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Boris Kuschnir: Wolfgang Amadeus Mozart - Violin Concerto No. 4, K218
directed by Mischa Scorer, 1939-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1775); produced by Joanna Pearson; performed by Albrecht Menzel, 1992-, Maia Cabeza, 1992- and Boris Kuschnir, 1948-, in Boris Kuschnir Violin Masterclass at the Verbier Festival Academy Violin Concerto No 4, K280 (Bristol, England: Masterclass Media Foundation, 2013), 1 hour 59 mins
Boris Kuschnir was born in Kiev in 1948 and studied the violin at the Moscow Tchaikovsky Conservatoire with Boris Belenky and chamber music with Valentin Berlinsky of the Borodin Quartet. His many encounters with Dmitri Shostakovich and David Oistrakh (with whom he also studied), had a lasting influence on his art...
Sample
directed by Mischa Scorer, 1939-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1775); produced by Joanna Pearson; performed by Albrecht Menzel, 1992-, Maia Cabeza, 1992- and Boris Kuschnir, 1948-, in Boris Kuschnir Violin Masterclass at the Verbier Festival Academy Violin Concerto No 4, K280 (Bristol, England: Masterclass Media Foundation, 2013), 1 hour 59 mins
Description
Boris Kuschnir was born in Kiev in 1948 and studied the violin at the Moscow Tchaikovsky Conservatoire with Boris Belenky and chamber music with Valentin Berlinsky of the Borodin Quartet. His many encounters with Dmitri Shostakovich and David Oistrakh (with whom he also studied), had a lasting influence on his artistic development. Both as soloist and chamber musician he has made numerous recordings, notably the complete Mozart piano trios for EM...
Boris Kuschnir was born in Kiev in 1948 and studied the violin at the Moscow Tchaikovsky Conservatoire with Boris Belenky and chamber music with Valentin Berlinsky of the Borodin Quartet. His many encounters with Dmitri Shostakovich and David Oistrakh (with whom he also studied), had a lasting influence on his artistic development. Both as soloist and chamber musician he has made numerous recordings, notably the complete Mozart piano trios for EMI.
Boris Kuschnir also has a world-wide reputation as great violin teacher. Being Professor at both the Konservatorium Wien University and at the University of Music in Graz, his reputation as a teacher has won international recognition.
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Date Written / Recorded
1775
Field of Study
Classical Music
Content Type
Masterclass
Performer / Ensemble
Albrecht Menzel, 1992-, Maia Cabeza, 1992-, Boris Kuschnir, 1948-
Contributor
Jonathan Stokes, fl. 1984, Joanna Pearson
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Mischa Scorer, 1939-, Albrecht Menzel, 1992-, Maia Cabeza, 1992-, Boris Kuschnir, 1948-
Date Published / Released
2013
Publisher
Masterclass Media Foundation
Person Discussed
Wolfgang Amadeus Mozart, 1756-1791
Topic / Theme
Violins, Technical instruction (Music), Performance coaching, Violin
Copyright Message
Copyright © 2013. Used by permission of the Masterclass Media Foundation. All rights reserved.
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PART II: RECEPTION AND ANALYSIS: Five Early Works by Brahms (1862)
written by Adolph Schubring, fl. 1862 and Walter Frisch; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 209-230
Sample
written by Adolph Schubring, fl. 1862 and Walter Frisch; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 209-230
Field of Study
Classical Music
Content Type
General reference book
Contributor
Walter Frisch, Kevin C. Karnes
Author / Creator
Adolph Schubring, fl. 1862, Walter Frisch
Date Published / Released
2009
Publisher
Princeton University Press
Person Discussed
Johannes Brahms, 1833-1897
Topic / Theme
Music criticism, Music theory, Performance practice, Performance influences, Piano
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PART II: DOCUMENTS: Charles Sanford Terry and Elgar's Violin Concerto
written by Charles Sanford Terry, 1864-1936 and Alison I. Shiel; edited by Byron Adams, 1955-; in Edward Elgar And His World (Princeton, NJ: Princeton University Press, 2007), 196-213
Sample
written by Charles Sanford Terry, 1864-1936 and Alison I. Shiel; edited by Byron Adams, 1955-; in Edward Elgar And His World (Princeton, NJ: Princeton University Press, 2007), 196-213
Field of Study
Classical Music
Content Type
General reference book
Contributor
Byron Adams, 1955-
Author / Creator
Charles Sanford Terry, 1864-1936, Alison I. Shiel
Date Published / Released
2007
Publisher
Princeton University Press
Person Discussed
Sir Edward Elgar, 1857-1934, Charles Sanford Terry, 1864-1936
Topic / Theme
Diaries, Music criticism, Correspondence, Performance criticism, Performance practice, Music theory
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International Dictionary of Black Composers, vol. 2: Johnson-WorkPerkinson, Coleridge-Taylor
written by Malcolm J. Breda, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
