Browse Titles - 263 results
Allen Brothers Vol. 1 (1927-1930)
performed by The Allen Brothers (Document Records, 2000), 1 hour 12 mins
Sample
performed by The Allen Brothers (Document Records, 2000), 1 hour 12 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
The Allen Brothers
Author / Creator
The Allen Brothers
Date Published / Released
2000
Publisher
Document Records
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Allen Brothers Vol. 3 (1932-1934)
performed by The Allen Brothers (Document Records, 2001), 1 hour 11 mins
Sample
performed by The Allen Brothers (Document Records, 2001), 1 hour 11 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
The Allen Brothers
Author / Creator
The Allen Brothers
Date Published / Released
2001
Publisher
Document Records
×
(Rounder Records, 1999), 41 mins
Field of Study
American Music
Content Type
Music recording
Date Published / Released
1999
Publisher
Rounder Records
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El Guanajuatense
produced by Hugo Arroyo; performed by Banda Salvatierra; in Banda Salvatierra: Esta Noche Tu Vendras (Arhoolie Records, 2001), 3 mins
Sample
produced by Hugo Arroyo; performed by Banda Salvatierra; in Banda Salvatierra: Esta Noche Tu Vendras (Arhoolie Records, 2001), 3 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Banda Salvatierra
Contributor
Scoots Ramirez, Hugo Arroyo
Author / Creator
Banda Salvatierra
Date Published / Released
2001
Publisher
Arhoolie Records
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Poor Ellen Smith
produced by Edward A. Kahn, fl. 1958; performed by Pete Steele; in Banjo Tunes and Songs (Folkways Records, 1958), 2 mins
Sample
produced by Edward A. Kahn, fl. 1958; performed by Pete Steele; in Banjo Tunes and Songs (Folkways Records, 1958), 2 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Pete Steele
Contributor
Edward A. Kahn, fl. 1958
Author / Creator
Pete Steele
Date Published / Released
1958
Publisher
Folkways Records
Topic / Theme
Folk music, Crime
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10: Downtown and Underground (July-September 1966)
written by Steven Roby and Brad Schreiber; in Becoming Jimi Hendrix: From Southern Crossroads to Psychedelic London, The Untold Story of a Musical Genius (Cambridge, MA: Da Capo Press, 2010), 169-188
Sample
written by Steven Roby and Brad Schreiber; in Becoming Jimi Hendrix: From Southern Crossroads to Psychedelic London, The Untold Story of a Musical Genius (Cambridge, MA: Da Capo Press, 2010), 169-188
Field of Study
American Music
Author / Creator
Steven Roby, Brad Schreiber
Date Published / Released
2010
Publisher
Da Capo Press
Person Discussed
Jimi Hendrix, 1942-1970, Chas Chandler, 1938-1996
Topic / Theme
Cultural identity, Recreational drugs, Romantic relationships, Wages and salaries, International travel, Music industry, Bars and saloons, Performance practice, African American Music, Rock
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Medley: Hark, The Herald Angels Sing/O Come All Ye Faithful
In keeping with the great perversity, virtuosity, and humor that marks all releases of John Fahey records, guitarist Henry Kaiser has compiled a second volume of the late picker's Takoma sides to coincide with the first, self-selected set issued in 1977. Kaiser, a wildly idiosyncratic player and cultural iconoclas...
Sample
Description
In keeping with the great perversity, virtuosity, and humor that marks all releases of John Fahey records, guitarist Henry Kaiser has compiled a second volume of the late picker's Takoma sides to coincide with the first, self-selected set issued in 1977. Kaiser, a wildly idiosyncratic player and cultural iconoclast, is better-suited than just about anyone to compile such a project, and he has kept the strange, perverse Fahey humor as part of his...
In keeping with the great perversity, virtuosity, and humor that marks all releases of John Fahey records, guitarist Henry Kaiser has compiled a second volume of the late picker's Takoma sides to coincide with the first, self-selected set issued in 1977. Kaiser, a wildly idiosyncratic player and cultural iconoclast, is better-suited than just about anyone to compile such a project, and he has kept the strange, perverse Fahey humor as part of his duties as producer. For starters, he completely reinvents the term "best-of": Three of the pieces here are previously unissued in any form from a forgotten, never-daylighted set called "Azalea City Memories" from around 1991. Recorded for the Shanachie label, it falls outside the Takoma recordings, but since it never appeared, it's fair game. Two of the pieces from that set, "Twilight on Prince George's Avenue," and "Sligo Mud," are, in fact, reinterpretations of material from his first two Takoma outings: John Henry Variations and Stomping at Night on the Pennsylvania/Alabama Border. The last, "Tuff," is a strange, labyrinthine walk through minimal landscapes, but it holds a place of its own in Fahey's catalog. Also included here is "The Fahey Sampler," a piece never issued on an album, but performed often during Fahey's live sets: it is a kind of spooky yet riotous medley that reaches through the '60s and '70s for the roots and branches of some of his more well-known and obscure compositions. In addition, one will find tracks from Old Fashioned Love, Railroad, Transfiguration of Blind Joe Death, and Visits Washington D.C., among others. Kaiser has done a masterful job of presenting the complete emotional range of Fahey's expression, and had free-range over his catalog in order to present a varying but consistently honest view of the man as composer, as player, and yes, even as an improviser. This is, in some ways, better than the original best-of, because it comes from the heart of a fan as well as the vision of a master musician. ~ Thom Jurek, All Music Guide
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Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
John Fahey
Author / Creator
John Fahey
Date Published / Released
2004
Publisher
Takoma
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Black Banjo Songsters of North Carolina and Virginia
produced by Cecilia Conway and Scott Odell (Smithsonian Folkways Recordings, 1998), 1 hour 4 mins
The sounds and social history of African American banjo playing32 superb instrumentals and vocals, recorded between 1974 and 1997. Extensively annotated with performer's life histories, tunings, lyrics, bibliography, and discography. The banjo's gourd ancestors came to the Americas with enslaved Africans, forg...
Sample
produced by Cecilia Conway and Scott Odell (Smithsonian Folkways Recordings, 1998), 1 hour 4 mins
Description
The sounds and social history of African American banjo playing32 superb instrumentals and vocals, recorded between 1974 and 1997. Extensively annotated with performer's life histories, tunings, lyrics, bibliography, and discography. The banjo's gourd ancestors came to the Americas with enslaved Africans, forging the link between West African griots and performers of 20th-century blues and string-band music. 64 minutes.
Field of Study
American Music
Content Type
Music recording
Contributor
Cecilia Conway, Scott Odell
Date Published / Released
1998
Publisher
Smithsonian Folkways Recordings
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Black Secular Vocal Groups Vol. 1: The Twenties (1923-1929)
(Document Records, 1997), 1 hour 14 mins
Sample
(Document Records, 1997), 1 hour 14 mins
Field of Study
American Music
Content Type
Music recording
Date Published / Released
1997
Publisher
Document Records
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Black Secular Vocal Groups Vol. 2: The Thirties (1931-1939)
(Document Records, 1997), 1 hour 8 mins
Sample
(Document Records, 1997), 1 hour 8 mins
Field of Study
American Music
Content Type
Music recording
Date Published / Released
1997
Publisher
Document Records
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