Browse Titles - 197 results
And The Moon Dances
directed by Garin Nugroho, 1961-; performed by Bambang S. Jayantoro, fl. 1995, Wiwiek Handawiyah, fl. 1995 and Pramana Padmodarmaya, fl. 1995-2002 (Indonesia: Set Film Workshop), 2 hours 3 mins
Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved fo...
Sample
directed by Garin Nugroho, 1961-; performed by Bambang S. Jayantoro, fl. 1995, Wiwiek Handawiyah, fl. 1995 and Pramana Padmodarmaya, fl. 1995-2002 (Indonesia: Set Film Workshop), 2 hours 3 mins
Description
Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard...
Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard throughout. It is an intensely emotional meditation upon the relationship between the generations and the role of music in the search for recovery from a traumatic past and for identity in an uncertain present. Director Garin Nugroho, who has described himself as 'a Javanese living amidst multiculturalism,' and who celebrates Indonesian cultural diversity in such films as A Poet, here explores Javanese culture. He sees this film as 'encompassing at the same time refinement and cruelty, softness and tyranny, and a beauty based on feudalism.' Awards/Festivals: Best Director Award, Nantes International Film Festival. Special Jury Prize at the Nantes Three Continent Film Festival.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Bambang S. Jayantoro, fl. 1995, Wiwiek Handawiyah, fl. 1995, Pramana Padmodarmaya, fl. 1995-2002
Contributor
Garin Nugroho, 1961-
Author / Creator
Garin Nugroho, 1961-, Bambang S. Jayantoro, fl. 1995, Wiwiek Handawiyah, fl. 1995, Pramana Padmodarmaya, fl. 1995-2002
Date Published / Released
1995
Publisher
Set Film Workshop
Topic / Theme
Javanese, Musicians, Relationships
Copyright Message
Copyright © 1995 Used by permission of Set Film Workshop.
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Anson Gonzales interview
produced by Banyan Archive; interview by Magella Moreau, fl. 2000 (Trinidad and Tobago: Banyan Archive, 2007), 53 mins
Magella Moreau interviews poet, Anson Gonzales about his life as an editor, poet and publisher.
Sample
produced by Banyan Archive; interview by Magella Moreau, fl. 2000 (Trinidad and Tobago: Banyan Archive, 2007), 53 mins
Description
Magella Moreau interviews poet, Anson Gonzales about his life as an editor, poet and publisher.
Date Written / Recorded
2007-06-06
Field of Study
Literature
Content Type
Interview
Contributor
Banyan Archive
Author / Creator
Magella Moreau, fl. 2000
Date Published / Released
2007
Publisher
Banyan Archive
Person Discussed
Anson Gonzales, fl. 1960
Topic / Theme
Writers
Copyright Message
Copyright © 2007. Used with permission of the Banyan Archive.
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The Arsonist
directed by U-Wei Haji Saari, 1954-; performed by Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004 and Ngasrizal Ngasri, fl. 1993-2010 (Malaysia: Privately Published), 1 hour 7 mins
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His fami...
Sample
directed by U-Wei Haji Saari, 1954-; performed by Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004 and Ngasrizal Ngasri, fl. 1993-2010 (Malaysia: Privately Published), 1 hour 7 mins
Description
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with the...
U-Wei Bin Haji Saari based "The Arsonist" (1995) on William Faulkner's short story "Barn Burning," transposing it from the Deep South to Malaysia. The filmmaker stays true to its core, but depicts the position of a Javanese man who has married a Malaysian woman, and is continually in a state of rebellion. His family is isolated from the community, and their life is continually disrupted. They are often reduced to camping out in the open with their goats. His middle son admires his courage, but asks himself if his honor demands him to stop his father from ruining himself and their family. The movie premiered at the Singapore International Film Festival, and went on to be the most honored Malaysian film in history, selected in Cannes, and winning the Grand Prize (Best International Film) at the Brussels Film Festival. Other Festivals: Nominated Silver Lion Best Short Film Venice Film Festival 2004; Los Angeles International Short Film Festival 2004.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004, Ngasrizal Ngasri, fl. 1993-2010
Contributor
U-Wei Haji Saari, 1954-
Author / Creator
U-Wei Haji Saari, 1954-, Jamaluddin Kadir, fl. 1995-2009, Anwar Idris, fl. 2008-2004, Ngasrizal Ngasri, fl. 1993-2010
Date Published / Released
1995
Publisher
Privately Published
Topic / Theme
Malay, Agriculture, Relationships, Marriage, Rural population
Copyright Message
Copyright © 1995 Used by permission of Uwei Haji Saari.
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August Sun
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, e...
