Browse Titles - 10 results
Charles Ives: The Sonatas for Violin and Piano, Vol. 1
Charles Ives has grown into one of the most important American classical composers of international distinction, but it wasn’t always like this: Ives was frustrated by indifferent audiences and ambivalent critics throughout his entire career and most of his life. Violinist Paul Zukofsky and pianist Gilbert Ka...
Charles Ives has grown into one of the most important American classical composers of international distinction, but it wasn’t always like this: Ives was frustrated by indifferent audiences and ambivalent critics throughout his entire career and most of his life. Violinist Paul Zukofsky and pianist Gilbert Kalish perform Sonatas No. 1 and No. 2. Evidently, the range of compositional devices Ives used—polytonality, atonality, complex multi...
Charles Ives has grown into one of the most important American classical composers of international distinction, but it wasn’t always like this: Ives was frustrated by indifferent audiences and ambivalent critics throughout his entire career and most of his life. Violinist Paul Zukofsky and pianist Gilbert Kalish perform Sonatas No. 1 and No. 2. Evidently, the range of compositional devices Ives used—polytonality, atonality, complex multi-rhythms, tone clusters, twelve-tone rows, metrical modulation, and microtonality—“disturbed or bewildered nearly all of [Ives’] contemporaries.” But the sonatas present some of the most appealing and listenable material Ives produced. See also FW03347 Charles Ives: The Sonatas for Violin and Piano, Vol. 2.
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Charles Ives: The Sonatas for Violin and Piano, Vol. 2
Charles Ives has grown into one of the most important American classical composers of international distinction, but it wasn’t always like this: Ives was frustrated by indifferent audiences and ambivalent critics throughout his entire career and most of his life. Violinist Paul Zukofsky and pianist Gilbert Ka...
Charles Ives has grown into one of the most important American classical composers of international distinction, but it wasn’t always like this: Ives was frustrated by indifferent audiences and ambivalent critics throughout his entire career and most of his life. Violinist Paul Zukofsky and pianist Gilbert Kalish perform Sonatas No. 3 and No. 4. Evidently, the range of compositional devices Ives used—polytonality, atonality, complex multi...
Charles Ives has grown into one of the most important American classical composers of international distinction, but it wasn’t always like this: Ives was frustrated by indifferent audiences and ambivalent critics throughout his entire career and most of his life. Violinist Paul Zukofsky and pianist Gilbert Kalish perform Sonatas No. 3 and No. 4. Evidently, the range of compositional devices Ives used—polytonality, atonality, complex multi-rhythms, tone clusters, twelve-tone rows, metrical modulation, and microtonality—“disturbed or bewildered nearly all of [Ives’] contemporaries.” But the sonatas present some of the most appealing and listenable material Ives produced. See also FW03346 Charles Ives: The Sonatas for Violin and Piano, Vol. 1.
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A theme in Muzio Clementi's "Sonata No. 1".
Forgotten Pedal Harpsichord/Hufstadter Singers
Henry Cowell's Complete Works for Violin and Piano
International Dictionary of Black Composers, vol. 2: Johnson-WorkPerkinson, Coleridge-Taylor
International Dictionary of Black Composers, vol. 2: Johnson-WorkSaint-Georges, Chevalier de
International Dictionary of Black Composers, vol. 2: Johnson-WorkSmith, Irene Britton
International Dictionary of Black Composers, vol. 2: Johnson-WorkWalker, George Thoephilus, Jr.
