Browse Titles - 190 results
Herbert von Karajan
directed by Gernot Friedel, 1941-; conducted by Herbert von Karajan, 1908-1989; produced by Herbert von Karajan Centrum Wien and Austrian Broadcasting Corporation Radio & Television (ORF); performed by Herbert von Karajan, 1908-1989, in Herbert von Karajan (Bristol, England: Digital Classics Distribution, 1999), 1 hour 28 mins
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, chartin...
Sample
directed by Gernot Friedel, 1941-; conducted by Herbert von Karajan, 1908-1989; produced by Herbert von Karajan Centrum Wien and Austrian Broadcasting Corporation Radio & Television (ORF); performed by Herbert von Karajan, 1908-1989, in Herbert von Karajan (Bristol, England: Digital Classics Distribution, 1999), 1 hour 28 mins
Description
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, charting his life both on and off the podium. Karajan himself talks in archive interviews and throughout the film there is his music, drawn fr...
Herbert von Karajan (1908-89), one of the twentieth century’s most fascinating and complex geniuses, bestrode the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim but also had many detractors. This definitive film reveals the phenomenon of the maestro, charting his life both on and off the podium. Karajan himself talks in archive interviews and throughout the film there is his music, drawn from the many sound and audiovisual recordings he made.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Herbert von Karajan, 1908-1989
Contributor
Herbert von Karajan, 1908-1989, Herbert von Karajan Centrum Wien, Austrian Broadcasting Corporation Radio & Television (ORF)
Author / Creator
Gernot Friedel, 1941-, Herbert von Karajan, 1908-1989
Date Published / Released
1999
Publisher
Digital Classics Distribution
Person Discussed
Herbert von Karajan, 1908-1989
Topic / Theme
Performing arts occupations, Singers, Orchestras, Biographies, Performing arts life, Audio recordings, Artistic collaboration, Music conducting
Copyright Message
Copyright © 2014. Used by permission of Digital Classics Distribution, Ltd. All rights reserved.
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The Highest Level
directed by Christian Berger, 1945-; conducted by Sir Simon Rattle, 1955-; produced by Bernhard Fleischer, 1971-, Berliner Philharmonie, Bernhard Fleischer Moving Images, Deutsche Welle and Sony Music Entertainment; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker) (Berlin, Berlin State: C Major Entertainment, 2013), 1 hour 1 mins
"The Highest Level" explores the Berlin recording session of Lang Lang and the Berlin Philharmonic Orchestra under the baton of Sir Simon Rattle. The documentary provides insight into processes that are usually veiled: the recording of an album in a league of its own: the preparation of the musicians, the recordin...
Sample
directed by Christian Berger, 1945-; conducted by Sir Simon Rattle, 1955-; produced by Bernhard Fleischer, 1971-, Berliner Philharmonie, Bernhard Fleischer Moving Images, Deutsche Welle and Sony Music Entertainment; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker) (Berlin, Berlin State: C Major Entertainment, 2013), 1 hour 1 mins
Description
"The Highest Level" explores the Berlin recording session of Lang Lang and the Berlin Philharmonic Orchestra under the baton of Sir Simon Rattle. The documentary provides insight into processes that are usually veiled: the recording of an album in a league of its own: the preparation of the musicians, the recording in the Philharmonie Berlin, the battle for the perfect sound, the mixing and balancing units during the audio post-production. It is...
"The Highest Level" explores the Berlin recording session of Lang Lang and the Berlin Philharmonic Orchestra under the baton of Sir Simon Rattle. The documentary provides insight into processes that are usually veiled: the recording of an album in a league of its own: the preparation of the musicians, the recording in the Philharmonie Berlin, the battle for the perfect sound, the mixing and balancing units during the audio post-production. It is the striking distance to the artists that makes the film an intimate experience. Lang Lang, Sir Simon Rattle, and the musicians of the Berliner Philharmoniker, but of course the audio engineers as well are taking the centre stage. The musical pieces to be recorded are Béla Bartók's Piano Concert No. 2 and Sergei Prokofiev's Piano Concerto No. 3.
