna's aristocracy and even the Austrian court. Now stylish in the cafés of Vienna and Budapest, the musiclargely waltzes and ländlersis usually played with accordion and double-necked guitar. This collection features instead the zither and cimbalom in an airy and delicate combo.
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Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Dick Marta, fl. 1955
Author / Creator
Dick Marta, fl. 1955
Date Published / Released
2012
Publisher
Cook Records
Topic / Theme
Music
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(Folkways Records, 1962), 49 mins
Field of Study
World Music
Content Type
Music recording
Date Published / Released
1962
Publisher
Folkways Records
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Milk Cow Blues
produced by John Cohen, 1932-; performed by Roscoe Holcomb; in Close To Home (Folkways Records, 1975), 2 mins
Recorded in Holcomb's home in eastern Kentucky, this album portrays the music of a master musician whose identification with his songs is intense, innate, and above all, honest. It's not for nothing that John Cohen, the man who recorded Close to Home, coined the phrase "the high lonesome sound" to describe Holc...
Sample
produced by John Cohen, 1932-; performed by Roscoe Holcomb; in Close To Home (Folkways Records, 1975), 2 mins
Description
Recorded in Holcomb's home in eastern Kentucky, this album portrays the music of a master musician whose identification with his songs is intense, innate, and above all, honest. It's not for nothing that John Cohen, the man who recorded Close to Home, coined the phrase "the high lonesome sound" to describe Holcomb's voice.
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Roscoe Holcomb
Contributor
John Cohen, 1932-
Author / Creator
Roscoe Holcomb
Date Published / Released
1975
Publisher
Folkways Records
Topic / Theme
Folk music
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Couperin: Keyboard Music, Vol. 1
composed by François Couperin, 1668-1733; performed by Angela Hewitt, Couperin: Keyboard Music, Vol. 1 (Hyperion, 2002), 17 page(s)
Sample
composed by François Couperin, 1668-1733; performed by Angela Hewitt, Couperin: Keyboard Music, Vol. 1 (Hyperion, 2002), 17 page(s)
Date Written / Recorded
2002
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Angela Hewitt
Author / Creator
François Couperin, 1668-1733, Angela Hewitt
Date Published / Released
2002
Publisher
Hyperion
Person Discussed
Jacques Champion Chambonnières, 1601-1672, Jean-Baptiste-Louis Thomelin, 1746-, Louis XIV, King of France, 1638-1715, Wanda Landowska, 1879-1959
Topic / Theme
Music criticism, Music theory, Piece, Piano
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Couperin: Keyboard Music, Vol. 2
composed by François Couperin, 1668-1733; performed by Angela Hewitt, Couperin: Keyboard Music, Vol. 2 (Hyperion, 2004), 11 page(s)
Sample
composed by François Couperin, 1668-1733; performed by Angela Hewitt, Couperin: Keyboard Music, Vol. 2 (Hyperion, 2004), 11 page(s)
Date Written / Recorded
2003
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Angela Hewitt
Author / Creator
François Couperin, 1668-1733, Angela Hewitt
Date Published / Released
2004
Publisher
Hyperion
Person Discussed
Molière, 1622-1673, Robert Schumann, 1810-1856, Johann Sebastian Bach, 1685-1750
Topic / Theme
Music criticism, Sufism, Music theory, Piece, Piano
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