Browse Titles - 88 results
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The Black Composer Speaks
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Sample
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Field of Study
American Music
Content Type
Biography
Contributor
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Author / Creator
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Date Published / Released
1978
Publisher
Scarecrow Press
Topic / Theme
African American Music
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Bridge: Music for Viola
composed by Frank Bridge, 1879-1941; produced by Michael Ponder, fl. 1989; performed by Louise Williams, David Owen Norris and Jean Rigby, 1955- (ASV), 1 hour 11 mins
Sample
composed by Frank Bridge, 1879-1941; produced by Michael Ponder, fl. 1989; performed by Louise Williams, David Owen Norris and Jean Rigby, 1955- (ASV), 1 hour 11 mins
Date Written / Recorded
1998-05-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Louise Williams, David Owen Norris, Jean Rigby, 1955-
Contributor
Tony Faulkner, Michael Ponder, fl. 1989
Author / Creator
Frank Bridge, 1879-1941, Louise Williams, David Owen Norris, Jean Rigby, 1955-
Publisher
ASV
Tracks
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Burgon: Merciless Beauty
composed by Geoffrey Burgon, 1941-2010; conducted by Geoffrey Burgon, 1941-2010; produced by Geoffrey Burgon, 1941-2010; performed by James Bowman, 1941-, Kenneth Sillito, Hugh Webb, Mark David and Neil Jenkins, 1945-, City of London Sinfonia and Academy of St Martin in the Fields (ASV), 1 hour 5 mins
Sample
composed by Geoffrey Burgon, 1941-2010; conducted by Geoffrey Burgon, 1941-2010; produced by Geoffrey Burgon, 1941-2010; performed by James Bowman, 1941-, Kenneth Sillito, Hugh Webb, Mark David and Neil Jenkins, 1945-, City of London Sinfonia and Academy of St Martin in the Fields (ASV), 1 hour 5 mins
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
City of London Sinfonia, Academy of St Martin in the Fields, James Bowman, 1941-, Kenneth Sillito, Hugh Webb, Mark David, Neil Jenkins, 1945-
Contributor
Geoffrey Burgon, 1941-2010, Paul Golding, fl. 1989
Author / Creator
Geoffrey Burgon, 1941-2010, City of London Sinfonia, Academy of St Martin in the Fields, James Bowman, 1941-, Kenneth Sillito, Hugh Webb, Mark David, Neil Jenkins, 1945-
Publisher
ASV
Tracks
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The Byrd Edition, Vol. 1: Propers for Lady Mass in Advent
composed by William Byrd, 1540-1623; conducted by Andrew Carwood; produced by David Skinner; performed by Cardinall's Musick and Frideswide Consort (Gaudeamus), 2 hours 8 mins
Sample
composed by William Byrd, 1540-1623; conducted by Andrew Carwood; produced by David Skinner; performed by Cardinall's Musick and Frideswide Consort (Gaudeamus), 2 hours 8 mins
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cardinall's Musick, Frideswide Consort
Contributor
Andrew Carwood, Martin Haskell, David Skinner
Author / Creator
William Byrd, 1540-1623, Cardinall's Musick, Frideswide Consort
Publisher
Gaudeamus
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Cello for Happy Days
produced by Ivan Pastor, fl. 1986; performed by Daria Hovora and Aleth Lamasse (Fioretti, 2010), 52 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Daria Hovora and Aleth Lamasse (Fioretti, 2010), 52 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Daria Hovora, Aleth Lamasse
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Daria Hovora, Aleth Lamasse
Date Published / Released
2010
Publisher
Fioretti
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Chaya Czernowin: Music for Texts by Zohar Eitan
composed by Chaya Czernowin, 1957-; conducted by Simon Hewett; performed by Deborah Kayser and Ute Wassermann, ELISION Ensemble, Basel Sinfonietta and Experimental Studio of Heinrich Strobel Stiftung SWR (Mode Records), 1 hour 15 mins
Sample
composed by Chaya Czernowin, 1957-; conducted by Simon Hewett; performed by Deborah Kayser and Ute Wassermann, ELISION Ensemble, Basel Sinfonietta and Experimental Studio of Heinrich Strobel Stiftung SWR (Mode Records), 1 hour 15 mins
Date Written / Recorded
2002
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
ELISION Ensemble, Basel Sinfonietta, Experimental Studio of Heinrich Strobel Stiftung SWR, Deborah Kayser, Ute Wassermann
Contributor
Simon Hewett
Author / Creator
Chaya Czernowin, 1957-, ELISION Ensemble, Basel Sinfonietta, Experimental Studio of Heinrich Strobel Stiftung SWR, Deborah Kayser, Ute Wassermann
Publisher
Mode Records
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Concert in the Park
composed by Jaromír Weinberger, 1896-1967; conducted by Harry Pinchin, 1935-; produced by Anton Kwiatkowski, fl. 1969; performed by Charles Hudelson, Edmonton Wind Ensemble (CBC Records, 2000), 1 hour 7 mins
Sample