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Date Written / Recorded
2013
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Contributor
Sir Simon Rattle, 1955-, Sebastian Kleinloh, fl. 2001-2014, Bernhard Fleischer, 1971-, Berliner Philharmonie, Bernhard Fleischer Moving Images, Deutsche Welle, Sony Music Entertainment
Author / Creator
Christian Berger, 1945-, Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Date Published / Released
2013
Publisher
C Major Entertainment
Person Discussed
Sergey Prokofiev, 1891-1953, Béla Bartók, 1881-1945
Topic / Theme
Rehearsals, Performing arts occupations, Performing arts life, Piano, Symphony orchestra
Copyright Message
Copyright © 2013 by C Major Entertainment
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The History of Classical MusicMusic of Medieval Times
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 11 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 11 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Pope Gregory I, 0540-0604, Léonin, 1150-1201, Pérotin, 1160-1240
Topic / Theme
Greek, English, Ancient civilizations, Musical instruments, Religious beliefs, Church services, Poetry, Composers, Musicology, Expression in performance, Performance practice, Music theory, Music notation
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Musical Renaissance
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 12 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 12 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Philippe de Vitry, 1291-1361, Guillaume de Machaut, 1300-1377, Guillaume Du Fay, 1397-1474, Duke Philip the Good, 1396-1467, Gilles Binchois, 1400-1460, Johannes Ockeghem, 1410-1497, Josquin des Prez, 1455-1521, William Byrd, 1540-1623
Topic / Theme
Italian, French, Catholicism, Music, Musical instruments, Composers, Creativity, Performance practice, Publishing, Expression in performance, Musicology, Chorus, Viol da Gamba, Lute
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Baroque Era
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 13 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 13 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Jean-Baptiste Rousseau, 1671-1741, Jacopo Peri, 1561-1633, Claudio Monteverdi, 1567-1643, Johann Sebastian Bach, 1685-1750, George Frideric Handel, 1685-1759, Antonio Vivaldi, 1678-1741
Topic / Theme
Italian, Emotions and feelings, Music, Biographies, Composers, Cultural life, Creativity, Music composition, Musicology, Expression in performance, Performance practice, Organ
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Classical Period
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 17 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 17 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Johann Sebastian Bach, 1685-1750, Johann Stamitz, 1717-1757, Joseph Haydn, 1732-1809, Wolfgang Amadeus Mozart, 1756-1791, Ludwig van Beethoven, 1770-1827
Topic / Theme
Philosophy, Music, Cultural life, Music composition, Performance practice, Expression in performance, Musical ensembles, Concerts, Musicology, Symphony orchestra
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Romantic Era
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 14 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 14 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Johann Wolfgang von Goethe, 1749-1832, Franz Peter Schubert, 1797-1828, Robert Schumann, 1810-1856, Clara Schumann, 1819-1896, Fanny Mendelssohn-Hensel, 1805-1847, Felix Mendelssohn, 1809-1847, Franz Liszt, 1811-1886, Gioachino Rossini, 1792-1868, Giuseppe Verdi, 1813-1901, Richard Wagner, 1813-1883
Topic / Theme
Italian, German, War, Cultural life, Mental illnesses, Composers, Music composition, Performance practice, Expression in performance, Musicology, Nationalism, Program Music
Copyright Message
Copyright © 2003 by Lucent Books.
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The History of Classical MusicThe Modern Era
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 13 page(s)
Sample
written by Stuart A. Kallen (San Diego, CA: Lucent Books, 2003), 13 page(s)
Field of Study
Classical Music
Content Type
General reference book, Compendium
Author / Creator
Stuart A. Kallen
Date Published / Released
2003
Publisher
Lucent Books
Person Discussed
Igor Stravinsky, 1882-1971, Claude Debussy, 1862-1918, Gustav Mahler, 1860-1911, Arnold Schoenberg, 1874-1951, Alban Berg, 1885-1935, Anton Friedrich Wilhelm von Webern, 1883-1945, Edgard Varèse, 1883-1965, Karlheinz Stockhausen, 1928-2007, John Cage, 1912-1992
Topic / Theme
Music composition, Performance practice, Expression in performance, Impressionism, Concerts, Avant-garde, Electronic
Copyright Message
Copyright © 2003 by Lucent Books.
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History of Vocal Teaching I: An Exploration of a Vocal Lineage
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisab...
Open Access
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Description
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsope...
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsoper Berlin. Following a direct lineage to great teachers in the 19th century, the Dutch baritone Johannes Messchaert (1857-1922), the German teacher Julius Stockhausen (1826-1906) and the Spanish educator Manuel Patricio Rodríguez García (1805-1906). Giving examples of exercises for beginners and advanced students. This film is suitable for classroom teaching or individual study.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Performer / Ensemble
Jutta Vulpius, 1927-, Janis Kelly, Norbert Meyn, fl. 1997
Contributor
Janis Kelly, Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Norbert Meyn, fl. 1997, Janis Kelly, Jutta Vulpius, 1927-
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Manuel Garcia, 1805-1906, Johannes Messchaert, 1857-1922, Elisabeth Grümmer, Franziska Martienssen-Lohmann, 1887-1971
Topic / Theme
Performance coaching, Educational methods, Music practice, Musical technique, Singing, Singers, Baritone, Soprano
Copyright Message
Copyright © 2010 Lieder Theatre Limited
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History of Vocal Teaching III: My Building Blocks of Singing, with Laura Sarti
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teach...
Open Access
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
Description
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born i...
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born in 1924 in Trieste, Italy where she heard many of the great Italian singers. Her family emigrated to Egypt in 1939. After the war she came to England, where she stayed for the rest of her life. During her operatic career she sang for E.N.O., W.N.O. and Glyndebourne, and she was a founder cast member of both Kent and Scottish Opera. She made many recordings for the BBC and was a noted recitalist. She sings in the Glyndebourne CD of Barber of Seville and in Erato CD of Monteverdi’s Orfeo. A professor and Fellow of the Guildhall School of Music & Drama since the 1970s, she has developed an international reputation as a teacher and regularly gave Master Classes in Britain, France, Switzerland, Sweden, Germany, Ireland and Portugal. She has many pupils of world renown. Beginning with breathing and posture, going on to focusing and balancing vowel sounds, lifting the soft palate, articulation of consonants and appoggio (‘leaning on the breath’), she demonstrates the basic elements of building a technique that will enable a singer to become a true interpreter, able to reveal colours fuelled by the artistic imagination in the sound of the voice. With her pupils Clare Ghigo and Ricardo Panela she demonstrates a typical sequence of exercises and gives brief coaching on operatic repertoire.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Contributor
Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Mairi Ankers, fl. 1997, Norbert Meyn, fl. 1997
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Laura Sarti
Topic / Theme
Educational methods, Singing, Performance coaching, Music practice, Musical technique, Opera, Voice
Copyright Message
Copyright © 2015 Lieder Theatre Limited
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