Browse Titles - 2370 results
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Abavuga obugali (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 , 3 mins
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 , 3 mins
Description
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Abiia nensawo asiima (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 , 3 mins
A song recalling the first arrival of the English who introduced trade and better methods of agriculture.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 , 3 mins
Description
A song recalling the first arrival of the English who introduced trade and better methods of agriculture.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Abiiru Drum Rhythms (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR181 , 13 mins
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced dr...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR181 , 13 mins
Description
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced drums of the same shape but varying in pitch. At this mine a number of them had been improvised from oil drums, 44 gallon and 8 gallon me...
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced drums of the same shape but varying in pitch. At this mine a number of them had been improvised from oil drums, 44 gallon and 8 gallon metal containers. The chief drummer is called - Umwiiro maukuru. The second drummer is called - Uwaura. The timekeeper drummer is called - Ishakwe. The beaters or drumsticks are called - Murisho (s.) Imirisho (pl.). The names of the drums are from treble to bass. Lead drum -- (in this case a small bucket drum) -- Ishako. First drum - Nyahura. Second drum - Nterero. Third drum - Irubi. Fourth drum - Luvugamahame. Fifth drum - Chihumurizo. The leader plays his own drum and sometimes the three also on either side of him (4 all told) when setting a rhythm. His second-in-command also plays his own drum and sometimes one on either side (3 in all). The time setter stands out in front of the line and keeps the time going. This recording was made near a plantation of tall eucalyptus (blue gum) trees and the diffuse echo from the boughs and leaves overhead can be clearly heard throughout.
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Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Abu madzada (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
The tuning of this little Nile valley harp is interesting, viz:-- 396, 324, 292, 252, 224, vs. as it does not cover a complete octave which is more usual with other harps of this design. Presumably had there been a sixth string it would have been tuned to 198 the lower octave of the top note thus giving a pentaton...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
Description
The tuning of this little Nile valley harp is interesting, viz:-- 396, 324, 292, 252, 224, vs. as it does not cover a complete octave which is more usual with other harps of this design. Presumably had there been a sixth string it would have been tuned to 198 the lower octave of the top note thus giving a pentatonic scale.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Achicatao = The blouse (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 , 3 mins
The singer's wife asked a tailor to make her a new fashioned blouse. He did so and she was very happy and delighted with her new blouse. The origin of the word 'Achikatao' is obscure, possibly from the Portuguese chita -- cotton print fabric or Chitâo -- cretonne.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 , 3 mins
Description
The singer's wife asked a tailor to make her a new fashioned blouse. He did so and she was very happy and delighted with her new blouse. The origin of the word 'Achikatao' is obscure, possibly from the Portuguese chita -- cotton print fabric or Chitâo -- cretonne.
Date Written / Recorded
1956
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Achifa dukwana chamina = This handkerchief of mine (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR008 , 3 mins
This handkerchief of mine reminds me of my old people at Chaichai. My wife does not bring me water to wash with and I go around like a Tsotsi (vagabond). Who is that who looks like my father? It is Alberto Tentowani.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR008 , 3 mins
Description
This handkerchief of mine reminds me of my old people at Chaichai. My wife does not bring me water to wash with and I go around like a Tsotsi (vagabond). Who is that who looks like my father? It is Alberto Tentowani.'
Date Written / Recorded
1955
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Acinkanja (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR083 , 2 mins
This song is a most interesting piece of part singing by the wives of African police constables. Acinkanga, nkajanguya kuteputa cisani cikwisa nasimene asungu anakutepula.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR083 , 2 mins
Description
This song is a most interesting piece of part singing by the wives of African police constables. Acinkanga, nkajanguya kuteputa cisani cikwisa nasimene asungu anakutepula.
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Ada a Banda (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 , 3 mins
"My father, Banda, has gone off to work in the towns, for a long long time, to buy himself clothes." how true a reflection this is upon thousands of Tonga men in this district who go off to mines and towns for their own reasons leaving the women and children to fend for themselves at home. Many send back money, bu...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 , 3 mins
Description
"My father, Banda, has gone off to work in the towns, for a long long time, to buy himself clothes." how true a reflection this is upon thousands of Tonga men in this district who go off to mines and towns for their own reasons leaving the women and children to fend for themselves at home. Many send back money, but as many others find local foreign girls and forget their home and children.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Adamu, we (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR096 , 2 mins
The theme of migrant labour, of the men working far away in S. Rhodesia, N. Rhodesia or in South Africa is a constant one among the women who have been left behind. "Adamu we, aye aye! Koto wo Wandisiya maule aye, wo aye aye! Ine ndi kulila, aye aye wo!" "Adam a-ye-a-ye. You have left me. I am crying -- I will tak...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR096 , 2 mins
Description
The theme of migrant labour, of the men working far away in S. Rhodesia, N. Rhodesia or in South Africa is a constant one among the women who have been left behind. "Adamu we, aye aye! Koto wo Wandisiya maule aye, wo aye aye! Ine ndi kulila, aye aye wo!" "Adam a-ye-a-ye. You have left me. I am crying -- I will take a train and follow you."
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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See details
Adisi adisi (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR083 , 4 mins
A story of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was fascinated by their spots. She said "Oh! can't you mke me some lo...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR083 , 4 mins
Description
A story of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was fascinated by their spots. She said "Oh! can't you mke me some lovely spots like yours." The said: "No! we cannot because we are afraid of your father and mother." But the girl said: "Don't you be afr...
A story of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was fascinated by their spots. She said "Oh! can't you mke me some lovely spots like yours." The said: "No! we cannot because we are afraid of your father and mother." But the girl said: "Don't you be afraid of my parents." So they made them for her. Then she went off to an old woman who was a cannibal and was delighted to see the girl - but the firl put on her spots and escaped.
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Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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