Sample
directed by Prasanna Vithanage, 1962-; performed by Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012 and Peter D'Almeida, fl. 1994-2003 (Sri Lanka: Privately Published), 1 hour 44 mins
Description
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband,...
This filmic offering by acclaimed director Prasanna Vithanage (Walls Within and Death on a Full Moon Day) is a poignant narrative of human displacement against the backdrop of the bitter, real-life conflict between the Sinhalese and Tamil people of Sri Lanka. The film traces the experience of three individuals, each of whom is affected by the war in different ways. Chamari enlists the aid of a London-based journalist to help locate her husband, a pilot who was captured by the Tamil Tigers; a young Muslim boy Arfath tries to keep his dog, even as his family joins thousands of other Muslims in a mass exodus to escape the conflict; and Dumida, a lonely young soldier, discovers that his sister has been working as a prostitute in a brothel that serves both Sinhalese and Tamil soldiers. All of these events, presented from a Sinhalese perspective, take place under the searing heat of a hot August sun and the weight of lengthy civil war. Awards/Festivals: Grand Jury Prize and nominated Lino Brocka Award Cinemanila International Film Festival 2003; Grand Prix des Amriques Montreal World Film Festival 2003; FIPRESCI/NETPAC Award Singapore International Film Festival 2004; Amiens International Film Festival 2003; International Film Festival Rotterdam 2004; Deauville Asian Film Festival 2004.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Contributor
Prasanna Vithanage, 1962-
Author / Creator
Prasanna Vithanage, 1962-, Mohamed Rahfiulla, fl. 2003, Nimmi Harasgama, fl. 1997-2012, Peter D'Almeida, fl. 1994-2003
Date Published / Released
2003
Publisher
Privately Published
Topic / Theme
Sri Lankan, Armed forces, Refugees, War, Civil war
Copyright Message
Copyright © 2003 Used by permission of Prasanna Vithanage.
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Aventures dans les Iles
directed by Valérie Pasteau; produced by aaa production (Montreuil, Ile-de-France: aaa production, 2015), 52 mins
Quatre histoires de cinéma en Nouvelle-Calédonie.Tourner un film en Nouvelle-Calédonie, voilà qui pourrait constituer un fantasme pour bon nombre de cinéastes. De 1930 à nos jours, plusieurs d’entre eux ont posé leur caméra dans l’archipel. Mais leur vision des iles a suscité un certain nombre de male...
Sample
directed by Valérie Pasteau; produced by aaa production (Montreuil, Ile-de-France: aaa production, 2015), 52 mins
Description
Quatre histoires de cinéma en Nouvelle-Calédonie.Tourner un film en Nouvelle-Calédonie, voilà qui pourrait constituer un fantasme pour bon nombre de cinéastes. De 1930 à nos jours, plusieurs d’entre eux ont posé leur caméra dans l’archipel. Mais leur vision des iles a suscité un certain nombre de malentendus. C’est ainsi que Jean Mugeli et Georges Péclet cèdent aux amalgames et importent dans leur cinéma l’imaginaire propre à...
Quatre histoires de cinéma en Nouvelle-Calédonie.Tourner un film en Nouvelle-Calédonie, voilà qui pourrait constituer un fantasme pour bon nombre de cinéastes. De 1930 à nos jours, plusieurs d’entre eux ont posé leur caméra dans l’archipel. Mais leur vision des iles a suscité un certain nombre de malentendus. C’est ainsi que Jean Mugeli et Georges Péclet cèdent aux amalgames et importent dans leur cinéma l’imaginaire propre à la Polynésie. Quant à Marie-France Pisier et Mathieu Kassovitz, ils se voient vivement critiqués en abordant des sujets encore délicats en 1990 et 2010 : la colonisation et la prise d’otage dans la grotte d’Ouvéa.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
aaa production
Author / Creator
Valérie Pasteau
Date Published / Released
2015
Publisher
aaa production
Person Discussed
Georges Péclet, fl. 1919-1957, Jean Mugeli, fl. 1937-1951, Mathieu Kassovitz, 1967-, Marie-France Pisier, 1944-2011
Topic / Theme
Film industry, Pacific Islanders
Copyright Message
Copyright © 2015 AAA Production
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Barbados for Caribbean Eye tape One
interview by Tony Hall, 1948- (Trinidad and Tobago: Banyan Archive, 1989), 6 mins
00:00:00- Tony Hall continues his interview with Felix Henderson about his use of Creole language in his advertising.
00:05:56- Tony Hall interviews Dennis Sardinha about Nicolas Guillen
00:20:24- Shots of images of Nicolas Guillen (1)
Sample
interview by Tony Hall, 1948- (Trinidad and Tobago: Banyan Archive, 1989), 6 mins
Description
00:00:00- Tony Hall continues his interview with Felix Henderson about his use of Creole language in his advertising.