composed by Jaromír Weinberger, 1896-1967; conducted by Harry Pinchin, 1935-; produced by Anton Kwiatkowski, fl. 1969; performed by Charles Hudelson, Edmonton Wind Ensemble (CBC Records, 2000), 1 hour 7 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Edmonton Wind Ensemble, Charles Hudelson
Contributor
Harry Pinchin, 1935-, Anton Kwiatkowski, fl. 1969
Author / Creator
Jaromír Weinberger, 1896-1967, Edmonton Wind Ensemble, Charles Hudelson
Date Published / Released
2000
Publisher
CBC Records
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Dark Labyrinths
composed by Philip Grange; produced by Christopher Craker, 1959-; performed by Nicholas Sears, Alison Wells and Timothy Gill, Gemini (Black Box), 56 mins
Sample
composed by Philip Grange; produced by Christopher Craker, 1959-; performed by Nicholas Sears, Alison Wells and Timothy Gill, Gemini (Black Box), 56 mins
Date Written / Recorded
1999-05-30
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gemini, Nicholas Sears, Alison Wells, Timothy Gill
Contributor
Christopher Craker, 1959-
Author / Creator
Philip Grange, Gemini, Nicholas Sears, Alison Wells, Timothy Gill
Publisher
Black Box
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Down by the Salley Gardens
composed by Traditional; produced by Tim Oldham, fl. 1988-2016; performed by Benjamin Luxon and David Willison, 1936- (Chandos, 2001), 1 hour 13 mins
Sample
composed by Traditional; produced by Tim Oldham, fl. 1988-2016; performed by Benjamin Luxon and David Willison, 1936- (Chandos, 2001), 1 hour 13 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Benjamin Luxon, David Willison, 1936-
Contributor
Richard Lee, fl. 2008, Tim Oldham, fl. 1988-2016
Author / Creator
Traditional, Benjamin Luxon, David Willison, 1936-
Date Published / Released
2001
Publisher
Chandos
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Christian Wolff: (Re:) Making Music - Works 1962-1999
composed by Christian Wolff, 1934-; conducted by James Fulkerson; produced by James Fulkerson; performed by Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith and Charles Van Tassel, The Barton Workshop, in Edition Christian Wolff (Mode Records), 1 hour 14 mins
Having little to do with issues of content and form, Christian Wolff's experimental works are more concerned with the ways music is created and received, and how the composer's conceptions are intimately tied to the performers' interactions and the listener's perceptions. Like his colleague John Cage, Wolff eschew...
Sample
composed by Christian Wolff, 1934-; conducted by James Fulkerson; produced by James Fulkerson; performed by Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith and Charles Van Tassel, The Barton Workshop, in Edition Christian Wolff (Mode Records), 1 hour 14 mins
Description
Having little to do with issues of content and form, Christian Wolff's experimental works are more concerned with the ways music is created and received, and how the composer's conceptions are intimately tied to the performers' interactions and the listener's perceptions. Like his colleague John Cage, Wolff eschewed the rigors of post-Webernian serialism and instead wrote in an intuitive manner, avoiding systems and communicating more directly th...
Having little to do with issues of content and form, Christian Wolff's experimental works are more concerned with the ways music is created and received, and how the composer's conceptions are intimately tied to the performers' interactions and the listener's perceptions. Like his colleague John Cage, Wolff eschewed the rigors of post-Webernian serialism and instead wrote in an intuitive manner, avoiding systems and communicating more directly through raw sonorities and improvisation. Vol. 6 of the Edition Christian Wolff surveys works from 1962 to 1999, and covers a wide range of instrumental combinations and approaches, from the complex gestures of Kegama and the hyperactivity of Digger Song, to the conversational frankness of the vocal duets in Leaning Forward and the rustic fiddling of the Pieces (3) for violin and viola. Wolff's adventurous ideas are effectively shown in the four Exercises, where his concepts are worked out in short, digestible portions. Always attuned to Wolff's intentions and demands, the Barton Workshop makes his pieces sound fresh and vital, and recaptures some of the excitement this music generated at the height of the avant-garde. However, listeners should not take these performances as definitive, for that is an impossibility in Wolff's open-ended oeuvre. Mode's sound quality is consistently excellent throughout this varied double disc. ~ Blair Sanderson, All Music Guide
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Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Barton Workshop, Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith, Charles Van Tassel
Contributor
James Fulkerson, Robert Bosch, 1861-1942
Author / Creator
Christian Wolff, 1934-, The Barton Workshop, Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith, Charles Van Tassel
Publisher
Mode Records
Series
Edition Christian Wolff
Tracks
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