Browse Titles - 10 results
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Veni, Creator Spiritus
composed by Anonymous; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen; in Ceremony and Devotion: Music for the Tudors (Coro, 2010), 4 mins
Sample
composed by Anonymous; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen; in Ceremony and Devotion: Music for the Tudors (Coro, 2010), 4 mins
Date Written / Recorded
2009-10
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen
Contributor
Harry Christophers, 1953-, Mark Brown, 1962-
Author / Creator
Anonymous, The Sixteen
Date Published / Released
2010
Publisher
Coro
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Cor De Monjos Del Monestir De Poblet: Cant Gregorià
composed by Anonymous; performed by Cor de Monjos del Monestir de Poblet (picap, 2009), 21 mins
Sample
composed by Anonymous; performed by Cor de Monjos del Monestir de Poblet (picap, 2009), 21 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cor de Monjos del Monestir de Poblet
Author / Creator
Anonymous, Cor de Monjos del Monestir de Poblet
Date Published / Released
2009
Publisher
picap
Copyright Message
2009 Picap, S.L.
Tracks
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Pater Noster, etc.
composed by Anonymous; conducted by Philip Cave; produced by Paul Pinchbeck; performed by Magnificat; in Coronation Of The First Elizabeth (Griffin / Qualiton Imports, Ltd., 2002), 3 mins
Sample
composed by Anonymous; conducted by Philip Cave; produced by Paul Pinchbeck; performed by Magnificat; in Coronation Of The First Elizabeth (Griffin / Qualiton Imports, Ltd., 2002), 3 mins
Date Written / Recorded
1994
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Magnificat
Contributor
Philip Cave, Paul Pinchbeck
Author / Creator
Anonymous, Magnificat
Date Published / Released
2002
Publisher
Griffin / Qualiton Imports, Ltd.
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Forgotten Provence: Music-making in the South of France, 1150-1550
performed by Martin Best Consort (Nimbus, 1995), 1 hour 4 mins
Sample
performed by Martin Best Consort (Nimbus, 1995), 1 hour 4 mins
Date Written / Recorded
1994-11-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Martin Best Consort
Author / Creator
Martin Best Consort
Date Published / Released
1995
Publisher
Nimbus
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Filles a Marier
composed by Anonymous; produced by David Starobin, 1951-; performed by Jan DeGaetani, 1933-1989, Paul O'Dette, Judith Davidoff and Philip West; in Jan DeGaetani in Concert, Vol. 4: Early Music Recital, Jan DeGaetani in concert (Bridge, 1999), 1 min
Sample
composed by Anonymous; produced by David Starobin, 1951-; performed by Jan DeGaetani, 1933-1989, Paul O'Dette, Judith Davidoff and Philip West; in Jan DeGaetani in Concert, Vol. 4: Early Music Recital, Jan DeGaetani in concert (Bridge, 1999), 1 min
Date Written / Recorded
1977-09-27
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Jan DeGaetani, 1933-1989, Paul O'Dette, Judith Davidoff, Philip West
Contributor
Adam Abeshouse, fl. 1999, David Starobin, 1951-
Author / Creator
Anonymous, Jan DeGaetani, 1933-1989, Paul O'Dette, Judith Davidoff, Philip West
Date Published / Released
1999
Publisher
Bridge
Series
Jan DeGaetani in concert
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Veni Creator Spiritus (Gregorian)
composed by Anonymous; performed by Heinavanker; in LOOMISELAUL (The Creation) - Renaissance works from Johannes Ockeghem and Estonian sacred folk songs (K&K Verlagsanstalt, 2006), 24 secs
The vocal ensemble "Heinavanker" perform Renaissance works from Johannes Ockeghem and Estonian sacred folk songs. A concert at the basilica of the UNESCO World Heritage Site Maulbronn Monastery, recorded, produced and designed by Andreas Otto Grimminger & Josef-Stefan Kindler. - - - Throughout the history of cultu...
Sample
composed by Anonymous; performed by Heinavanker; in LOOMISELAUL (The Creation) - Renaissance works from Johannes Ockeghem and Estonian sacred folk songs (K&K Verlagsanstalt, 2006), 24 secs
Description
The vocal ensemble "Heinavanker" perform Renaissance works from Johannes Ockeghem and Estonian sacred folk songs. A concert at the basilica of the UNESCO World Heritage Site Maulbronn Monastery, recorded, produced and designed by Andreas Otto Grimminger & Josef-Stefan Kindler. - - - Throughout the history of cultural development, two strains of thought have confronted each other - one staunchly defending tradition while the other strives for inno...