00:05:56- Tony Hall interviews Dennis Sardinha about Nicolas Guillen
00:20:24- Shots of images of Nicolas Guillen (1)
Field of Study
Literature
Content Type
Interview
Author / Creator
Tony Hall, 1948-
Date Published / Released
1989
Publisher
Banyan Archive
Person Discussed
Dennis Sardinha, fl. 1980, Felix Henderson, fl. 1980
Copyright Message
Copyright © 1989. Used with permission of the Banyan Archive.
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Barbados for Caribbean Eye tape six
produced by Banyan Productions (Trinidad and Tobago: Banyan Archive, 1989), 19 mins
Shots of Nancy Morejon walking in the environment (2)
Christopher Laird interviews Cliff Lashley about the significance and work of Victor Stafford Reid (V.S.Reid)
Nancy Morejon reads from her work MOTHER and explains its context
Sample
produced by Banyan Productions (Trinidad and Tobago: Banyan Archive, 1989), 19 mins
Description
Shots of Nancy Morejon walking in the environment (2)
Christopher Laird interviews Cliff Lashley about the significance and work of Victor Stafford Reid (V.S.Reid)
Nancy Morejon reads from her work MOTHER and explains its context
Field of Study
Anthropology
Content Type
Interview
Contributor
Banyan Productions
Date Published / Released
1989
Publisher
Banyan Archive
Topic / Theme
Poetry, Novels, Jamaicans
Copyright Message
Copyright © 1989. Used with permission of the Banyan Archive.
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Bird Man Tale
directed by Garin Nugroho, 1961-; performed by Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977- and Octavianus Rysiat Muabuay, fl. 2002 (Indonesia: Set Film Workshop), 1 hour 30 mins
Arnold, a 15 year old Papuan boy, obsesses over his desire to kiss a young woman he meets at the port. Meanwhile, his father Bertold, is being hunted down by a group of anonymous thugs for his political activities demanding justice for the detention of independence leader, Theys Hiyo Eluay. When Theys is murdered,...
Sample
directed by Garin Nugroho, 1961-; performed by Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977- and Octavianus Rysiat Muabuay, fl. 2002 (Indonesia: Set Film Workshop), 1 hour 30 mins
Description
Arnold, a 15 year old Papuan boy, obsesses over his desire to kiss a young woman he meets at the port. Meanwhile, his father Bertold, is being hunted down by a group of anonymous thugs for his political activities demanding justice for the detention of independence leader, Theys Hiyo Eluay. When Theys is murdered, Bertold goes into hiding, leaving his son to fend for himself. This is the first Indonesian feature set in Irian Jaya.
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977-, Octavianus Rysiat Muabuay, fl. 2002
Contributor
Garin Nugroho, 1961-
Author / Creator
Garin Nugroho, 1961-, Minus Coneston Karoba, fl. 2002-2008, Lulu Tobing, 1977-, Octavianus Rysiat Muabuay, fl. 2002
Date Published / Released
2002
Publisher
Set Film Workshop
Topic / Theme
Indonesian, Crime, Family, Political causes, Sexuality, Indonesians
Copyright Message
Copyright © 2002 Used by permission of Set Film Workshop.
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BLUE SOAP
directed by Christopher Cozier, 1959-; produced by Earth TV (Trinidad and Tobago: Banyan Archive, 1984), 6 mins
Video by Artist Christopher Cozier produced by EARTH TV
Sample
directed by Christopher Cozier, 1959-; produced by Earth TV (Trinidad and Tobago: Banyan Archive, 1984), 6 mins
Description
Video by Artist Christopher Cozier produced by EARTH TV
Field of Study
Anthropology
Content Type
Performance
Contributor
Earth TV
Author / Creator
Christopher Cozier, 1959-
Date Published / Released
1984
Publisher
Banyan Archive
Topic / Theme
Cultural identity
Copyright Message
Copyright © 1994. Used with permission of the Banyan Archive.
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Bowling Green Film Seminar: Mary-Jane Gomes Interview
interview by Bruce Paddington, fl. 1974-2016 (Banyan Archive, 1999), 37 mins
Bruce Paddington interviews filmmaker Mary-Jane Gomes
Sample
interview by Bruce Paddington, fl. 1974-2016 (Banyan Archive, 1999), 37 mins
Description
Bruce Paddington interviews filmmaker Mary-Jane Gomes
Date Written / Recorded
1999-03-29
Field of Study
Anthropology
Content Type
Interview
Author / Creator
Bruce Paddington, fl. 1974-2016
Date Published / Released
1999
Publisher
Banyan Archive
Person Discussed
Mary Jane Gomes, fl. 1990
Copyright Message
Copyright © 1999. Used with permission of the Banyan Archive.
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