Sample
written by Malcolm J. Breda, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
Field of Study
American Music
Content Type
Biography, Compendium
Contributor
Samuel A. Floyd, Jr
Author / Creator
Malcolm J. Breda, fl. 1999
Date Published / Released
1999
Publisher
Fitzroy Dearborn Publishers
Person Discussed
Coleridge-Taylor Perkinson, 1932-2004
Topic / Theme
African American, Musicians, Music composition, Music education, Music theory, Performance practice, African American Music, Voice
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International Dictionary of Black Composers, vol. 2: Johnson-WorkPrice, Florence Beatrice
written by Rae Linda Brown, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
Sample
written by Rae Linda Brown, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
Field of Study
American Music
Content Type
Biography, Compendium
Contributor
Samuel A. Floyd, Jr
Author / Creator
Rae Linda Brown, fl. 1999
Date Published / Released
1999
Publisher
Fitzroy Dearborn Publishers
Person Discussed
Florence Beatrice Price, 1887-1953
Topic / Theme
African American, Composers, Music composition, Orchestration (Music), Music theory, Expression in performance, African American Music
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International Dictionary of Black Composers, vol. 2: Johnson-WorkWallen, Errollyn
written by Helen Walker-Hill; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 7 page(s)
Sample
written by Helen Walker-Hill; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 7 page(s)
Field of Study
American Music
Content Type
Biography, Compendium
Contributor
Samuel A. Floyd, Jr
Author / Creator
Helen Walker-Hill
Date Published / Released
1999
Publisher
Fitzroy Dearborn Publishers
Person Discussed
Errollyn Wallen, 1968-
Topic / Theme
African Caribbean, Belizean, Musicians, Music composition, Expression in performance, Contests and competitions, Music theory, Performance practice, African American Music, Percussion, various
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International Dictionary of Black Composers, vol. 2: Johnson-Work
written by Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 659 page(s)
Sample
written by Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 659 page(s)
Field of Study
American Music
Content Type
Biography, Compendium
Contributor
Samuel A. Floyd, Jr
Author / Creator
Samuel A. Floyd, Jr
Date Published / Released
1999
Publisher
Fitzroy Dearborn Publishers
Topic / Theme
African American Music
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11. Piano and Orchestral Works
written by Jay Rosenblatt; edited by Ben Arnold; in The Liszt Companion (Westport, CT: Greenwood Press, 2002), 290-317
Sample
written by Jay Rosenblatt; edited by Ben Arnold; in The Liszt Companion (Westport, CT: Greenwood Press, 2002), 290-317
Field of Study
Classical Music
Content Type
General reference book
Contributor
Ben Arnold
Author / Creator
Jay Rosenblatt
Date Published / Released
2002
Publisher
Greenwood Press
Person Discussed
Franz Liszt, 1811-1886, Johann Gottfried Conradi, 1820-1896, Lina Ramann, 1833-1912
Topic / Theme
Musicians, Composers, Music composition, Performance practice, Music theory, Orchestration (Music), Musicology
Copyright Message
Copyright © 2002 by Ben Arnold.
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5. The Violin Concerto
written by Erkki Salmenhaara; edited by Glenda Dawn Goss; in The Sibelius Companion (Westport, CT: Greenwood Press, 1996), 117-134
Sample
written by Erkki Salmenhaara; edited by Glenda Dawn Goss; in The Sibelius Companion (Westport, CT: Greenwood Press, 1996), 117-134
Field of Study
Classical Music
Content Type
General reference book
Contributor
Glenda Dawn Goss
Author / Creator
Erkki Salmenhaara
Date Published / Released
1996
Publisher
Greenwood Press
Person Discussed
Jean Sibelius, 1865-1957, Willy Burmester
Topic / Theme
Composers, Performance practice, Performance criticism, Expression in performance, Music theory, Violin
Copyright Message
Copyright © 1996 by Glenda Dawn Goss.
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Women Composers, Vol. 3Agnesi, Maria Teresa (1720-1795)
written by Carolyn Britton and Robert L. Kendrick; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 8 page(s)
Sample
written by Carolyn Britton and Robert L. Kendrick; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 8 page(s)
Field of Study
Classical Music
Content Type
Biography, Compendium
Contributor
Martha Furman Schleifer, Sylvia Glickman
Author / Creator
Carolyn Britton, Robert L. Kendrick
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Maria Teresa Agnesi, 1720-1795
Topic / Theme
Composers, Women, Music composition, Expression in performance, Musical meter and rhythm, Music theory, Harpsichord, Fortepiano
Copyright Message
Copyright © 1996 by G.K. Hall
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