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A deeply disturbing film about the use and effects of DU munitions in wars in Iraq & Afghanistan, and how this danger is now coming to our backyard. Blowin’ in the Wind examines the secret treaty that allows the US military to train and test its weaponry on Australian soil. It looks at the impact of recycled uranium weapons and the far-reaching physical and moral effects on every Australian. The film’s release has been timely as the government currently moves to approve more uranium mines while arguing the contrary – that by going nuclear we are being both ‘safe’ and ‘green’.

Blowin’ In The Wind reveals that Iraqi babies are now being born with major birth defects. Bradbury wonders whether Australians living downwind from the military testing ranges will be next. He argues that we were lied to by the British over the Woomera and Maralinga atomic tests. Can we trust another equally powerful partner in our ‘war on terror’? With a cash budget of just $12,000 Blowin’ In The Wind raises pertinent questions which cannot be ignored by the Australian public. The film shocked, angered and surprised large audiences when shown at the Sydney and Brisbane Film Festivals.

Houra, Alico et Ismaël habitent au Tchad, dans un camp de réfugiés qui regroupent des Centrafricains ayant fui la guerre. Initialement, ils devaient y rester 45 jours avant d'être intégrés à la population tchadienne. Mais le temporaire devient durable et les réfugiés transforment ce lieu de passage en lieu de vie. Ils l'investissent et l'habitent, toujours hantés par les souvenirs d'un passé qui ne passe pas. Avec les ONG, une relation d'amour-haine s'instaure, entre dépendance et méfiance. Mais voilà que de nouveaux humanitaires déboulent et se proposent de les sortir du camp...

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