The vocal ensemble "Heinavanker" perform Renaissance works from Johannes Ockeghem and Estonian sacred folk songs. A concert at the basilica of the UNESCO World Heritage Site Maulbronn Monastery, recorded, produced and designed by Andreas Otto Grimminger & Josef-Stefan Kindler. - - - Throughout the history of cultural development, two strains of thought have confronted each other - one staunchly defending tradition while the other strives for innovation. This is especially true of sacred music. It has been continuously reflected upon how it should be and how it could be. The leading figure in Estonian classic music, Rudolf Tobias, has, in his writings, suggested the following synthesis: „explore the inner motivations of traditional music" and, further, „turn our attention to the inner essence of our era" in order to „attain, finally, contemporary sacred music that satisfies our actual needs." But how much common ground can the actual needs have when one considers the context of different eras, geographic locations and social situations? What is the relationship between the solemn contrapuntal masterpieces of the Renaissance, reflecting that era‘s courtly, religious and scientific spirit, the meditative monophonic monastic music of the middle ages and, unique to the small Estonian population, the characteristic sacred choral pieces with their strong folk influence and their vitality, reflecting the people‘s earlier religious awakening? And further, is it possible, considering the continually changing and from many sides influenced landscape of contemporary sacred music, to find someone who can fulfill the „actual needs" of this kind of music? The Estonian religious folk songs or popular chorals originated as a product of the religious renewal of the rural population. Most of the texts are from the Lutheran Hymnal. However, the melodies are developed till nearly unrecognisable and are often ingeniously adorned. The half improvised arrangements of these songs resonate as an accomplishment of the whole ensemble. The corner stone of Johannes Ockeghem‘s (1417-1497) inspiring and difficult to define music is an extraordinary balance between hidden mathematical constructions and the apparently spontaneous melody lines which they help construct, but which nevertheless remain unexpected. Ockeghem is a composer who brings to completion the musical thoughts of an epoch, leading to a counterbalancing by the following generation who preferred more transparent paths. For singers of today‘s discernment, Ockeghem‘s works make such unusual demands that their performance is considered a test of courage. „The maestro himself ultimately worked with the same singers for forty years" the experts sigh, as they lay the scores back in the drawer. Towards the end of the concert, we hear one of the oldest and most distinctive examples of the Estonian culture, a pre-Christian runic song - „The Creation". It is about a bird that makes a nesting place in a paddock, lays eggs and hatches offspring. One of the baby birds becomes the sun, the second the moon, the third a star, and the fourth a rainbow. This vocal tradition possibly dates back many thousands of years. In the „Loomiselaul" from Kadrina one recognises the main features of a runic song. The opening rhyme, the eight footed trochaic poetry meter, the exchange between the precentor and the choir, and the accord of both created through the singular „leegajus": before the beginning of the following verse, the precentor and the choir sing the last syllable of the previous verse together. (Margo Kolar, Conductor)
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Date Written / Recorded
2005-06-12
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Heinavanker
Author / Creator
Anonymous, Heinavanker
Date Published / Released
2006-08-29
Publisher
K&K Verlagsanstalt
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Missa in Augustia Pestilentiae
conducted by Vincenzo Di Betta, fl. 1997; performed by Cappella Musicale di Santa Maria in Campitelli (Tactus, 2018), 56 mins
Sample
conducted by Vincenzo Di Betta, fl. 1997; performed by Cappella Musicale di Santa Maria in Campitelli (Tactus, 2018), 56 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cappella Musicale di Santa Maria in Campitelli
Contributor
Vincenzo Di Betta, fl. 1997
Author / Creator
Cappella Musicale di Santa Maria in Campitelli
Date Published / Released
2018
Publisher
Tactus
Copyright Message
Copyright © 2018 by Tactus
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Music at All Souls Oxford
composed by Anonymous; conducted by Andrew Carwood; produced by David Skinner; performed by Robert Evans, Steven Harrold, Damien O'Keeffe, Rebecca Outram, James Gilchrist, Michael McCarthy, David Gould, Robert Macdonald and Caroline Trevor, Cardinall's Musick (Gaudeamus), 1 hour 12 mins
Sample
composed by Anonymous; conducted by Andrew Carwood; produced by David Skinner; performed by Robert Evans, Steven Harrold, Damien O'Keeffe, Rebecca Outram, James Gilchrist, Michael McCarthy, David Gould, Robert Macdonald and Caroline Trevor, Cardinall's Musick (Gaudeamus), 1 hour 12 mins
Date Written / Recorded
1999-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cardinall's Musick, Robert Evans, Steven Harrold, Damien O'Keeffe, Rebecca Outram, James Gilchrist, Michael McCarthy, David Gould, Robert Macdonald, Caroline Trevor
Contributor
Andrew Carwood, Julia Thomas, fl. 1994, David Skinner
Author / Creator
Anonymous, Cardinall's Musick, Robert Evans, Steven Harrold, Damien O'Keeffe, Rebecca Outram, James Gilchrist, Michael McCarthy, David Gould, Robert Macdonald, Caroline Trevor
Publisher
Gaudeamus
Tracks
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Ite missa est – Agimus tibi gratias
composed by Anonymous; conducted by Andrew Kirkman; performed by Binchois Consort; in Music for Henry V & the House of Lancaster (Hyperion, 2011), 2 mins
Sample
composed by Anonymous; conducted by Andrew Kirkman; performed by Binchois Consort; in Music for Henry V & the House of Lancaster (Hyperion, 2011), 2 mins
Date Written / Recorded
2010-05
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Binchois Consort
Contributor
Andrew Kirkman
Author / Creator
Anonymous, Binchois Consort
Date Published / Released
2011
Publisher
Hyperion
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Dum sacrum mysterium
composed by Anonymous; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen; in An Eternal Harmony, Sixteen edition and Voices of Classic FM (Coro), 1 min
Sample
composed by Anonymous; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen; in An Eternal Harmony, Sixteen edition and Voices of Classic FM (Coro), 1 min
Description
Date Written / Recorded
2002-07-04
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen
Contributor
Harry Christophers, 1953-, Mike Clements, Mark Brown, 1962-
Author / Creator
Anonymous, The Sixteen
Publisher
Coro
Series
Sixteen edition, Voices of Classic FM
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