Browse Titles - 1141 results
Abarinda nibarwana (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 , 3 mins
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 , 3 mins
Description
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Abatandani ngumasingili = Their love for each other is exalted (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 , 2 mins
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 , 2 mins
Description
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Date Written / Recorded
1957
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abiiru Drum Rhythms (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR181 , 13 mins
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced dr...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR181 , 13 mins
Description
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced drums of the same shape but varying in pitch. At this mine a number of them had been improvised from oil drums, 44 gallon and 8 gallon me...
The titles of the items are: 1. Ibyiivuko (cries). 2. Umusuko. 3. Akakira. 4. Zidjezikarabwe. 5. Urubunda. 6. Uruhamiriza. 7. Uruchantege. 8. Uwabjgega. 9. Umuganura. 10. Urugamgazi. 11. Unubambura. 12. Agasiga. 13. Tubaru shumwami. 14. Ururuna. 15. Urukina. The whole set of drums should have been conical laced drums of the same shape but varying in pitch. At this mine a number of them had been improvised from oil drums, 44 gallon and 8 gallon metal containers. The chief drummer is called - Umwiiro maukuru. The second drummer is called - Uwaura. The timekeeper drummer is called - Ishakwe. The beaters or drumsticks are called - Murisho (s.) Imirisho (pl.). The names of the drums are from treble to bass. Lead drum -- (in this case a small bucket drum) -- Ishako. First drum - Nyahura. Second drum - Nterero. Third drum - Irubi. Fourth drum - Luvugamahame. Fifth drum - Chihumurizo. The leader plays his own drum and sometimes the three also on either side of him (4 all told) when setting a rhythm. His second-in-command also plays his own drum and sometimes one on either side (3 in all). The time setter stands out in front of the line and keeps the time going. This recording was made near a plantation of tall eucalyptus (blue gum) trees and the diffuse echo from the boughs and leaves overhead can be clearly heard throughout.
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Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abu madzada (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
The tuning of this little Nile valley harp is interesting, viz:-- 396, 324, 292, 252, 224, vs. as it does not cover a complete octave which is more usual with other harps of this design. Presumably had there been a sixth string it would have been tuned to 198 the lower octave of the top note thus giving a pentaton...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
Description
The tuning of this little Nile valley harp is interesting, viz:-- 396, 324, 292, 252, 224, vs. as it does not cover a complete octave which is more usual with other harps of this design. Presumably had there been a sixth string it would have been tuned to 198 the lower octave of the top note thus giving a pentatonic scale.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Hazarajat, Central Afghanistan Collection , Hazarajat 1972 (1972), 30 secs, 1 page(s)
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1972
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Hazarajat, Central Afghanistan Collection , Hazarajat 1972 (1972), 24 secs, 1 page(s)
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1972
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Hazarajat, Central Afghanistan Collection , Hazarajat 1972 (1972), 1 min, 1 page(s)
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1972
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Hazarajat, Central Afghanistan Collection , Hazarajat 1972 (1972), 2 mins, 1 page(s)
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1972
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Hazarajat, Central Afghanistan Collection , Hazarajat 1972 (1972), 6 mins, 1 page(s)
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1972
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
Achifa dukwana chamina = This handkerchief of mine (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR008 , 3 mins
This handkerchief of mine reminds me of my old people at Chaichai. My wife does not bring me water to wash with and I go around like a Tsotsi (vagabond). Who is that who looks like my father? It is Alberto Tentowani.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR008 , 3 mins
Description
This handkerchief of mine reminds me of my old people at Chaichai. My wife does not bring me water to wash with and I go around like a Tsotsi (vagabond). Who is that who looks like my father? It is Alberto Tentowani.'
Date Written / Recorded
1955
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×