Browse Titles - 129 results
Bilumbu (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 (1952) , 1 page(s)
The singers of this item had come north, down the Lualaba River and were over 400 miles from their home in Kongolo, near the junction of the Lualaba with its tributary which drains the overflow flood waters from Lake Tanganyika. This simple repetitive song is similar to many others associated with divination -- th...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 (1952) , 1 page(s)
Description
The singers of this item had come north, down the Lualaba River and were over 400 miles from their home in Kongolo, near the junction of the Lualaba with its tributary which drains the overflow flood waters from Lake Tanganyika. This simple repetitive song is similar to many others associated with divination -- the repetitions in themselves exercising a kind of hypnotic effect suited to the occasion.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Drum, Rattle
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Bugenda kilo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 1 page(s)
You are too fond of visiting villages in search of women. One day you will meet an angry man who will hit you.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 1 page(s)
Description
You are too fond of visiting villages in search of women. One day you will meet an angry man who will hit you.'
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Clapping, hand, Drum, Sticks
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Chakunaka (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 (1950) , 2 page(s)
This story, told by an old woman, of the handsome young man and his jealous mother is almost identical with a similar story I found amongst the Karange of S. Rhodesia in 1932.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 (1950) , 2 page(s)
Description
This story, told by an old woman, of the handsome young man and his jealous mother is almost identical with a similar story I found amongst the Karange of S. Rhodesia in 1932.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Chepchoni Marinda (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR164 (1950) , 1 page(s)
This lyre is strummed like a Guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was: - 308, 256, 232, 206, 180, (154) vs.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR164 (1950) , 1 page(s)
Description
This lyre is strummed like a Guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was: - 308, 256, 232, 206, 180, (154) vs.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Lyre, Kipukandet
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Chibola mu lumbai (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 (1957) , 1 page(s)
The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 (1957) , 1 page(s)
Description
The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Drum, Mirliton
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Chila twachinda naba matombo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR179 (1952) , 1 page(s)
A song for Chief Kazembe, also used as a canoe song. These chidlren demonstrate a typically Luunda organum style fo singing.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR179 (1952) , 1 page(s)
Description
A song for Chief Kazembe, also used as a canoe song. These chidlren demonstrate a typically Luunda organum style fo singing.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, Song, Vocals, group
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ching’ombe Kulowa, 1st movement (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950) , 1 page(s)
The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large buttefly bows tied onto the top of the heads of several of the dancers.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950) , 1 page(s)
Description
The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large buttefly bows tied onto the top of the heads of several of the dancers.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Gourd, struck, Malipenga, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Chinyau (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950) , 2 page(s)
"I'll go to Zomba to dance Jir with my friend Mailole." The girls clap the first four beats in the bar.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950) , 2 page(s)
Description
"I'll go to Zomba to dance Jir with my friend Mailole." The girls clap the first four beats in the bar. The mask of the male dancer consists of a headpiece covered with sheep's wool, crowned with guinea-fowl feathers and a rag costume of sacking. The male dancer may not approach near the women hence the distance away of the singing chorus. Four drummers provide the rhythm and the assembled women sing the chorus.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Chitengi (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR180 (1950) , 2 page(s)
"Black cloth may not be worn by a woman who is about to have a child, she may use any other coloured cloth but not black." Such simple sentences revealing local etiquette are quite enough to inspire a local dance song. The Chokwe are more renowned for their beautiful chip carving than for their music -- much of it...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR180 (1950) , 2 page(s)
Description
"Black cloth may not be worn by a woman who is about to have a child, she may use any other coloured cloth but not black." Such simple sentences revealing local etiquette are quite enough to inspire a local dance song. The Chokwe are more renowned for their beautiful chip carving than for their music -- much of it sung in organum.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Rattle, Gourd, struck, Sticks
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Citawala 2nd movement (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950) , 1 page(s)
A good example of Malipenga playing and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drums which accompany the singing gourds. "Men and women, togeher with the chief, you have come here to see the clever dancers. We come from to...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950) , 1 page(s)
Description
A good example of Malipenga playing and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drums which accompany the singing gourds. "Men and women, togeher with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Are two melodies for this 2nd movement. There are two movements in the Mugunda dance, the second...
A good example of Malipenga playing and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drums which accompany the singing gourds. "Men and women, togeher with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Are two melodies for this 2nd movement. There are two movements in the Mugunda dance, the second is performed with drums only and without the Malipenga gourds.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×